{"id":4082,"date":"2017-01-31T05:26:27","date_gmt":"2017-01-31T03:26:27","guid":{"rendered":"http:\/\/lab.wrkshp.fi\/huopaniemi\/?post_type=glossary&#038;p=4082"},"modified":"2017-12-27T13:33:46","modified_gmt":"2017-12-27T11:33:46","slug":"1-2en2","status":"publish","type":"glossary","link":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-2en2\/","title":{"rendered":"1.2EN2"},"content":{"rendered":"<p>According to Marcus Terentius Varro, the Roman writer cited by Giorgio Agamben in <em>Infancy and History<\/em>, both poets and actors are indelibly involved with making gestures, as &ldquo;the play is made by the poet, but not acted by him; it is acted by the actor, but not made by him.&rdquo; In contrast to this borderline state of making but not enacting or enacting but not making, the emperor &ldquo;neither makes nor acts, but takes charge, in other words carries the burden of [responsibility].&rdquo; (Varro according to <a class=\"glossaryLink cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Agamben, Giorgio. 2006.&nbsp;&amp;lt;em&amp;gt;Infancy and History: On the Destruction of Experience.&nbsp;&amp;lt;\/em&amp;gt;Translated by Liz Heron. London and New York: Verso.&amp;amp;nbsp;&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/agamben-2006en\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Agamben 2006EN<\/a>, 140). For Agamben, Varro&rsquo;s observation suggests what a gesture is (Agamben 2006EN, 139). In this light, certain claims could be made of this research: whereas DAR makes gestures, the ultimate responsibility for the research lies with me. On this stage, words are like actors in that they take different shapes and forms, transform.<\/p>","protected":false},"excerpt":{"rendered":"<p>According to Marcus Terentius Varro, the Roman writer cited by Giorgio Agamben in Infancy and [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"glossary-categories":[46],"glossary-tags":[],"class_list":["post-4082","glossary","type-glossary","status-publish","hentry","glossary-categories-note-1-2en"],"_links":{"self":[{"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/glossary\/4082","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/glossary"}],"about":[{"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/types\/glossary"}],"author":[{"embeddable":true,"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/comments?post=4082"}],"version-history":[{"count":7,"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/glossary\/4082\/revisions"}],"predecessor-version":[{"id":4098,"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/glossary\/4082\/revisions\/4098"}],"wp:attachment":[{"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/media?parent=4082"}],"wp:term":[{"taxonomy":"glossary-categories","embeddable":true,"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/glossary-categories?post=4082"},{"taxonomy":"glossary-tags","embeddable":true,"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/glossary-tags?post=4082"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}