{"id":4494,"date":"2017-02-08T14:51:20","date_gmt":"2017-02-08T12:51:20","guid":{"rendered":"http:\/\/lab.wrkshp.fi\/huopaniemi\/?post_type=glossary&#038;p=4494"},"modified":"2017-12-27T13:48:03","modified_gmt":"2017-12-27T11:48:03","slug":"1-6fi2-2","status":"publish","type":"glossary","link":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-6fi2-2\/","title":{"rendered":"1.6FI2"},"content":{"rendered":"<p>T&auml;ss&auml; seuraan jakoa teknisiin yksil&ouml;ihin, elementteihin ja kokonaisuuksiin, jonka Hayles lainaa Gilbert Simondonin <em>Du mode d&rsquo;existence des objets techniques<\/em>&nbsp;-teoksesta (2001). Haylesin luennan mukaan Simondonilla tekniikka on &rdquo;teknisten objektien ilmestymisen, kiinteytymisen, purkautumisen ja kehittymisen tutkimista&rdquo; (<a class=\"glossaryLink cmtt_refer-fi cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Hayles, N. Katherine. 2012.&nbsp;&amp;lt;em&amp;gt;How We Think: Digital Media and Contemporary Technogenesis.&amp;lt;\/em&amp;gt; Chicago &amp;amp;amp;&nbsp;London: The University of Chicago Press.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/hayles-2012\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Hayles 2012<\/a>, 87).<\/p>","protected":false},"excerpt":{"rendered":"<p>T\u00e4ss\u00e4 seuraan jakoa teknisiin yksil\u00f6ihin, elementteihin ja kokonaisuuksiin, jonka Hayles lainaa Gilbert Simondonin Du mode [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"glossary-categories":[54],"glossary-tags":[],"class_list":["post-4494","glossary","type-glossary","status-publish","hentry","glossary-categories-note-1-6fi"],"_links":{"self":[{"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/glossary\/4494","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/glossary"}],"about":[{"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/types\/glossary"}],"author":[{"embeddable":true,"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/comments?post=4494"}],"version-history":[{"count":2,"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/glossary\/4494\/revisions"}],"predecessor-version":[{"id":4497,"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/glossary\/4494\/revisions\/4497"}],"wp:attachment":[{"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/media?parent=4494"}],"wp:term":[{"taxonomy":"glossary-categories","embeddable":true,"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/glossary-categories?post=4494"},{"taxonomy":"glossary-tags","embeddable":true,"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/glossary-tags?post=4494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}