{"id":5981,"date":"2017-02-02T18:00:08","date_gmt":"2017-02-02T16:00:08","guid":{"rendered":"http:\/\/lab.wrkshp.fi\/huopaniemi\/?post_type=glossary&#038;p=5981"},"modified":"2026-03-19T14:26:52","modified_gmt":"2026-03-19T12:26:52","slug":"1-4en4","status":"publish","type":"glossary","link":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-4en4\/","title":{"rendered":"1.4EN4"},"content":{"rendered":"<p>In philology, a commentary is a linear explanation of a text that proceeds &ldquo;line-by-line or even word-by-word,&rdquo; an informational parallel text. For the sake of this study, it is interesting to note that commentaries are generally considered to utilize&nbsp;<em>close reading<\/em>, which is discussed both&nbsp;in Hayles and&nbsp;in this thesis (see&nbsp;<a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/frag\/14\/\">2.2<\/a>). In this context, it is essential to ask how a commentary based on <em>hyper<\/em> or <em>machine reading<\/em> differs from one based exclusively on close reading.&nbsp;(<a class=\"glossaryLink cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;quot;Commentary (philology).&rdquo;&nbsp;&amp;lt;i&amp;gt;Wikipedia.&nbsp;&amp;lt;\/i&amp;gt;Online encyclopedia. Accessed&nbsp;27 July 2017. &amp;lt;a href=&amp;quot;https:\/\/en.wikipedia.org\/wiki\/Commentary_(philology)&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;&amp;lt;span class=&amp;quot;s1&amp;quot;&amp;gt;en.wikipedia.org\/wiki\/Commentary_(philology)&amp;lt;\/span&amp;gt;&amp;lt;\/a&amp;gt;&amp;lt;br\/&amp;gt;&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/wikipedia-27-july-2017\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Wikipedia 27 July 2017<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In philology, a commentary is a linear explanation of a text that proceeds \u201cline-by-line or [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"glossary-categories":[49],"glossary-tags":[],"class_list":["post-5981","glossary","type-glossary","status-publish","hentry","glossary-categories-note-1-4en"],"_links":{"self":[{"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/glossary\/5981","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/glossary"}],"about":[{"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/types\/glossary"}],"author":[{"embeddable":true,"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/comments?post=5981"}],"version-history":[{"count":9,"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/glossary\/5981\/revisions"}],"predecessor-version":[{"id":21063,"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/glossary\/5981\/revisions\/21063"}],"wp:attachment":[{"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/media?parent=5981"}],"wp:term":[{"taxonomy":"glossary-categories","embeddable":true,"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/glossary-categories?post=5981"},{"taxonomy":"glossary-tags","embeddable":true,"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/glossary-tags?post=5981"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}