{"id":76,"date":"2016-02-05T14:45:35","date_gmt":"2016-02-05T12:45:35","guid":{"rendered":"http:\/\/lab.wrkshp.fi\/huopaniemi\/glossary\/"},"modified":"2017-12-29T12:54:34","modified_gmt":"2017-12-29T10:54:34","slug":"glossary","status":"publish","type":"page","link":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/","title":{"rendered":"Glossary"},"content":{"rendered":"<div class=\"cm-glossary classic-definition\"><div class=\"glossary-container \"><input type=\"hidden\" class=\"cmtt-attribute-field\" name=\"glossary_index_style\" value=\"classic-definition\"><div class=\"progress-indicator\" style=\"display:none\">\r\n                            <img src=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-content\/plugins\/TooltipProPlus\/assets\/css\/images\/ajax-loader.gif\" alt=\"AJAX progress indicator\"\/><\/div>\r\n\t\t<div class=\"glossary_top_filter\">\r\n\t\t\t<div class=\"left\">\r\n\t\t\t\t<select name=\"cat\" id=\"glossary-categories\" class=\"glossary-categories\"><option value=\"all\" selected>All Categories<\/option><option class=\"level-0\" value=\"61\">note-1-10en<\/option><option class=\"level-0\" value=\"62\">note-1-10fi<\/option><option class=\"level-0\" value=\"46\">note-1-2en<\/option><option class=\"level-0\" value=\"45\">note-1-2fi<\/option><option class=\"level-0\" value=\"47\">note-1-3en<\/option><option class=\"level-0\" value=\"48\">note-1-3fi<\/option><option class=\"level-0\" value=\"49\">note-1-4en<\/option><option class=\"level-0\" value=\"50\">note-1-4fi<\/option><option class=\"level-0\" value=\"51\">note-1-5en<\/option><option class=\"level-0\" value=\"52\">note-1-5fi<\/option><option class=\"level-0\" value=\"53\">note-1-6en<\/option><option class=\"level-0\" value=\"54\">note-1-6fi<\/option><option class=\"level-0\" value=\"55\">note-1-7en<\/option><option class=\"level-0\" value=\"56\">note-1-7fi<\/option><option class=\"level-0\" value=\"57\">note-1-8en<\/option><option class=\"level-0\" 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value=\"106\">note-4-1en<\/option><option class=\"level-0\" value=\"107\">note-4-1fi<\/option><option class=\"level-0\" value=\"105\">note-4-2en<\/option><option class=\"level-0\" value=\"104\">note-4-2fi<\/option><option class=\"level-0\" value=\"93\">note-4-3en<\/option><option class=\"level-0\" value=\"94\">note-4-3fi<\/option><option class=\"level-0\" value=\"9\">refer-en<\/option><option class=\"level-0\" value=\"8\">refer-fi<\/option><\/select><\/div>\r\n\t\t\t\t\t<\/div>\r\n\r\n\t\t<input type=\"hidden\" class=\"cmtt-attribute-field\" name=\"disable_listnav\" value=\"1\"><input type=\"hidden\" class=\"cmtt-attribute-field\" name=\"exact_search\" value=\"0\"><input type=\"hidden\" class=\"cmtt-attribute-field\" name=\"show_search\" value=\"0\"><input type=\"hidden\" class=\"glossary-hide-terms\" name=\"glossary-hide-terms\" value=\"0\"><input type=\"hidden\" class=\"glossary-hide-categories\" name=\"glossary-hide-categories\" value=\"0\"><input type=\"hidden\" class=\"glossary-hide-abbrevs\" name=\"glossary-hide-abbrevs\" value=\"0\"><input type=\"hidden\" class=\"glossary-hide-synonyms\" name=\"glossary-hide-synonyms\" value=\"0\"><input type=\"hidden\" class=\"glossary-perpage\" name=\"glossary-perpage\" value=\"0\"><input type=\"hidden\" name=\"tooltip_language\" value=\"\"><input type=\"hidden\" name=\"language_dropdown\" value=\"\"><input type=\"hidden\" name=\"languages_for_table\" value=\"\"><div id=\"glossaryList-nav\" class=\"listNav small\" role=\"tablist\"><\/div><ul class=\"glossaryList\" role=\"tablist\" id=\"glossaryList\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTermSet\"><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-1fi2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-1fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Olen k&auml;&auml;nt&auml;nyt englanninkielisen &amp;lt;em&amp;gt;technogenesis&amp;lt;\/em&amp;gt;-termin &rdquo;teknogeneesiksi&rdquo; seuraten muiden genesis-p&auml;&auml;tteisten termien vakiintuneita suomennoksia: ontogenesis | ontogeneesi (yksil&ouml;nkehitys), phylogenesis | fylogeneesi (lajin- tai suvunkehitys). &amp;lt;em&amp;gt;Teknogenia&amp;lt;\/em&amp;gt; olisi toinen suomennosvaihtoehto.&lt;\/div&gt;\"><span itemprop=\"name\">2.1FI4<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Olen k&auml;&auml;nt&auml;nyt englanninkielisen technogenesis-termin &rdquo;teknogeneesiksi&rdquo; seuraten muiden genesis-p&auml;&auml;tteisten termien vakiintuneita suomennoksia: ontogenesis | ontogeneesi (yksil&ouml;nkehitys), phylogenesis | fylogeneesi (lajin- tai suvunkehitys). Teknogenia olisi toinen suomennosvaihtoehto.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-2en0\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-2en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;I borrow the term&nbsp;&amp;lt;em&amp;gt;algorithmic translation&amp;lt;\/em&amp;gt;&nbsp;from Rita Raley, who in&nbsp;&amp;quot;Algorithmic Translations&rdquo; writes of the work of visual artist-poets Baden Pailthorpe and Eric Zboya, among other projects that utilize machine translation and mediation (Raley 2016).&lt;\/div&gt;\"><span itemprop=\"name\">1.2EN0<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">I borrow the term&nbsp;algorithmic translation&nbsp;from Rita Raley, who in&nbsp;&ldquo;Algorithmic Translations&rdquo; writes of the work of visual artist-poets Baden Pailthorpe and Eric Zboya, among other projects that utilize machine translation and mediation (<a class=\"glossaryLink cmtt_refer-fi cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Raley, Rita. 2016.&nbsp;&amp;quot;Algorithmic Translations.&rdquo; &amp;lt;em&amp;gt;CR: The New Centennial Review&amp;lt;\/em&amp;gt; 16(1): 115&ndash;138.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/raley-2015\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Raley 2016<\/a>).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-2en0-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-2en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;For a sociological perspective on algorithms, see Gillespie 2014EN. For a philosophical perspective on the relationship of algorithms and human cognition, see Parisi 2015. For algorithms as &amp;quot;black boxes,&rdquo; see Pasquale 2015. For the relationship of algorithms and knowledge, see Rouvroy 2013EN. For the relationship of algorithms and moral accountability, see Schuppli 2014. For the relationship of algorithms and the physical environment, see Slavin 2011EN.&lt;\/div&gt;\"><span itemprop=\"name\">1.2EN0.5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">For a sociological perspective on algorithms, see <a class=\"glossaryLink cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Gillespie, Tarleton. 2014. &amp;quot;The Relevance of Algorithms.&rdquo; &amp;lt;em&amp;gt;Media Technologies: Essays on Communication, Materiality, and Society&amp;lt;\/em&amp;gt;, ed. Tarleton Gillespie, 167&ndash;193. Cambridge ja Lontoo: The MIT Press.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/gillespie-2014en\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Gillespie 2014EN<\/a>. For a philosophical perspective on the relationship of algorithms and human cognition, see <a class=\"glossaryLink cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Parisi, Luciana. 2015. &amp;quot;Automated Cognition, Algorithmic Capitalism and the Incomputable.&rdquo; Algorithmic Cultures and Security, fourth gathering in the Posthuman Glossary series, BAK, Utrecht. Accessed 5 May 2016.&nbsp;Url: &amp;lt;a href=&amp;quot;https:\/\/vimeo.com\/140173695&amp;quot; target=&amp;quot;_blank&amp;quot;&amp;gt;vimeo.com\/140173695&amp;lt;\/a&amp;gt;&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/parisi-2015\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Parisi 2015<\/a>. For algorithms as &ldquo;black boxes,&rdquo; see <a class=\"glossaryLink cmtt_refer-fi cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Pasquale, Frank. 2015. &amp;lt;em&amp;gt;The Black Box Society: The Secret Algorithms That Control Money and Information&amp;lt;\/em&amp;gt;. Cambridge &amp;amp;amp; Lontoo: Harvard University Press.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/pasqaule-2015\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Pasquale 2015<\/a>. For the relationship of algorithms and knowledge, see <a class=\"glossaryLink cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Rouvroy, Antoinette. 2013. &rdquo;Algorithmic Governmentality and the End(s) of Critique&rdquo;. Society on the Query #2, Session 4: Reflections on Search, network cultures, 8&nbsp;November 2013. Url: &amp;lt;a href=&amp;quot;https:\/\/vimeo.com\/79880601&amp;quot; target=&amp;quot;_blank&amp;quot;&amp;gt;vimeo.com\/79880601&amp;lt;\/a&amp;gt;&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/rouvroy-2013en\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Rouvroy 2013EN<\/a>.(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-2en0-5-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-2en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;I would like to thank my external examiner Mika Elo for drawing my attention to the fact that the name DAR associates with &amp;lt;em&amp;gt;dar-stellen&amp;lt;\/em&amp;gt; and &amp;lt;em&amp;gt;dar-bieten&amp;lt;\/em&amp;gt;, the German verbs for presenting and demonstrating.&lt;\/div&gt;\"><span itemprop=\"name\">1.2EN0.7<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">I would like to thank my external examiner Mika Elo for drawing my attention to the fact that the name DAR associates with dar-stellen and dar-bieten, the German verbs for presenting and demonstrating.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-2en1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-8en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;In &amp;quot;Relational Ecology and the Digital Pharmakon,&rdquo; Stiegler touches on the impications of digital media for knowledge production: &amp;quot;If anthropogenesis is a technogenesis, with the digital this process arrives at a new stage where the techno-logic of knowledge as such must become central both to the reconsideration of the history of established knowledge in the light of the contemporary moment and to&amp;lt;em&amp;gt; the interrogation of the new forms of knowledge that digitisation brings forth&amp;lt;\/em&amp;gt;&rdquo; (Stiegler 2012EN, 15&ndash;16, emphasis added).&lt;\/div&gt;\"><span itemprop=\"name\">3.8EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">In &ldquo;Relational Ecology and the Digital Pharmakon,&rdquo; Stiegler touches on the impications of digital media for knowledge production: &ldquo;If anthropogenesis is a technogenesis, with the digital this process arrives at a new stage where the techno-logic of knowledge as such must become central both to(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-2en1-3\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-2en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;In &amp;quot;Performing Writing,&rdquo; Della Pollock describes performative writing as a technology or technique that &amp;quot;collapses distinctions by which creative and critical writing are typically isolated&rdquo; (Pollock 1998EN, 80).&lt;\/div&gt;\"><span itemprop=\"name\">1.2EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">In &ldquo;Performing Writing,&rdquo; Della Pollock describes performative writing as a technology or technique that &ldquo;collapses distinctions by which creative and critical writing are typically isolated&rdquo; (<a class=\"glossaryLink cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Pollock, Della. 1998.&nbsp;&amp;quot;Performing Writing.&rdquo; In &amp;lt;em&amp;gt;The Ends of Performance&amp;lt;\/em&amp;gt;, edited by Peggy Phelan and Jill Lane, 73&ndash;103. New York: New York University Press.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/pollock-1998en\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Pollock 1998EN<\/a>, 80).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-2en2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-2en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;According to Marcus Terentius Varro, the Roman writer cited by Giorgio Agamben in &amp;lt;em&amp;gt;Infancy and History&amp;lt;\/em&amp;gt;, both poets and actors are indelibly involved with making gestures, as &amp;quot;the play is made by the poet, but not acted by him; it is acted by the actor, but not made by him.&rdquo; In contrast to this borderline state of making but not enacting or enacting but not making, the emperor &amp;quot;neither makes nor acts, but takes charge, in other words carries the burden of [responsibility].&rdquo; (Varro according to Agamben 2006EN, 140). For Agamben, Varro&rsquo;s observation suggests what a gesture is (Agamben 2006EN, 139). In this light, certain claims could be made of this research: whereas DAR makes gestures, the ultimate responsibility for the research lies with me. On this stage, words are like actors in that they take different shapes and forms, transform.&lt;\/div&gt;\"><span itemprop=\"name\">1.2EN2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">According to Marcus Terentius Varro, the Roman writer cited by Giorgio Agamben in Infancy and History, both poets and actors are indelibly involved with making gestures, as &ldquo;the play is made by the poet, but not acted by him; it is acted by the actor, but not made by him.&rdquo; In contrast to this(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-2fi0\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-2fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Lainaan &amp;lt;em&amp;gt;algoritminen k&auml;&auml;nn&ouml;s&amp;lt;\/em&amp;gt; -k&auml;sitett&auml; Rita Raleylta, joka &rdquo;Algorithmic Translations&rdquo; -artikkelissaan k&auml;sittelee kuvataiteilija-runoilija Baden Pailthorpen ja Eric Zboyan koneellista k&auml;&auml;nt&auml;mist&auml; hy&ouml;dynt&auml;vi&auml; t&ouml;it&auml; (Raley 2016).&lt;\/div&gt;\"><span itemprop=\"name\">1.2FI0<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Lainaan algoritminen k&auml;&auml;nn&ouml;s -k&auml;sitett&auml; Rita Raleylta, joka &rdquo;Algorithmic Translations&rdquo; -artikkelissaan k&auml;sittelee kuvataiteilija-runoilija Baden Pailthorpen ja Eric Zboyan koneellista k&auml;&auml;nt&auml;mist&auml; hy&ouml;dynt&auml;vi&auml; t&ouml;it&auml; (Raley 2016).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-2fi0-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-2fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Sosiologinen n&auml;k&ouml;kulma algoritmeihin ks. Gillespie 2014FI. Filosofinen n&auml;k&ouml;kulma algoritmien ja inhimillisen kognition suhteisiin ks. Parisi 2015FI. Algoritmit &rdquo;mustina laatikoina&rdquo; ks. Pasquale 2015. Tiedon ja algoritmien suhteesta ks. Rouvroy 2013FI. Algoritmien ja moraalisen tilivelvollisuuden suhteista ks. Schuppli 2014FI. Algoritmien ja fyysisen ymp&auml;rist&ouml;n suhteista ks. Slavin 2011FI.&lt;\/div&gt;\"><span itemprop=\"name\">1.2FI0.5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Sosiologinen n&auml;k&ouml;kulma algoritmeihin ks. <a class=\"glossaryLink cmtt_refer-fi\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Gillespie, Tarleton. 2014. &amp;quot;The Relevance of Algorithms.&rdquo; &amp;lt;em&amp;gt;Media Technologies: Essays on Communication, Materiality, and Society&amp;lt;\/em&amp;gt;, toim. Tarleton Gillespie, 167&ndash;193. Cambridge ja Lontoo: The MIT Press.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/gillespie-2014fi\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Gillespie 2014FI<\/a>. Filosofinen n&auml;k&ouml;kulma algoritmien ja inhimillisen kognition suhteisiin ks. <a class=\"glossaryLink cmtt_refer-fi\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Parisi, Luciana. 2015. &rdquo;Automated Cognition, Algorithmic Capitalism and the Incomputable.&rdquo; Algorithmic Cultures and Security, fourth gathering in the Posthuman Glossary series, BAK, Utrecht. Haettu 5.5.2016.&nbsp;Url: &amp;lt;a href=&amp;quot;https:\/\/vimeo.com\/140173695&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;vimeo.com\/140173695&amp;lt;\/a&amp;gt;&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/parisi-2015fi\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Parisi 2015FI<\/a>. Algoritmit &rdquo;mustina laatikoina&rdquo; ks. Pasquale 2015. Tiedon ja algoritmien suhteesta ks. <a class=\"glossaryLink cmtt_refer-fi\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Rouvroy, Antoinette. 2013. &rdquo;Algorithmic Governmentality and the End(s) of Critique&rdquo;. Society on the Query #2, Session 4: Reflections on Search, network cultures, 8.11.2013. Url: &amp;lt;a href=&amp;quot;https:\/\/vimeo.com\/79880601&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;vimeo.com\/79880601&amp;lt;\/a&amp;gt;&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/rouvroy-2013fi\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Rouvroy 2013FI<\/a>. Algoritmien ja moraalisen(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-2fi0-5-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-2fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Kiit&auml;n esitarkastajaani Mika Eloa huomiosta, ett&auml; DAR-erisnimi assosioituu saksan kielen esiin tuomiseen ja esitt&auml;miseen viittaaviin verbeihin &amp;lt;em&amp;gt;dar-stellen&amp;lt;\/em&amp;gt; ja &amp;lt;em&amp;gt;dar-bieten&amp;lt;\/em&amp;gt;.&lt;\/div&gt;\"><span itemprop=\"name\">1.2FI0.7<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Kiit&auml;n esitarkastajaani Mika Eloa huomiosta, ett&auml; DAR-erisnimi assosioituu saksan kielen esiin tuomiseen ja esitt&auml;miseen viittaaviin verbeihin dar-stellen ja dar-bieten.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-2fi1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-8fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&rdquo;Relational Ecology and the Digital Pharmakon&rdquo; -artikkelissaan Stiegler sivuaa digitaalisten medioiden vaikutuksia tiedon tuotantoon: &rdquo;Jos antropogeneesi on teknogeneesin muoto, digitaalisen my&ouml;t&auml; t&auml;m&auml; prosessi saapuu uuteen vaiheeseen, jossa tiedon tekno-logiikan sellaisenaan on oltava keskeinen sek&auml; nykyhetken valossa tapahtuvalle vakiintuneen tiedon historian uudelleenarvioinnille ett&auml; &amp;lt;em&amp;gt;digitalisaation esiin tuomien, uusien tiedon muotojen tutkimiselle&amp;lt;\/em&amp;gt;&rdquo; (Stiegler 2012FI, 15&ndash;16, painotus lis&auml;tty).&lt;\/div&gt;\"><span itemprop=\"name\">3.8FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">&rdquo;Relational Ecology and the Digital Pharmakon&rdquo; -artikkelissaan Stiegler sivuaa digitaalisten medioiden vaikutuksia tiedon tuotantoon: &rdquo;Jos antropogeneesi on teknogeneesin muoto, digitaalisen my&ouml;t&auml; t&auml;m&auml; prosessi saapuu uuteen vaiheeseen, jossa tiedon tekno-logiikan sellaisenaan on oltava(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-2fi1-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-2fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Della Pollock kuvaa esityksellist&auml; kirjoittamista teknologiana tai tekniikkana, joka &rdquo;romauttaa rajauksia, joilla luova ja kriittinen kirjoittaminen tyypillisesti eristet&auml;&auml;n&rdquo; (Pollock 1998FI, 80).&lt;\/div&gt;\"><span itemprop=\"name\">1.2FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Della Pollock kuvaa esityksellist&auml; kirjoittamista teknologiana tai tekniikkana, joka &rdquo;romauttaa rajauksia, joilla luova ja kriittinen kirjoittaminen tyypillisesti eristet&auml;&auml;n&rdquo; (<a class=\"glossaryLink cmtt_refer-fi\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Pollock, Della. 1998. &rdquo;Performing Writing.&rdquo; Teoksessa &amp;lt;em&amp;gt;The Ends of Performance&amp;lt;\/em&amp;gt;, toimittaneet Peggy Phelan ja Jill Lane, 73&ndash;103. New York: New York University Press.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/pollock-1998fi\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Pollock 1998FI<\/a>, 80).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-2fi2-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-2fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Giorgio Agamben &amp;lt;em&amp;gt;Infancy and History&amp;lt;\/em&amp;gt; -teoksessaan siteeraaman roomalaisen kirjailijan Marcus Terentius Varron mukaan sek&auml; runoilijat ett&auml; n&auml;yttelij&auml;t ovat l&auml;htem&auml;tt&ouml;m&auml;sti eleiden tekemisen kanssa tekemisiss&auml;, sill&auml; &rdquo;runoilija luo n&auml;ytelm&auml;n muttei esit&auml; sit&auml;; sen esitt&auml;&auml; n&auml;yttelij&auml;, joka ei luo sit&auml;&rdquo;. Toisin kuin t&auml;ss&auml; luomisen muttei esitt&auml;misen tai esitt&auml;misen muttei luomisen rajatilassa, keisari ei Varron mukaan &rdquo;luo eik&auml; esit&auml; vaan ottaa huolehtiakseen, toisin sanoen kantaa [vastuun] taakkaa&rdquo; (Varro Agamben 2006FI, 140 mukaan). Agamben mukaan Varron havainto vihjaa, mik&auml; ele on (Agamben 2006FI, 139). T&auml;ss&auml; valossa voisi esitt&auml;&auml;, ett&auml; siin&auml; miss&auml; DAR tekee eleit&auml;, on viimek&auml;tinen vastuu t&auml;st&auml; tutkimuksesta minulla. Sanat ovat t&auml;ll&auml; n&auml;ytt&auml;m&ouml;ll&auml; kuin n&auml;yttelij&ouml;it&auml;, sill&auml; ne ottavat eri hahmoja ja muotoja, muuttuvat toisenlaisiksi.&lt;\/div&gt;\"><span itemprop=\"name\">1.2FI2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Giorgio Agamben Infancy and History -teoksessaan siteeraaman roomalaisen kirjailijan Marcus Terentius Varron mukaan sek&auml; runoilijat ett&auml; n&auml;yttelij&auml;t ovat l&auml;htem&auml;tt&ouml;m&auml;sti eleiden tekemisen kanssa tekemisiss&auml;, sill&auml; &rdquo;runoilija luo n&auml;ytelm&auml;n muttei esit&auml; sit&auml;; sen esitt&auml;&auml; n&auml;yttelij&auml;, joka ei luo(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-3en0-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-3en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;See, for example, this description: &amp;quot;Practice-based research, as applied to arts, is &amp;lt;em&amp;gt;research in and through artistic practice&amp;lt;\/em&amp;gt; and design (for example: fine arts, audiovisual art, design, interior architecture, hybrid forms and interdisciplinary work) where the researcher&rsquo;s own practice and critical engagement are integral to the research subject, processes and outcomes. In a doctorate practice-based research, the researcher must therefore demonstrate a high level of artistic creativity, imagination and skill in order for the doctorate to make a substantial and original contribution to knowledge, understanding and art practice.&rdquo; (Phdarts.eu 1 February 2017, emphasis added)&lt;\/div&gt;\"><span itemprop=\"name\">1.3EN0.5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">See, for example, this description: &ldquo;Practice-based research, as applied to arts, is research in and through artistic practice and design (for example: fine arts, audiovisual art, design, interior architecture, hybrid forms and interdisciplinary work) where the researcher&rsquo;s own practice and(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-3en1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-4-3en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;I thank my supervisor W. B. Worthen for bringing my attention to this matter.&lt;\/div&gt;\"><span itemprop=\"name\">4.3EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">I thank my supervisor W. B. Worthen for bringing my attention to this matter.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-3en1-3\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-3en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;The current degree requirements of the Performing Arts Research Center (Tutke) specify that a doctorate comprises artistic parts and a commentary subject to external examination. In the requirements, the commentary is defined as follows: &amp;quot;The commentary is aligned with the artistic parts, and it justifies the aims and methods of the doctoral research with respect to the research and practices of the field explored.&rdquo; &amp;quot;The commentary shall demonstrate an ability to analyze, articulate, conceptualize and theorize the artistic designs of research, and to contextualize these in ways that are characteristic of artistic research.&rdquo; &amp;quot;The doctoral research commentary shall present the aims, methods, structure and results of the research.&rdquo; (Uniarts.fi 1 February 2017)&lt;\/div&gt;\"><span itemprop=\"name\">1.3EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">The current degree requirements of the Performing Arts Research Center (Tutke) specify that a doctorate comprises artistic parts and a commentary subject to external examination. In the requirements, the commentary is defined as follows: &ldquo;The commentary is aligned with the artistic parts, and(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-3en2-4\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-3en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;I refer here to cultures possessing contemporary technology, in which&nbsp;digital media are widely in use.&lt;\/div&gt;\"><span itemprop=\"name\">1.3EN2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">I refer here to cultures possessing contemporary technology, in which&nbsp;digital media are widely in use.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-3en3\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-3en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;The&nbsp;&amp;lt;em&amp;gt;Dictionary of the Untranslatables: A Philosophical Lexicon&amp;lt;\/em&amp;gt;, an &amp;quot;encyclopedic dictionary of close to 400 important philosophical, literary, and political terms and concepts that defy easy&mdash;or any&mdash;translation from one language and culture to another,&rdquo; attests to this very point (Cassin et al. 2014).&lt;\/div&gt;\"><span itemprop=\"name\">1.3EN3<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">The&nbsp;Dictionary of the Untranslatables: A Philosophical Lexicon, an &ldquo;encyclopedic dictionary of close to 400 important philosophical, literary, and political terms and concepts that defy easy&mdash;or any&mdash;translation from one language and culture to another,&rdquo; attests to this very point (Cassin et al.(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-3en3-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-3en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Translatability refers to a possibility or potentiality, to a capacity rather than an existing reality, as do the other nouns formed with the suffix -ability (-barkeit in German) in Walter Benjamin&rsquo;s work, as Samuel Weber points out in&nbsp;&amp;lt;em&amp;gt;Benjamin&rsquo;s -abilities&amp;lt;\/em&amp;gt;. The two other main -abilities as discussed by Weber are &amp;quot;citability&rdquo; and &amp;quot;reproducibility,&rdquo; as in &amp;quot;The Work of Art in the Age of Its Technological Reproducibility.&rdquo; (Weber 2008)&lt;\/div&gt;\"><span itemprop=\"name\">1.3EN3.5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Translatability refers to a possibility or potentiality, to a capacity rather than an existing reality, as do the other nouns formed with the suffix -ability (-barkeit in German) in Walter Benjamin&rsquo;s work, as Samuel Weber points out in&nbsp;Benjamin&rsquo;s -abilities. The two other main -abilities as(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-3en4\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-3en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;A concise definition of digital humanities is &amp;quot;work at the intersection of digital technology and humanities disciplines&rdquo; (Drucker 2013EN).&lt;\/div&gt;\"><span itemprop=\"name\">1.3EN4<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">A concise definition of digital humanities is &ldquo;work at the intersection of digital technology and humanities disciplines&rdquo; (<a class=\"glossaryLink cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Drucker, Johanna. 2013. &amp;quot;Intro to Digital Humanities: Introduction.&rdquo; &amp;lt;em&amp;gt;UCLA Center for Digital Humanities&amp;lt;\/em&amp;gt;&nbsp;website. Accessed 1 February 2017. &amp;lt;a href=&amp;quot;http:\/\/dh101.humanities.ucla.edu\/?page_id=13&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;dh101.humanities.ucla.edu\/?page_id=13&amp;lt;\/a&amp;gt;&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/drucker-2013en\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Drucker 2013EN<\/a>).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-3fi0-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-3fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;T&auml;m&auml; kuvaus k&auml;y esimerkist&auml;: &rdquo;Sovellettuna taiteeseen k&auml;yt&auml;nt&ouml;&ouml;n perustuva tutkimus on &amp;lt;em&amp;gt;taiteellisessa praktiikassa ja sen kautta&amp;lt;\/em&amp;gt; tapahtuvaa tutkimusta (esimerkiksi kuvataiteessa, audiovisuaalisessa taiteessa, muotoilussa, sisustusarkkitehtuurissa, hybrideiss&auml; muodoissa ja poikkitaiteellisessa ty&ouml;skentelyss&auml;), jossa tutkijan oma praktiikka ja kriittinen sitoutuneisuus ovat tutkimusaiheen, &ndash;prosessien ja -tulosten olennaisia osia. K&auml;yt&auml;nt&ouml;&ouml;n perustuvassa tohtorintutkimuksessa tutkijan on siis osoitettava korkeatasoista taiteellista luovuutta, mielikuvitusta ja taitoa, jotta tutkimus voi antaa merkitt&auml;v&auml;n ja aidon panoksen taidetta koskevaan tietoon, ymm&auml;rrykseen ja taiteen harjoittamiseen&rdquo; (Phdarts.eu 1.2.2017, painotus lis&auml;tty)&lt;\/div&gt;\"><span itemprop=\"name\">1.3FI0.5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">T&auml;m&auml; kuvaus k&auml;y esimerkist&auml;: &rdquo;Sovellettuna taiteeseen k&auml;yt&auml;nt&ouml;&ouml;n perustuva tutkimus on taiteellisessa praktiikassa ja sen kautta tapahtuvaa tutkimusta (esimerkiksi kuvataiteessa, audiovisuaalisessa taiteessa, muotoilussa, sisustusarkkitehtuurissa, hybrideiss&auml; muodoissa ja poikkitaiteellisessa(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-3fi1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-4-3fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Kiit&auml;n ohjaajaani W. B. Worthenia huomioni kiinnitt&auml;misest&auml; t&auml;h&auml;n seikkaan.&lt;\/div&gt;\"><span itemprop=\"name\">4.3FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Kiit&auml;n ohjaajaani W. B. Worthenia huomioni kiinnitt&auml;misest&auml; t&auml;h&auml;n seikkaan.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-3fi1-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-3fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Esitt&auml;vien taiteiden taiteellisen tohtoriohjelman nykyiset tutkintovaatimukset m&auml;&auml;rittelev&auml;t, ett&auml; v&auml;it&ouml;stutkimus koostuu esitarkastettavista taiteellisista osista ja esitarkastettavasta kommentaarista.&nbsp;Kommentaari m&auml;&auml;ritell&auml;&auml;n tutkintovaatimuksissa seuraavasti: &amp;quot;Kommentaari on taiteellisille osille rinnakkainen osa, joka perustelee tutkimuksen toteuttamistapaa ja tavoitteita suhteessa alan muuhun tutkimukseen ja k&auml;yt&auml;nt&ouml;ihin&rdquo;. &rdquo;V&auml;it&ouml;stutkimuksen kommentaarin tulee osoittaa kyky&auml; analysoida, artikuloida, k&auml;sitteellist&auml;&auml; ja teoretisoida taiteellisia tutkimusasetelmia ja kontekstualisoida niit&auml; taiteelliselle tutkimukselle ominaisilla tavoilla&rdquo;. &rdquo;V&auml;it&ouml;stutkimuksen kommentaarista tulee k&auml;yd&auml; ilmi tutkimuksen tavoitteet, menetelm&auml;t, rakenne ja tulokset&rdquo;. (Uniarts.fi 1.2.2017.)&lt;\/div&gt;\"><span itemprop=\"name\">1.3FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Esitt&auml;vien taiteiden taiteellisen tohtoriohjelman nykyiset tutkintovaatimukset m&auml;&auml;rittelev&auml;t, ett&auml; v&auml;it&ouml;stutkimus koostuu esitarkastettavista taiteellisista osista ja esitarkastettavasta kommentaarista.&nbsp;Kommentaari m&auml;&auml;ritell&auml;&auml;n tutkintovaatimuksissa seuraavasti: &ldquo;Kommentaari on taiteellisille(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-3fi2-3\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-3fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Viittaan t&auml;ss&auml; nykyaikaista teknologiaa omaaviin kulttuureihin, joissa digitaaliset mediat ovat yleisess&auml; k&auml;yt&ouml;ss&auml;.&lt;\/div&gt;\"><span itemprop=\"name\">1.3FI2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Viittaan t&auml;ss&auml; nykyaikaista teknologiaa omaaviin kulttuureihin, joissa digitaaliset mediat ovat yleisess&auml; k&auml;yt&ouml;ss&auml;.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-3fi3\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-3fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Paljonpuhuva&nbsp;osoitus t&auml;st&auml; on &amp;lt;em&amp;gt;Dictionary of Untranslatables: A Philosophical Lexicon&nbsp;&amp;lt;\/em&amp;gt;-teos, &rdquo;ensyklopedinen sanakirja&rdquo;, joka sis&auml;lt&auml;&auml; &rdquo;l&auml;hes nelj&auml;sataa vaikeasti tai ei lainkaan kielest&auml; ja kulttuurista toiseen k&auml;&auml;nnett&auml;viss&auml; olevaa t&auml;rke&auml;&auml; filosofista, kirjallista ja poliittista termi&auml; sek&auml; k&auml;sitett&auml;&rdquo; (Cassin et al. 2014FI).&lt;\/div&gt;\"><span itemprop=\"name\">1.3FI3<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Paljonpuhuva&nbsp;osoitus t&auml;st&auml; on Dictionary of Untranslatables: A Philosophical Lexicon&nbsp;-teos, &rdquo;ensyklopedinen sanakirja&rdquo;, joka sis&auml;lt&auml;&auml; &rdquo;l&auml;hes nelj&auml;sataa vaikeasti tai ei lainkaan kielest&auml; ja kulttuurista toiseen k&auml;&auml;nnett&auml;viss&auml; olevaa t&auml;rke&auml;&auml; filosofista, kirjallista ja poliittista termi&auml; sek&auml;(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-3fi3-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-3fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Olen suomentanut &rdquo;translatability&rdquo; (saksan &rdquo;&Uuml;bersetzbarkeit&rdquo;) -k&auml;sitteen &rdquo;k&auml;&auml;nnett&auml;vyydeksi&rdquo;. Toinen suomennosvaihtoehto voisi olla &rdquo;k&auml;&auml;nn&ouml;skelpoinen&rdquo;. Samuel Weber esitt&auml;&auml;&nbsp;kirjassaan &rdquo;Benjamin&rsquo;s -abilities&rdquo;, ett&auml; k&auml;&auml;nnett&auml;vyys viittaa mahdollisuuteen tai potentiaaliin, kapasiteettiin pikemminkin kuin olemassa olevaan realiteettiin niin kuin muutkin -ability\/-barkeit -p&auml;&auml;tteell&auml; Walter Benjaminin ty&ouml;ss&auml; muodostetut substantiivit, &rdquo;citibility&rdquo; (siteerattavuus) ja &rdquo;reproducibility&rdquo; (uusinnettavuus) kuten tutkielmassa &rdquo;Taideteos teknisen uusinnettavuutensa aikakaudella&rdquo; (suom. Miika Luoto). (Weber 2008.)&lt;\/div&gt;\"><span itemprop=\"name\">1.3FI3.5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Olen suomentanut &rdquo;translatability&rdquo; (saksan &rdquo;&Uuml;bersetzbarkeit&rdquo;) -k&auml;sitteen &rdquo;k&auml;&auml;nnett&auml;vyydeksi&rdquo;. Toinen suomennosvaihtoehto voisi olla &rdquo;k&auml;&auml;nn&ouml;skelpoinen&rdquo;. Samuel Weber esitt&auml;&auml;&nbsp;kirjassaan &rdquo;Benjamin&rsquo;s -abilities&rdquo;, ett&auml; k&auml;&auml;nnett&auml;vyys viittaa mahdollisuuteen tai potentiaaliin, kapasiteettiin(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-3fi4\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-3fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Digitaalisten humanististen tieteiden (engl. &rdquo;digital humanities&rdquo;) lyhyt m&auml;&auml;ritelm&auml; on &rdquo;digitaalitekniikan ja humanististen alojen risteysalueella tapahtuva ty&ouml;&rdquo; (Drucker 2013FI).&lt;\/div&gt;\"><span itemprop=\"name\">1.3FI4<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Digitaalisten humanististen tieteiden (engl. &rdquo;digital humanities&rdquo;) lyhyt m&auml;&auml;ritelm&auml; on &rdquo;digitaalitekniikan ja humanististen alojen risteysalueella tapahtuva ty&ouml;&rdquo; (<a class=\"glossaryLink cmtt_refer-fi\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Drucker, Johanna. 2013. &amp;quot;Intro to Digital Humanities: Introduction.&rdquo; &amp;lt;em&amp;gt;UCLA Center for Digital Humanities&amp;lt;\/em&amp;gt; verkkosivusto. Haettu 1.2.2017. Url: &amp;lt;a href=&amp;quot;http:\/\/dh101.humanities.ucla.edu\/?page_id=13&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;dh101.humanities.ucla.edu\/?page_id=13&amp;lt;\/a&amp;gt;&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/drucker-2013fi\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Drucker 2013FI<\/a>).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-4en1-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-4en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Such sources could, for instance, be the field&rsquo;s online publications&mdash;the &amp;lt;em&amp;gt;Journal of Artistic Research (JAR)&amp;lt;\/em&amp;gt;, which published its first issue in 2011, and &amp;lt;em&amp;gt;RUUKKU Studies in Artistic Research&amp;lt;\/em&amp;gt;, which followed in 2013, to mention a few&mdash;in which the use of digital media in artistic research is often represented&nbsp;very differently.&lt;\/div&gt;\"><span itemprop=\"name\">1.4EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Such sources could, for instance, be the field&rsquo;s online publications&mdash;the Journal of Artistic Research (JAR), which published its first issue in 2011, and RUUKKU Studies in Artistic Research, which followed in 2013, to mention a few&mdash;in which the use of digital media in artistic research is(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-4en2-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-4en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;The claim is based on a simple internet search, made using Google&rsquo;s search engine, that produces only four exact matches for the words &amp;quot;digital artistic research&rdquo; (the same words translated into Finnish produce no exact matches). Of the results, three are at least vaguely relevant to artistic research. The search is repeated several times during the writing of this thesis.&lt;\/div&gt;\"><span itemprop=\"name\">1.4EN2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">The claim is based on a simple internet search, made using Google&rsquo;s search engine, that produces only four exact matches for the words &ldquo;digital artistic research&rdquo; (the same words translated into Finnish produce no exact matches). Of the results, three are at least vaguely relevant to artistic(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-4en4\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-4en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;In philology, a commentary is a linear explanation of a text that proceeds &amp;quot;line-by-line or even word-by-word,&rdquo; an informational parallel text. For the sake of this study, it is interesting to note that commentaries are generally considered to utilize&nbsp;&amp;lt;em&amp;gt;close reading&amp;lt;\/em&amp;gt;, which is discussed both&nbsp;in Hayles and&nbsp;in this thesis (see&nbsp;&amp;lt;a href=&amp;quot;http:\/\/actascenica.teak.fi\/huopaniemi-otso\/frag\/14\/&amp;quot;&amp;gt;2.2&amp;lt;\/a&amp;gt;). In this context, it is essential to ask how a commentary based on &amp;lt;em&amp;gt;hyper&amp;lt;\/em&amp;gt; or &amp;lt;em&amp;gt;machine reading&amp;lt;\/em&amp;gt; differs from one based exclusively on close reading.&nbsp;(Wikipedia 27 July 2017)&lt;\/div&gt;\"><span itemprop=\"name\">1.4EN4<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">In philology, a commentary is a linear explanation of a text that proceeds &ldquo;line-by-line or even word-by-word,&rdquo; an informational parallel text. For the sake of this study, it is interesting to note that commentaries are generally considered to utilize&nbsp;close reading, which is discussed both&nbsp;in(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-4fi1-3\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-4fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;T&auml;llaisia voisivat olla alan digitaaliset verkkojulkaisut&nbsp;&ndash; esimerkiksi vuonna 2011 ensimm&auml;isen numeronsa julkaissut &amp;lt;em&amp;gt;Journal of Artistic Research&amp;lt;\/em&amp;gt; ja pari vuotta my&ouml;hemmin ensi kertaa ilmestynyt &amp;lt;em&amp;gt;RUUKKU Taiteellisen tutkimuksen kausijulkaisu&amp;lt;\/em&amp;gt; &ndash;, jotka antavat sangen&nbsp;toisenlaisen kuvan digitaalisten mediumien k&auml;yt&ouml;st&auml; taiteellisen tutkimuksen piiriss&auml;.&lt;\/div&gt;\"><span itemprop=\"name\">1.4FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">T&auml;llaisia voisivat olla alan digitaaliset verkkojulkaisut&nbsp;&ndash; esimerkiksi vuonna 2011 ensimm&auml;isen numeronsa julkaissut Journal of Artistic Research ja pari vuotta my&ouml;hemmin ensi kertaa ilmestynyt RUUKKU Taiteellisen tutkimuksen kausijulkaisu &ndash;, jotka antavat sangen&nbsp;toisenlaisen kuvan(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-4fi2-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-4fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;V&auml;ite perustuu yksinkertaiseen, Googlen hakukoneella toteutettuun hakuun, joka tuottaa vain nelj&auml; sanatarkkaa vastinetta englanninkielisille hakusanoille &rdquo;digital artistic research&rdquo; (suomenkielinen k&auml;&auml;nn&ouml;s ei tuota yht&auml;&auml;n sanatarkkaa osumaa). Tuloksista kolme ovat ainakin jossain m&auml;&auml;rin&nbsp;relevantteja taiteellisen tutkimuksen kannalta. Haku toistetaan useamman kerran t&auml;m&auml;n kirjallisen osan kirjoittamisen kuluessa.&lt;\/div&gt;\"><span itemprop=\"name\">1.4FI2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">V&auml;ite perustuu yksinkertaiseen, Googlen hakukoneella toteutettuun hakuun, joka tuottaa vain nelj&auml; sanatarkkaa vastinetta englanninkielisille hakusanoille &rdquo;digital artistic research&rdquo; (suomenkielinen k&auml;&auml;nn&ouml;s ei tuota yht&auml;&auml;n sanatarkkaa osumaa). Tuloksista kolme ovat ainakin jossain(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-4fi4\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-4fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Filologiassa kommentaarilla tarkoitetaan jonkin tekstin rivi rivilt&auml; tai jopa sana sanalta lineaarisesti etenev&auml;&auml; selityst&auml;, informatiivista rinnakkaisteksti&auml;. T&auml;m&auml;n tutkimuksen kannalta on kiinnostavaa, ett&auml; kommentaarien katsotaan yleisesti hy&ouml;dynt&auml;v&auml;n &amp;lt;i&amp;gt;l&auml;hilukemista&amp;lt;\/i&amp;gt;, jota k&auml;sitell&auml;&auml;n paitsi Haylesin kirjassa my&ouml;s t&auml;ss&auml; opinn&auml;ytteess&auml; (ks. &amp;lt;a href=&amp;quot;http:\/\/actascenica.teak.fi\/huopaniemi-otso\/frag\/14\/&amp;quot;&amp;gt;2.2&amp;lt;\/a&amp;gt;). T&auml;ss&auml; yhteydess&auml; on t&auml;rke&auml;&auml; kysy&auml;, millainen on kommentaari joka l&auml;hilukemisen sijaan tai lis&auml;ksi perustuu &amp;lt;i&amp;gt;hyper- &amp;lt;\/i&amp;gt;ja&amp;lt;i&amp;gt; koneelliseen lukemiseen&amp;lt;\/i&amp;gt;. (Wikipedia 27.7.17.)&lt;\/div&gt;\"><span itemprop=\"name\">1.4FI4<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Filologiassa kommentaarilla tarkoitetaan jonkin tekstin rivi rivilt&auml; tai jopa sana sanalta lineaarisesti etenev&auml;&auml; selityst&auml;, informatiivista rinnakkaisteksti&auml;. T&auml;m&auml;n tutkimuksen kannalta on kiinnostavaa, ett&auml; kommentaarien katsotaan yleisesti hy&ouml;dynt&auml;v&auml;n l&auml;hilukemista, jota k&auml;sitell&auml;&auml;n paitsi(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-5en1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-5en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;DAR does not specify which disciplines they compare artistic research to in fragment 5. However, in light of the corresponding Hayles passage, it is reasonable to assume they are referring to the humanities and qualitative social sciences (see adapted from Hayles passage 4).&lt;\/div&gt;\"><span itemprop=\"name\">1.5EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">DAR does not specify which disciplines they compare artistic research to in fragment 5. However, in light of the corresponding Hayles passage, it is reasonable to assume they are referring to the humanities and qualitative social sciences (see <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;While the sciences and quantitative social sciences have already made this transition, the humanities and qualitative social sciences are only now facing a paradigm shift in which digital research and publication can no longer be ignored (Hayles 2012, 1).&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/adapted-from-hayles-passage-4\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">adapted from Hayles passage 4<\/a>).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-5en2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-5en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;The blank that appears in fragment 5 has, by all accounts, to do with the difficulty of finding a satisfactory and working Finnish translation for the versatile English word &amp;quot;print&rdquo;&mdash;and specifically in the sense Hayles mainly uses it in, as the opposite or counterpart of digital media. &amp;quot;Painokulttuuri&rdquo;, &amp;quot;painotuotekulttuuri&rdquo;, &amp;quot;painotekniikka,&rdquo; and &amp;quot;painettu sana&rdquo; are all relatively cumbersome approximations of the concise &amp;quot;print.&rdquo; With these restrictions taken into consideration, the blank is most likely to disguise the words &amp;quot;assumptions, presuppositions, and practices associated with [print].&amp;quot; (Hayles 2012, 2)&lt;\/div&gt;\"><span itemprop=\"name\">1.5EN2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">The blank that appears in fragment 5 has, by all accounts, to do with the difficulty of finding a satisfactory and working Finnish translation for the versatile English word &ldquo;print&rdquo;&mdash;and specifically in the sense Hayles mainly uses it in, as the opposite or counterpart of digital media.(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-5en3-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-5en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Highlighting the topicality of the debate on the relationship of artistic practice and writing, the Society for Artistic Research organized an entire conference on the topic in 2016. Entitled &amp;quot;Writing as Practice, Practice as Writing,&rdquo; the conference set out to explore &amp;quot;how both writing and practice operate as ways to convey new knowledge, understanding and experiences by which we (re)organize our lives.&rdquo; On the conference website, the organizers describe the relationship of writing and practice within artistic research as follows: &amp;quot;Often the relationship is felt to be one of friction, opposition or paradox.&nbsp;Writing gives an explicit verbal account of the implicit knowledge and understanding embodied in artistic practices and products while at the same time art may escape or go beyond what can be expressed by words and resist (academic) conventions of accountability.&rdquo; (Sarconference2016.net 3 February 2017)&lt;\/div&gt;\"><span itemprop=\"name\">1.5EN3<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Highlighting the topicality of the debate on the relationship of artistic practice and writing, the Society for Artistic Research organized an entire conference on the topic in 2016. Entitled &ldquo;Writing as Practice, Practice as Writing,&rdquo; the conference set out to explore &ldquo;how both writing and(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-5en3-3\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-5en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;According to a scientific database, &amp;quot;while on stage, a character can in a theater monologue reveal their emotions, thoughts and motives through their speech, speech that the other characters of the play presumably do not hear&rdquo; (Tieteen termipankki 3 February 2017). In this thesis, this dramatic convention is reversed so that the speaking character, DAR, &amp;lt;em&amp;gt;is not expected to respond&amp;lt;\/em&amp;gt;.&lt;\/div&gt;\"><span itemprop=\"name\">1.5EN4<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">According to a scientific database, &ldquo;while on stage, a character can in a theater monologue reveal their emotions, thoughts and motives through their speech, speech that the other characters of the play presumably do not hear&rdquo; (Tieteen termipankki 3 February 2017). In this thesis, this(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-5en3-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-7en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;In computational linguistics, &amp;quot;noisy&rdquo; describes inaccurate or erroneous translations (see e.g. Schlesinger et al. 2008, 577).&lt;\/div&gt;\"><span itemprop=\"name\">2.7EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">In computational linguistics, &ldquo;noisy&rdquo; describes inaccurate or erroneous translations (see e.g. <a class=\"glossaryLink cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Schlesinger, Judith D. &amp;amp;amp; O&rsquo;Leary, Dianne P. &amp;amp;amp; Conroy, John M. 2008. &amp;quot;Arabic\/English Multi-document Summarization with CLASSY&mdash;The Past and the Future.&rdquo; In &amp;lt;em&amp;gt;Computation Linguistics and Intelligent Text Processing&amp;lt;\/em&amp;gt;, ed. Alexander Gelbukh, 568&ndash;581. Berlin: Springer.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/schlesinger-et-al-2008\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Schlesinger et al. 2008<\/a>, 577).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-5en6-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-7en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;In dramaturgy, &amp;lt;em&amp;gt;turning point&amp;lt;\/em&amp;gt;&nbsp;stems from the Greek term &amp;lt;em&amp;gt;peripeteia&amp;lt;\/em&amp;gt; (reversal of circumstances or, indeed, turning point), which&mdash;in the eleventh chapter of the &amp;lt;em&amp;gt;Poetics&amp;lt;\/em&amp;gt;&mdash;Aristotle defines as one of three elements of the plot (&amp;lt;em&amp;gt;mythos&amp;lt;\/em&amp;gt;), along with recognition (&amp;lt;em&amp;gt;anagnorisis&amp;lt;\/em&amp;gt;), and suffering (&amp;lt;em&amp;gt;pathos&amp;lt;\/em&amp;gt;) (Heinonen et al. 2012EN).&lt;\/div&gt;\"><span itemprop=\"name\">2.7EN2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">In dramaturgy, turning point&nbsp;stems from the Greek term peripeteia (reversal of circumstances or, indeed, turning point), which&mdash;in the eleventh chapter of the Poetics&mdash;Aristotle defines as one of three elements of the plot (mythos), along with recognition (anagnorisis), and suffering (pathos)(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-5en8\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-7en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Jain et al.&rsquo;s definition is useful in distinguishing between &amp;quot;intelligent&rdquo; and &amp;quot;dumb&rdquo; (or normal) machines: &amp;quot;To be considered as an intelligent machine, the machine has to be able to interact with its environment autonomously. Interacting with the environment involves both learning from it and adapting to its changes. This characteristic differentiates normal machines from intelligent ones. In other words,&nbsp;&amp;lt;em&amp;gt;a normal machine has a specific programmed set of tasks in which it will execute accordingly&amp;lt;\/em&amp;gt;. On the other hand,&nbsp;&amp;lt;em&amp;gt;an intelligent machine has a goal to achieve, and it is equipped with a learning mechanism to help realize the desired goal&amp;lt;\/em&amp;gt;&rdquo; (Jain et al. 2007, 2, emphasis added).&lt;\/div&gt;\"><span itemprop=\"name\">2.7EN3<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Jain et al.&rsquo;s definition is useful in distinguishing between &ldquo;intelligent&rdquo; and &ldquo;dumb&rdquo; (or normal) machines: &ldquo;To be considered as an intelligent machine, the machine has to be able to interact with its environment autonomously. Interacting with the environment involves both learning from it and(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-5en9-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-7en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;I borrow the term from Enrique L. Palancar, who in &amp;quot;A typology of split conjunction&rdquo; describes &amp;lt;em&amp;gt;instances of accompaniment&amp;lt;\/em&amp;gt; in a linguistic context as, &amp;quot;when both participants act as actors, not as undergoers.&rdquo; (Palancar 2012, 38).&lt;\/div&gt;\"><span itemprop=\"name\">2.7EN2.5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">I borrow the term from Enrique L. Palancar, who in &ldquo;A typology of split conjunction&rdquo; describes instances of accompaniment in a linguistic context as, &ldquo;when both participants act as actors, not as undergoers.&rdquo; (<a class=\"glossaryLink cmtt_refer-fi cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Palancar, Enrique L. 2012. &amp;quot;A typology of split conjunction.&rdquo; &amp;lt;em&amp;gt;Linguistic Typology&nbsp;&amp;lt;\/em&amp;gt;16: 265&ndash;320.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/palancar-2012\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Palancar 2012<\/a>, 38).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-5fi1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-5fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;DAR ei fragmentti 5:ss&auml; t&auml;smenn&auml;&nbsp;mihin aloihin h&auml;n taiteellista tutkimusta t&auml;ss&auml; suhteessa vertaa, mutta Haylesin vastaavan katkelman valossa on syyt&auml; olettaa DAR:n viittaavan humanistisiin ja laadullisiin yhteiskuntatieteisiin (ks. sovitettu Hayles-katkelmasta 4).&lt;\/div&gt;\"><span itemprop=\"name\">1.5FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">DAR ei fragmentti 5:ss&auml; t&auml;smenn&auml;&nbsp;mihin aloihin h&auml;n taiteellista tutkimusta t&auml;ss&auml; suhteessa vertaa, mutta Haylesin vastaavan katkelman valossa on syyt&auml; olettaa DAR:n viittaavan humanistisiin ja laadullisiin yhteiskuntatieteisiin (ks. <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Siin&auml; miss&auml;&nbsp;luonnontieteet ja kvantitatiiviset yhteiskuntatieteet ovat jo tehneet t&auml;m&auml;n siirtym&auml;n, on humanistisilla ja laadullisilla yhteiskuntatieteill&auml; vasta nyt edess&auml;&auml;n paradigman muutos, jossa digitaalista tutkimusta ja julkaisemista ei en&auml;&auml; voi sivuuttaa (Hayles 2012, 1).&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/sovitettu-hayles-katkelmasta-4\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">sovitettu Hayles-katkelmasta 4<\/a>).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-5fi2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-5fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Fragmentti 5:ss&auml; esiintyv&auml; aukkokohta&nbsp;liittynee vaikeuteen l&ouml;yt&auml;&auml; tyydytt&auml;v&auml;&auml; ja toimivaa k&auml;&auml;nn&ouml;st&auml; englannin kielen monik&auml;ytt&ouml;iselle &rdquo;print&rdquo;-sanalle &ndash; ja nimenomaan siin&auml; merkityksess&auml; kuin Hayles sit&auml; p&auml;&auml;asiassa k&auml;ytt&auml;&auml; eli digitaalisen median vastakohtana tai vastinparina. &rdquo;Painokulttuuri&rdquo;, &rdquo;painotuotekulttuuri&rdquo;, &rdquo;painotekniikka&rdquo; ja &rdquo;painettu sana&rdquo; ovat kaikki verrattain raskaita ja likim&auml;&auml;r&auml;isi&auml; vastineita ytimekk&auml;&auml;lle&nbsp;&rdquo;printille&rdquo;. Jos n&auml;m&auml; rajoitukset hyv&auml;ksyt&auml;&auml;n, voisi aukkokohdan mit&auml; todenn&auml;k&ouml;isimmin t&auml;ytt&auml;&auml; sanoilla &rdquo;painokulttuuriin liittyviin oletuksiin ja k&auml;yt&auml;nt&ouml;ihin&rdquo; (Hayles 2012, 2).&lt;\/div&gt;\"><span itemprop=\"name\">1.5FI2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Fragmentti 5:ss&auml; esiintyv&auml; aukkokohta&nbsp;liittynee vaikeuteen l&ouml;yt&auml;&auml; tyydytt&auml;v&auml;&auml; ja toimivaa k&auml;&auml;nn&ouml;st&auml; englannin kielen monik&auml;ytt&ouml;iselle &rdquo;print&rdquo;-sanalle &ndash; ja nimenomaan siin&auml; merkityksess&auml; kuin Hayles sit&auml; p&auml;&auml;asiassa k&auml;ytt&auml;&auml; eli digitaalisen median vastakohtana tai vastinparina. &rdquo;Painokulttuuri&rdquo;,(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-5fi3-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-5fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Taiteellisen praktiikan ja kirjoittamisen suhdetta koskevan v&auml;ittelyn ajankohtaisuutta kuvastaa se, ett&auml; vuonna 2016 &amp;lt;em&amp;gt;Society of Artistic Research (SAR)&amp;lt;\/em&amp;gt; j&auml;rjesti sen tiimoilta kokonaisen konferenssin. &rdquo;Writing as Practice, Practice as Writing&rdquo; -nimisen tapahtuman tarkoitus oli tutkia, &rdquo;miten sek&auml; kirjoittaminen ett&auml; praktiikka toimivat el&auml;m&auml;&auml;mme (uudelleen)j&auml;rjest&auml;v&auml;n tiedon, ymm&auml;rryksen ja kokemuksen v&auml;litt&auml;misen tapoina&rdquo;. Konferenssin kotisivuilla j&auml;rjest&auml;j&auml;t kuvaavat kirjoittamisen ja praktiikan suhdetta seuraavasti: &rdquo;Suhde koetaan usein kitkan, vastustuksen tai paradoksin leimaamaksi. Kirjoittaminen antaa taiteellisissa praktiikoissa ja tuotoksissa ruumiillistuvalle implisiittiselle tiedolle ja ymm&auml;rrykselle eksplisiittisen sanallisen kuvauksen samalla kun taide saattaa paeta tai ylitt&auml;&auml; sanoin ilmaistavissa olevan sek&auml; vastustaa (akateemisia) vastuuvelvollisuuden konventioita&rdquo;. (Sarconference2016.net 3.2.2017.)&lt;\/div&gt;\"><span itemprop=\"name\">1.5FI3<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Taiteellisen praktiikan ja kirjoittamisen suhdetta koskevan v&auml;ittelyn ajankohtaisuutta kuvastaa se, ett&auml; vuonna 2016 Society of Artistic Research (SAR) j&auml;rjesti sen tiimoilta kokonaisen konferenssin. &rdquo;Writing as Practice, Practice as Writing&rdquo; -nimisen tapahtuman tarkoitus oli tutkia, &rdquo;miten(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-5fi3-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-7fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Laskennallisessa kielitieteess&auml; &rdquo;meluisa&rdquo; (engl. &amp;lt;em&amp;gt;noisy&amp;lt;\/em&amp;gt;) kuvaa ep&auml;tarkkoja, virheellisi&auml;kin k&auml;&auml;nn&ouml;ksi&auml;&nbsp;(ks. esim. Schlesinger et al. 2008FI, 577).&lt;\/div&gt;\"><span itemprop=\"name\">2.7FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Laskennallisessa kielitieteess&auml; &rdquo;meluisa&rdquo; (engl. noisy) kuvaa ep&auml;tarkkoja, virheellisi&auml;kin k&auml;&auml;nn&ouml;ksi&auml;&nbsp;(ks. esim. <a class=\"glossaryLink cmtt_refer-fi\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Schlesinger, Judith D. &amp;amp;amp; O&rsquo;Leary, Dianne P. &amp;amp;amp; Conroy, John M. 2008. &rdquo;Arabic\/English Multi-document Summarization with CLASSY&mdash;The Past and the Future.&rdquo; &amp;lt;em&amp;gt;Computation Linguistics and Intelligent Text Processing&amp;lt;\/em&amp;gt;, toim. Alexander Gelbukh, 568&ndash;581. Berlin: Springer.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/schlesinger-et-al-2008fi\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Schlesinger et al. 2008FI<\/a>, 577).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-5fi4-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-5fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Tietokannan mukaan &rdquo;teatterimonologissa henkil&ouml; voi n&auml;ytt&auml;m&ouml;ll&auml; ollessaan paljastaa puheellaan &ndash; jota n&auml;ytelm&auml;n muiden henkil&ouml;iden &amp;lt;em&amp;gt;ei oleteta kuulevan&amp;lt;\/em&amp;gt; &ndash; tunteitaan, ajatuksiaan ja motiivejaan&rdquo; (Tieteen termipankki 03.02.2017). T&auml;ss&auml; opinn&auml;ytteess&auml; t&auml;m&auml; draamallinen konventio toteutuu k&auml;&auml;nteisesti niin, ett&auml; henkil&ouml;n, DAR:n, &amp;lt;em&amp;gt;ei oleteta vastaavan&amp;lt;\/em&amp;gt;.&lt;\/div&gt;\"><span itemprop=\"name\">1.5FI4<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Tietokannan mukaan &rdquo;teatterimonologissa henkil&ouml; voi n&auml;ytt&auml;m&ouml;ll&auml; ollessaan paljastaa puheellaan &ndash; jota n&auml;ytelm&auml;n muiden henkil&ouml;iden ei oleteta kuulevan &ndash; tunteitaan, ajatuksiaan ja motiivejaan&rdquo; (Tieteen termipankki 03.02.2017). T&auml;ss&auml; opinn&auml;ytteess&auml; t&auml;m&auml; draamallinen konventio toteutuu(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-5fi6-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-7fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Dramaturgiassa &amp;lt;em&amp;gt;k&auml;&auml;nne&amp;lt;\/em&amp;gt; juontaa juurensa&nbsp;antiikin Kreikan termist&auml; &amp;lt;em&amp;gt;peripeteia&amp;lt;\/em&amp;gt; (olosuhteiden vaihtuminen tai k&auml;&auml;nnekohta), jonka Aristoteles m&auml;&auml;rittelee&nbsp;&amp;lt;em&amp;gt;Runousopin&amp;lt;\/em&amp;gt; yhdenness&auml;toista luvussa yhdeksi juonen (&amp;lt;em&amp;gt;mythos&amp;lt;\/em&amp;gt;) osaksi tunnistamisen (&amp;lt;em&amp;gt;anagnorisis&amp;lt;\/em&amp;gt;) ja k&auml;rsimyksen (&amp;lt;em&amp;gt;pathos&amp;lt;\/em&amp;gt;) ohella (Heinonen et al. 2012).&lt;\/div&gt;\"><span itemprop=\"name\">2.7FI2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Dramaturgiassa k&auml;&auml;nne juontaa juurensa&nbsp;antiikin Kreikan termist&auml; peripeteia (olosuhteiden vaihtuminen tai k&auml;&auml;nnekohta), jonka Aristoteles m&auml;&auml;rittelee&nbsp;Runousopin yhdenness&auml;toista luvussa yhdeksi juonen (mythos) osaksi tunnistamisen (anagnorisis) ja k&auml;rsimyksen (pathos) ohella (<a class=\"glossaryLink cmtt_refer-fi\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Heinonen, T., Kivim&auml;ki A., Korhonen K., Korhonen T., Reitala H., Aristoteles. 2012. &amp;lt;em&amp;gt;Aristoteleen Runousoppi&amp;lt;\/em&amp;gt;. Helsinki: Teos.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/heinonen-et-al-2012-2\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Heinonen et al. 2012<\/a>).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-5fi8-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-7fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&rdquo;&Auml;lykk&auml;&auml;n&rdquo; ja &rdquo;tyhm&auml;n&rdquo; (tai normaalin) koneen eron hahmottamiseen Jain et al.:n m&auml;&auml;ritelm&auml; on hy&ouml;dyllinen:&nbsp;&rdquo;Ollakseen &auml;lyk&auml;s on koneen voitava olla itsen&auml;isesti vuorovaikutuksessa ymp&auml;rist&ouml;ns&auml; kanssa. Ymp&auml;rist&ouml;n kanssa vuorovaikutuksessa olemiseen kuuluu sek&auml; ymp&auml;rist&ouml;lt&auml; oppiminen ett&auml; sen muutoksiin sopeutuminen. T&auml;m&auml; ominaisuus erottaa normaalin koneen &auml;lykk&auml;&auml;st&auml;. Toisin sanoen &amp;lt;em&amp;gt;normaalilla koneella on tietty ohjelmoitujen teht&auml;vien joukko, jonka puitteissa se toimii asianmukaisesti. &Auml;lykk&auml;&auml;ll&auml; koneella taas on tavoite saavutettavanaan ja se on varustettu valitun tavoitteen toteuttamista edesauttavalla oppimismekanismilla&amp;lt;\/em&amp;gt;&rdquo; (Jain et al. 2007, 2, painotus lis&auml;tty).&lt;\/div&gt;\"><span itemprop=\"name\">2.7FI3<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">&rdquo;&Auml;lykk&auml;&auml;n&rdquo; ja &rdquo;tyhm&auml;n&rdquo; (tai normaalin) koneen eron hahmottamiseen Jain et al.:n m&auml;&auml;ritelm&auml; on hy&ouml;dyllinen:&nbsp;&rdquo;Ollakseen &auml;lyk&auml;s on koneen voitava olla itsen&auml;isesti vuorovaikutuksessa ymp&auml;rist&ouml;ns&auml; kanssa. Ymp&auml;rist&ouml;n kanssa vuorovaikutuksessa olemiseen kuuluu sek&auml; ymp&auml;rist&ouml;lt&auml; oppiminen ett&auml; sen(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-5fi9-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-7fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Lainaan k&auml;sitett&auml; Enrique L. Palancarilta, joka &rdquo;A typology of split conjunction&rdquo; -artikkelissaan kuvaa &amp;lt;em&amp;gt;s&auml;est&auml;misen ilmentymi&auml;&amp;lt;\/em&amp;gt; (engl. &amp;lt;em&amp;gt;instances of accompaniment&amp;lt;\/em&amp;gt;) lingvistisess&auml; kontekstissa seuraavasti: &rdquo;Kun molemmat osapuolet&nbsp;ovat toimijoita&nbsp;eiv&auml;tk&auml; alentujia&rdquo; (Palancar 2012, 38).&lt;\/div&gt;\"><span itemprop=\"name\">2.7FI2.5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Lainaan k&auml;sitett&auml; Enrique L. Palancarilta, joka &rdquo;A typology of split conjunction&rdquo; -artikkelissaan kuvaa s&auml;est&auml;misen ilmentymi&auml; (engl. instances of accompaniment) lingvistisess&auml; kontekstissa seuraavasti: &rdquo;Kun molemmat osapuolet&nbsp;ovat toimijoita&nbsp;eiv&auml;tk&auml; alentujia&rdquo; (Palancar 2012, 38).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-6en1-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-6en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;By &amp;lt;em&amp;gt;postdramatic&amp;lt;\/em&amp;gt; I refer here to Hans-Thies Lehmann&rsquo;s analysis in &amp;lt;em&amp;gt;Postdramatic Theatre&amp;lt;\/em&amp;gt;, in which the following features of performance are characteristic of the postdramatic: absence of illusion, addressing audience directly, detachment from closed (Aristotelian) drama towards open communication, real-timeness, stage as site of performance, absence of characters (as there is no symbolic world to represent), corporeality, heightened physical presence, shared time (as opposed to killing or denying time), detachment from aesthetic sphere (i.e. an artistic ideal that cherishes integrity of form and excludes the outer world), detachment from traditional forms of drama (which are already part of our perception mechanisms). (Lehmann 2006EN)&lt;\/div&gt;\"><span itemprop=\"name\">1.6EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">By postdramatic I refer here to Hans-Thies Lehmann&rsquo;s analysis in Postdramatic Theatre, in which the following features of performance are characteristic of the postdramatic: absence of illusion, addressing audience directly, detachment from closed (Aristotelian) drama towards open(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-6en1-5-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-6en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Dramaturgy studies at the Theater Academy Helsinki have traditionally included playwriting, although all students are not required to write plays. Thus the approach&nbsp;differs significantly from most North American theater institutions, in which dramaturgy and playwriting are pursued in separate programs.&lt;\/div&gt;\"><span itemprop=\"name\">1.6EN1.5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Dramaturgy studies at the Theater Academy Helsinki have traditionally included playwriting, although all students are not required to write plays. Thus the approach&nbsp;differs significantly from most North American theater institutions, in which dramaturgy and playwriting are pursued in separate(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-6en2-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-6en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Here I follow the division into technical individuals, elements, and ensembles that Hayles takes from Gilbert Simondon&rsquo;s&nbsp;&amp;lt;em&amp;gt;Du mode d&rsquo;existence des objets techniques&amp;lt;\/em&amp;gt; (2001). In Hayles&rsquo;s reading, technics for Simondon is &amp;quot;the study of how technical objects emerge, solidify, disassemble, and evolve&rdquo; (Hayles 2012, 87).&lt;\/div&gt;\"><span itemprop=\"name\">1.6EN2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Here I follow the division into technical individuals, elements, and ensembles that Hayles takes from Gilbert Simondon&rsquo;s&nbsp;Du mode d&rsquo;existence des objets techniques (2001). In Hayles&rsquo;s reading, technics for Simondon is &ldquo;the study of how technical objects emerge, solidify, disassemble, and(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-6en3\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-6en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;What leads to the car, in turn, is the concentration of production into plants and the legal provisions under which these plants must be situated away from inhabited areas (Hayles 2012, 89).&lt;\/div&gt;\"><span itemprop=\"name\">1.6EN3<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">What leads to the car, in turn, is the concentration of production into plants and the legal provisions under which these plants must be situated away from inhabited areas (<a class=\"glossaryLink cmtt_refer-fi cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Hayles, N. Katherine. 2012.&nbsp;&amp;lt;em&amp;gt;How We Think: Digital Media and Contemporary Technogenesis.&amp;lt;\/em&amp;gt; Chicago &amp;amp;amp;&nbsp;London: The University of Chicago Press.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/hayles-2012\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Hayles 2012<\/a>, 89).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-6fi1-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-6fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;lt;em&amp;gt;J&auml;lkidraamallisella&amp;lt;\/em&amp;gt; viittaan t&auml;ss&auml; Hans-Thies Lehmannin&nbsp;&amp;lt;em&amp;gt;Draaman j&auml;lkeisess&auml; teatterissa&amp;lt;\/em&amp;gt; esitt&auml;m&auml;&auml;n analyysiin, jossa j&auml;lkidraamallisen keskeisiksi piirteiksi nousevat seuraavat esityksen ominaisuudet: illuusion puute, yleis&ouml;n puhuttelu, irtautuminen suljetusta (aristoteelisesta) draamasta kohti avointa kommunikaatiota, reaaliaikaisuus, korostunut n&auml;ytt&auml;m&ouml;llisyys, henkil&ouml;iden poissaolo (sill&auml; ei ole symbolista maailmaa, jota esitt&auml;&auml;), ruumiillisuus, ruumiillinen l&auml;sn&auml;olo, jaettu aika (ajan tappamisen tai kielt&auml;misen sijaan), irtautuminen esteettisen sf&auml;&auml;rist&auml; (so. eheytt&auml; vaalivan, maailmaa pois tyrkkiv&auml;n taiteen ideaalista), irtautuminen draaman perinteisist&auml; muodoista (jotka ovat jo osa havaitsemismekanismejamme). (Lehmann 2006FI.)&lt;\/div&gt;\"><span itemprop=\"name\">1.6FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">J&auml;lkidraamallisella viittaan t&auml;ss&auml; Hans-Thies Lehmannin&nbsp;Draaman j&auml;lkeisess&auml; teatterissa esitt&auml;m&auml;&auml;n analyysiin, jossa j&auml;lkidraamallisen keskeisiksi piirteiksi nousevat seuraavat esityksen ominaisuudet: illuusion puute, yleis&ouml;n puhuttelu, irtautuminen suljetusta (aristoteelisesta) draamasta(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-6fi2-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-6fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;T&auml;ss&auml; seuraan jakoa teknisiin yksil&ouml;ihin, elementteihin ja kokonaisuuksiin, jonka Hayles lainaa Gilbert Simondonin &amp;lt;em&amp;gt;Du mode d&rsquo;existence des objets techniques&amp;lt;\/em&amp;gt;&nbsp;-teoksesta (2001). Haylesin luennan mukaan Simondonilla tekniikka on &rdquo;teknisten objektien ilmestymisen, kiinteytymisen, purkautumisen ja kehittymisen tutkimista&rdquo; (Hayles 2012, 87).&lt;\/div&gt;\"><span itemprop=\"name\">1.6FI2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">T&auml;ss&auml; seuraan jakoa teknisiin yksil&ouml;ihin, elementteihin ja kokonaisuuksiin, jonka Hayles lainaa Gilbert Simondonin Du mode d&rsquo;existence des objets techniques&nbsp;-teoksesta (2001). Haylesin luennan mukaan Simondonilla tekniikka on &rdquo;teknisten objektien ilmestymisen, kiinteytymisen, purkautumisen ja(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-6fi3\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-6fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Auton olemassaoloon puolestaan johtaa tuotannon keskitt&auml;minen tehtaisiin ja oikeudelliset m&auml;&auml;r&auml;ykset, joiden mukaan tehtaiden on sijoituttava erilleen asutuksesta (Hayles 2012, 89).&lt;\/div&gt;\"><span itemprop=\"name\">1.6FI3<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Auton olemassaoloon puolestaan johtaa tuotannon keskitt&auml;minen tehtaisiin ja oikeudelliset m&auml;&auml;r&auml;ykset, joiden mukaan tehtaiden on sijoituttava erilleen asutuksesta (Hayles 2012, 89).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-7en1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-8en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Embodied and extended cognition are among a group of unorthodox positions within philosophy and cognitive science &amp;quot;that do not restrict cognition and the mind solely to the brain and its neuronal processes&rdquo; (Calonius 2013EN, ii). &amp;quot;Cognition is embodied when it is deeply dependent upon features of the physical body of an agent, that is, when aspects of the agent&rsquo;s body beyond the brain play a significant causal or physically constitutive role in cognitive processing.&rdquo; &amp;quot;The thesis of extended cognition is the claim that cognitive systems themselves extend beyond the boundary of the individual organism. On this view, features of an agent&rsquo;s physical, social, and cultural environment can do more than distribute cognitive processing: they may well partially constitute that agent&rsquo;s cognitive system.&rdquo; (Wilson &amp;amp;amp; Foglia 2015EN.)&lt;\/div&gt;\"><span itemprop=\"name\">2.8EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Embodied and extended cognition are among a group of unorthodox positions within philosophy and cognitive science &ldquo;that do not restrict cognition and the mind solely to the brain and its neuronal processes&rdquo; (<a class=\"glossaryLink cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Calonius, Lauri. 2013. &rdquo;It Ain&rsquo;t All in the Head&mdash;Situating Cognition to the Body and the Surrounding World&rdquo;.&nbsp;MA thesis in Theoretical Philosophy, University of Helsinki, Helsinki.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/calonius-2013en\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Calonius 2013EN<\/a>, ii). &ldquo;Cognition is embodied when it is deeply dependent upon features(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-7en2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-8en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;When the speech recognition engine Dragon Dictate &amp;quot;tires,&rdquo; i.e. when the software or processor is overloaded,&nbsp;the cursor often begins to jump from one place to another in the text. Gratuitous letters may also appear next to the cursor.&lt;\/div&gt;\"><span itemprop=\"name\">2.8EN2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">When the speech recognition engine Dragon Dictate &ldquo;tires,&rdquo; i.e. when the software or processor is overloaded,&nbsp;the cursor often begins to jump from one place to another in the text. Gratuitous letters may also appear next to the cursor.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-7en2-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-7en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;The division presented in 1.6&mdash;1) the script as literary product, 2) the script as tool for performance making, and 3) the script as (part of) performance&mdash;and Worthen&rsquo;s division can be seen as variants of each other.&lt;\/div&gt;\"><span itemprop=\"name\">1.7EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">The division presented in 1.6&mdash;1) the script as literary product, 2) the script as tool for performance making, and 3) the script as (part of) performance&mdash;and Worthen&rsquo;s division can be seen as variants of each other.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-7fi1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-8fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Kehollinen ja laajennettu kognitio ovat filosofiassa ja kognitiotieteess&auml; viime vuosikymmenin&auml; kannatusta saaneita ep&auml;ortodoksisia suuntauksia, &rdquo;jotka eiv&auml;t rajaa kognitiota ja mielt&auml; yksinomaan aivoihin ja sen hermosoluihin liittyviin prosesseihin&rdquo; (Calonius 2013FI, ii). &rdquo;Kognitio on kehollista, kun se on syv&auml;sti riippuvaista toimijan fyysisen kehon ominaisuuksista, so. kun toimijan aivojen ulkopuolella olevat kehon ominaisuudet esitt&auml;v&auml;t merkitt&auml;v&auml;&auml; kausaalista tai fyysisesti konstitutiivista roolia kognitiivisessa prosessoinnissa&rdquo;. &rdquo;Laajennetun kognition teesi on v&auml;ite, ett&auml; kognitiiviset j&auml;rjestelm&auml;t itse ulottuvat yksitt&auml;isen organismin rajojen ulkopuolelle. T&auml;ss&auml; valossa toimijan fyysisen, sosiaalisen ja kulttuurisen ymp&auml;rist&ouml;n piirteet voivat tehd&auml; enemm&auml;n kuin jakaa kognitiivista prosessointia, ne saattavat osittain konstituoida toimijan kognitiivisen systeemin&rdquo;. (Wilson &amp;amp;amp; Foglia 2015FI.)&lt;\/div&gt;\"><span itemprop=\"name\">2.8FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Kehollinen ja laajennettu kognitio ovat filosofiassa ja kognitiotieteess&auml; viime vuosikymmenin&auml; kannatusta saaneita ep&auml;ortodoksisia suuntauksia, &rdquo;jotka eiv&auml;t rajaa kognitiota ja mielt&auml; yksinomaan aivoihin ja sen hermosoluihin liittyviin prosesseihin&rdquo; (<a class=\"glossaryLink cmtt_refer-fi\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Calonius, Lauri. 2013. &rdquo;It Ain&rsquo;t All in the Head &ndash; Situating Cognition to the Body and the Surrounding World&rdquo;. Teoreettisen filosofian pro gradu -tutkielma, Helsingin yliopisto, Helsinki.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/calonius-2013fi\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Calonius 2013FI<\/a>, ii). &rdquo;Kognitio on(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-7fi2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-8fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Puheentunnistusohjelman Dragon Dictaten &rdquo;v&auml;syess&auml;&rdquo; eli ohjelmiston tai prosessorin ylikuormittuessa kursori alkaa usein hyppi&auml; tekstin kohdasta toiseen. Kursorin viereen saattaa my&ouml;s ilmesty&auml; ylim&auml;&auml;r&auml;isi&auml; kirjaimia.&lt;\/div&gt;\"><span itemprop=\"name\">2.8FI2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Puheentunnistusohjelman Dragon Dictaten &rdquo;v&auml;syess&auml;&rdquo; eli ohjelmiston tai prosessorin ylikuormittuessa kursori alkaa usein hyppi&auml; tekstin kohdasta toiseen. Kursorin viereen saattaa my&ouml;s ilmesty&auml; ylim&auml;&auml;r&auml;isi&auml; kirjaimia.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-7fi2-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-7fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;1.6:ssa esitetyn jaon &ndash; 1) k&auml;sikirjoitus kirjallisena tuotteena, 2) k&auml;sikirjoitus esityksen tekemisen v&auml;lineen&auml;, ja 3) k&auml;sikirjoitus esityksen&auml; tai osana esityst&auml; &ndash; ja Worthenin jaon voi n&auml;hd&auml; toistensa&nbsp;muunnelmina.&lt;\/div&gt;\"><span itemprop=\"name\">1.7FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">1.6:ssa esitetyn jaon &ndash; 1) k&auml;sikirjoitus kirjallisena tuotteena, 2) k&auml;sikirjoitus esityksen tekemisen v&auml;lineen&auml;, ja 3) k&auml;sikirjoitus esityksen&auml; tai osana esityst&auml; &ndash; ja Worthenin jaon voi n&auml;hd&auml; toistensa&nbsp;muunnelmina.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8en1-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Speech recognition is in fact a broad term that refers to &amp;quot;the&nbsp;inter-disciplinary&nbsp;sub-field of&nbsp;computational linguistics&nbsp;that develops methodologies and technologies that enables [sic] the recognition and&nbsp;translation&nbsp;of spoken language into text by computers.&rdquo; This research utilizes almost exclusively the &amp;quot;speech to text&rdquo; (STT) function of speech recognition. (Wikipedia 16 February 2017).&lt;\/div&gt;\"><span itemprop=\"name\">1.8EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Speech recognition is in fact a broad term that refers to &ldquo;the&nbsp;inter-disciplinary&nbsp;sub-field of&nbsp;computational linguistics&nbsp;that develops methodologies and technologies that enables [sic] the recognition and&nbsp;translation&nbsp;of spoken language into text by computers.&rdquo; This research utilizes almost(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8en2-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;After initially being reluctant to take speech recognition on as the second major digital technology of the research process, after machine translation, I quickly noticed that it offered performative possibilities that machine translation alone did not. In this sense, speech recognition proved to be flexible enough to be adopted into the technical ensemble under construction, while also firm&nbsp;enough to provide us with a technical framework within which we could explore writing.&lt;\/div&gt;\"><span itemprop=\"name\">1.8EN2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">After initially being reluctant to take speech recognition on as the second major digital technology of the research process, after machine translation, I quickly noticed that it offered performative possibilities that machine translation alone did not. In this sense, speech recognition proved(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8en4\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;lt;em&amp;gt;love.abz, two public rehearsals&amp;lt;\/em&amp;gt;, Performance Compost performance event in Kiasma Gallery. Conceived and directed by: Otso Huopaniemi. Performer: Teemu Miettinen. Curators: Elina Latva, Nora Rinne, and Jonna Strandberg. AV design: Heikki Paasonen.&lt;\/div&gt;\"><span itemprop=\"name\">1.8EN4<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">love.abz, two public rehearsals, Performance Compost performance event in Kiasma Gallery. Conceived and directed by: Otso Huopaniemi. Performer: Teemu Miettinen. Curators: Elina Latva, Nora Rinne, and Jonna Strandberg. AV design: Heikki Paasonen.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8en5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Machine translated excerpts of&nbsp;&amp;lt;em&amp;gt;An&nbsp;ABZ of Love&amp;lt;\/em&amp;gt; act as stimulus texts for most of the improvisatory writing performed in &amp;lt;em&amp;gt;love.abz&amp;lt;\/em&amp;gt; and &amp;lt;em&amp;gt;(love.abz)&amp;lt;sup&amp;gt;3&nbsp;&amp;lt;\/sup&amp;gt;&amp;lt;\/em&amp;gt;(see &amp;lt;a href=&amp;quot;http:\/\/actascenica.teak.fi\/huopaniemi-otso\/frag\/14\/&amp;quot;&amp;gt;2.2&amp;lt;\/a&amp;gt; and &amp;lt;a href=&amp;quot;http:\/\/actascenica.teak.fi\/huopaniemi-otso\/frag\/24\/&amp;quot;&amp;gt;3.4&amp;lt;\/a&amp;gt;).&lt;\/div&gt;\"><span itemprop=\"name\">1.8EN5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Machine translated excerpts of&nbsp;An&nbsp;ABZ of Love act as stimulus texts for most of the improvisatory writing performed in love.abz and (love.abz)3&nbsp;(see 2.2 and 3.4).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8en5-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;I should add that Teemu is an exemplary practitioner producing cutting-edge text, as are all the writer-performers that appear in the artistic parts of this research. Their struggles reveal more about the problematics of the tasks than any personal deficiencies.&lt;\/div&gt;\"><span itemprop=\"name\">1.8EN5.5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">I should add that Teemu is an exemplary practitioner producing cutting-edge text, as are all the writer-performers that appear in the artistic parts of this research. Their struggles reveal more about the problematics of the tasks than any personal deficiencies.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8en7\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;This particular exercise is from 30 August 2012, carried out in my then studio.&lt;\/div&gt;\"><span itemprop=\"name\">1.8EN7<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">This particular exercise is from 30 August 2012, carried out in my then studio.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8en8\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;I propose calling situations in which such mismatches occur &amp;lt;em&amp;gt;turning points&amp;lt;\/em&amp;gt;, as they force the writer-performer to either take advantage of the resulting text or to attempt to remove it (see &amp;lt;a href=&amp;quot;http:\/\/actascenica.teak.fi\/huopaniemi-otso\/frag\/19\/&amp;quot;&amp;gt;2.7&amp;lt;\/a&amp;gt;).&lt;\/div&gt;\"><span itemprop=\"name\">1.8EN8<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">I propose calling situations in which such mismatches occur turning points, as they force the writer-performer to either take advantage of the resulting text or to attempt to remove it (see 2.7).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8en9\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;I refer to situations in which the writer-performer successfully utilizes the unintended text (mismatch) as&nbsp;&amp;lt;em&amp;gt;instances of&nbsp;accompaniment &amp;lt;\/em&amp;gt;(see&nbsp;&amp;lt;a href=&amp;quot;http:\/\/actascenica.teak.fi\/huopaniemi-otso\/frag\/19\/&amp;quot;&amp;gt;2.7&amp;lt;\/a&amp;gt;).&lt;\/div&gt;\"><span itemprop=\"name\">1.8EN9<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">I refer to situations in which the writer-performer successfully utilizes the unintended text (mismatch) as&nbsp;instances of&nbsp;accompaniment (see&nbsp;2.7).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8en9-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;This observation is based on exercises and performances in which we have experienced the&nbsp;varying degrees of reliability of voice recognition software meta-commands. Commands intended for the removal of a single word or phrase usually work well, but more complex or unusual commands are less reliable&mdash;and often involve a delay.&lt;\/div&gt;\"><span itemprop=\"name\">1.8EN9.5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">This observation is based on exercises and performances in which we have experienced the&nbsp;varying degrees of reliability of voice recognition software meta-commands. Commands intended for the removal of a single word or phrase usually work well, but more complex or unusual commands are less(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8en13\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;The speech recognition software we use is &amp;quot;speaker dependent&rdquo; and requires the type of training described here: &amp;quot;Some SR systems use &lsquo;training&rsquo; (also called &lsquo;enrollment&rsquo;) where an individual speaker reads text or isolated&nbsp;vocabulary&nbsp;into the system. The system analyzes the person&rsquo;s specific voice and uses it to fine-tune the recognition of that person&rsquo;s speech, resulting in increased accuracy. Systems that do not use training are called &lsquo;speaker independent&rsquo;&nbsp;systems&rdquo; (see )&nbsp;(Wikipedia 16 February 2017).&lt;\/div&gt;\"><span itemprop=\"name\">1.8EN13<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">The speech recognition software we use is &ldquo;speaker dependent&rdquo; and requires the type of training described here: &ldquo;Some SR systems use &lsquo;training&rsquo; (also called &lsquo;enrollment&rsquo;) where an individual speaker reads text or isolated&nbsp;vocabulary&nbsp;into the system. The system analyzes the person&rsquo;s specific(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8en14\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;The pre-improvisation conferrals&mdash;resembling the &amp;quot;huddles&rdquo; that characterize American football&mdash;are added in the second artistic part, &amp;lt;em&amp;gt;(love.abz)&amp;lt;sup&amp;gt;3&amp;lt;\/sup&amp;gt;&amp;lt;\/em&amp;gt;, in order to give the performers a sense of more control over the improvisations. The improvisations are even more challenging than in the first artistic part, as there are several of them happening in the performance space at once, as the background noise in the video attests.&lt;\/div&gt;\"><span itemprop=\"name\">1.8EN14<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">The pre-improvisation conferrals&mdash;resembling the &ldquo;huddles&rdquo; that characterize American football&mdash;are added in the second artistic part, (love.abz)3, in order to give the performers a sense of more control over the improvisations. The improvisations are even more challenging than in the first(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8en15-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Or translated without quotation marks, as in the light of this study it is reasonable to regard&nbsp;speech recognition as&nbsp;a form of automated translation.&lt;\/div&gt;\"><span itemprop=\"name\">1.8EN15.5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Or translated without quotation marks, as in the light of this study it is reasonable to regard&nbsp;speech recognition as&nbsp;a form of automated translation.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8en16\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;As Hannu Toivonen writes, computational creativity is the twin of artificial intelligence: &amp;quot;Where artificial intelligence studies how to perform tasks which would be deemed intelligent if performed by a human, computational creativity studies performances which would be deemed creative if performed by a human&rdquo; (Toivonen &amp;amp;amp; Gross 2015, 265).&lt;\/div&gt;\"><span itemprop=\"name\">1.8EN16<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">As Hannu Toivonen writes, computational creativity is the twin of artificial intelligence: &ldquo;Where artificial intelligence studies how to perform tasks which would be deemed intelligent if performed by a human, computational creativity studies performances which would be deemed creative if(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8en17\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;To mention just one example, the &amp;lt;em&amp;gt;Brains on Art&amp;lt;\/em&amp;gt; group has created a &amp;quot;poem generator&rdquo; that &amp;quot;produces poetry from the user&rsquo;s brain waves.&rdquo; See &amp;lt;a href=&amp;quot;https:\/\/brainsonart.wordpress.com\/2013\/10\/18\/brain-poetry-2013\/&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;brainsonart.wordpress.com\/2013\/10\/18\/brain-poetry-2013\/&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">1.8EN17<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">To mention just one example, the Brains on Art group has created a &ldquo;poem generator&rdquo; that &ldquo;produces poetry from the user&rsquo;s brain waves.&rdquo; See brainsonart.wordpress.com\/2013\/10\/18\/brain-poetry-2013\/<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8fi1-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Puheentunnistus&nbsp;on itse asiassa laajempi termi, jolla viitataan&nbsp;&rdquo;kieli- ja puheteknologian alaan kuuluviin hahmontunnistusmenetelmiin, joiden avulla tietokone voi tunnistaa ihmisten puhetta&rdquo;. T&auml;ss&auml; tutkimuksessa k&auml;ytet&auml;&auml;n l&auml;hes yksinomaan puheentunnistuksen &amp;lt;em&amp;gt;sanelusovellukseksi&amp;lt;\/em&amp;gt; kutsuttua alalajia, jossa &rdquo;kone pyrkii muuttamaan ihmisen vapaan puheen tekstiksi&rdquo;. (Wikipedia 16.2.17.)&lt;\/div&gt;\"><span itemprop=\"name\">1.8FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Puheentunnistus&nbsp;on itse asiassa laajempi termi, jolla viitataan&nbsp;&rdquo;kieli- ja puheteknologian alaan kuuluviin hahmontunnistusmenetelmiin, joiden avulla tietokone voi tunnistaa ihmisten puhetta&rdquo;. T&auml;ss&auml; tutkimuksessa k&auml;ytet&auml;&auml;n l&auml;hes yksinomaan puheentunnistuksen sanelusovellukseksi kutsuttua(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8fi2-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Oltuani aluksi haluton ottamaan puheentunnistuksen mukaan tutkimusprosessin toiseksi merkitt&auml;v&auml;ksi digitaaliseksi teknologiaksi konek&auml;&auml;nt&auml;misen ohella huomasin nopeasti, ett&auml; se tarjosi enemm&auml;n esityksellisi&auml; mahdollisuuksia kuin konek&auml;&auml;nt&auml;minen yksin. Puheentunnistus osoittautui riitt&auml;v&auml;n joustavaksi muuttuakseen osaksi rakenteilla olevaa teknist&auml; kokonaisuutta ja toisaalta my&ouml;s tarpeeksi lujaksi antaakseen meille teknisen kehyksen, jonka puitteissa saatoimme tutkia kirjoittamista.&lt;\/div&gt;\"><span itemprop=\"name\">1.8FI2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Oltuani aluksi haluton ottamaan puheentunnistuksen mukaan tutkimusprosessin toiseksi merkitt&auml;v&auml;ksi digitaaliseksi teknologiaksi konek&auml;&auml;nt&auml;misen ohella huomasin nopeasti, ett&auml; se tarjosi enemm&auml;n esityksellisi&auml; mahdollisuuksia kuin konek&auml;&auml;nt&auml;minen yksin. Puheentunnistus osoittautui riitt&auml;v&auml;n(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8fi4-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;lt;em&amp;gt;love.abz, kaksi julkista harjoitusta&amp;lt;\/em&amp;gt;, Esityskomposti-performanssitapahtuma Kiasman galleriatilassa. Ohjaus ja suunnittelu: Otso Huopaniemi. Esiintyj&auml;: Teemu Miettinen. Kuraattorit: Elina Latva, Nora Rinne ja Jonna Strandberg. AV-suunnittelu ja toteutus: Heikki Paasonen.&lt;\/div&gt;\"><span itemprop=\"name\">1.8FI4<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">love.abz, kaksi julkista harjoitusta, Esityskomposti-performanssitapahtuma Kiasman galleriatilassa. Ohjaus ja suunnittelu: Otso Huopaniemi. Esiintyj&auml;: Teemu Miettinen. Kuraattorit: Elina Latva, Nora Rinne ja Jonna Strandberg. AV-suunnittelu ja toteutus: Heikki Paasonen.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8fi5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;lt;em&amp;gt;Rakkauden ABZ:n&amp;lt;\/em&amp;gt; koneellisesti k&auml;&auml;nnetyt kohtaukset toimivat taiteellisissa osissa harjoitetun improvisatorisen kirjoittamisen her&auml;tetekstein&auml; (ks. &amp;lt;a href=&amp;quot;http:\/\/actascenica.teak.fi\/huopaniemi-otso\/frag\/14\/&amp;quot;&amp;gt;2.2&amp;lt;\/a&amp;gt; ja &amp;lt;a href=&amp;quot;http:\/\/actascenica.teak.fi\/huopaniemi-otso\/frag\/24\/&amp;quot;&amp;gt;3.4&amp;lt;\/a&amp;gt;).&lt;\/div&gt;\"><span itemprop=\"name\">1.8FI5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Rakkauden ABZ:n koneellisesti k&auml;&auml;nnetyt kohtaukset toimivat taiteellisissa osissa harjoitetun improvisatorisen kirjoittamisen her&auml;tetekstein&auml; (ks. 2.2 ja 3.4).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8fi5-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;On syyt&auml; lis&auml;t&auml;, ett&auml; Teemu on esimerkillinen kirjoittaja joka tuottaa korkeatasoista teksti&auml;, kuten ovat kaikki tutkimuksen taiteellisiin osiin osallistuneet kirjoittaja-esiintyj&auml;t. Heid&auml;n kamppailunsa paljastaa enemm&auml;n&nbsp;teht&auml;vien problematiikasta kuin mist&auml;&auml;n henkil&ouml;kohtaisista puutteista.&lt;\/div&gt;\"><span itemprop=\"name\">1.8FI5.5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">On syyt&auml; lis&auml;t&auml;, ett&auml; Teemu on esimerkillinen kirjoittaja joka tuottaa korkeatasoista teksti&auml;, kuten ovat kaikki tutkimuksen taiteellisiin osiin osallistuneet kirjoittaja-esiintyj&auml;t. Heid&auml;n kamppailunsa paljastaa enemm&auml;n&nbsp;teht&auml;vien problematiikasta kuin mist&auml;&auml;n henkil&ouml;kohtaisista puutteista.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8fi7\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;T&auml;m&auml; nimenomainen harjoite on elokuun 30. p&auml;iv&auml;lt&auml; 2012. Tein sen silloisessa ty&ouml;huoneessani.&lt;\/div&gt;\"><span itemprop=\"name\">1.8FI7<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">T&auml;m&auml; nimenomainen harjoite on elokuun 30. p&auml;iv&auml;lt&auml; 2012. Tein sen silloisessa ty&ouml;huoneessani.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8fi8\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Kutsun tilanteita, joissa ep&auml;vastaavuudet ilmenev&auml;t&nbsp;&amp;lt;em&amp;gt;k&auml;&auml;nteiksi&amp;lt;\/em&amp;gt; tai &amp;lt;em&amp;gt;k&auml;&auml;nnekohdiksi&amp;lt;\/em&amp;gt;, sill&auml; ne pakottavat kirjoittaja-esiintyj&auml;n joko hy&ouml;dynt&auml;m&auml;&auml;n syntynytt&auml; ep&auml;vastaavuutta tai poistamaan sen (sik&auml;li kuin t&auml;m&auml; on mahdollista) (ks. &amp;lt;a href=&amp;quot;http:\/\/actascenica.teak.fi\/huopaniemi-otso\/frag\/19\/&amp;quot;&amp;gt;2.7&amp;lt;\/a&amp;gt;).&lt;\/div&gt;\"><span itemprop=\"name\">1.8FI8<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Kutsun tilanteita, joissa ep&auml;vastaavuudet ilmenev&auml;t&nbsp;k&auml;&auml;nteiksi tai k&auml;&auml;nnekohdiksi, sill&auml; ne pakottavat kirjoittaja-esiintyj&auml;n joko hy&ouml;dynt&auml;m&auml;&auml;n syntynytt&auml; ep&auml;vastaavuutta tai poistamaan sen (sik&auml;li kuin t&auml;m&auml; on mahdollista) (ks. 2.7).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8fi9\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Tilanteita, joissa inhimillinen kirjoittaja-esiintyj&auml; k&auml;ytt&auml;&auml; onnistuneesti ep&auml;vastaavuuden tuloksena syntynytt&auml; ei-aiottua teksti&auml; kutsun&nbsp;&amp;lt;em&amp;gt;s&auml;est&auml;misen ilmentymiksi&nbsp;&amp;lt;\/em&amp;gt;(ks.&nbsp;&amp;lt;a href=&amp;quot;http:\/\/actascenica.teak.fi\/huopaniemi-otso\/frag\/19\/&amp;quot;&amp;gt;2.7&amp;lt;\/a&amp;gt;).&lt;\/div&gt;\"><span itemprop=\"name\">1.8FI9<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Tilanteita, joissa inhimillinen kirjoittaja-esiintyj&auml; k&auml;ytt&auml;&auml; onnistuneesti ep&auml;vastaavuuden tuloksena syntynytt&auml; ei-aiottua teksti&auml; kutsun&nbsp;s&auml;est&auml;misen ilmentymiksi&nbsp;(ks.&nbsp;2.7).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8fi9-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Harjoituksissa ja esityksiss&auml; havaitsemme, ett&auml; puheentunnistusohjelmiston metakomennot toimivat vaihtelevalla luotettavuudella. Yksitt&auml;isen sanan tai fraasin poistamiseen tarkoitetut komennot toimivat keskim&auml;&auml;rin hyvin, mutta sit&auml; monimutkaisemmat tai ep&auml;tavallisemmat komennot vaihtelevasti &ndash; ja usein viiveell&auml;.&lt;\/div&gt;\"><span itemprop=\"name\">1.8FI9.5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Harjoituksissa ja esityksiss&auml; havaitsemme, ett&auml; puheentunnistusohjelmiston metakomennot toimivat vaihtelevalla luotettavuudella. Yksitt&auml;isen sanan tai fraasin poistamiseen tarkoitetut komennot toimivat keskim&auml;&auml;rin hyvin, mutta sit&auml; monimutkaisemmat tai ep&auml;tavallisemmat komennot vaihtelevasti &ndash;(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8fi13\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;K&auml;ytt&auml;m&auml;mme puheentunnistus on &rdquo;puhujariippuvaista&rdquo; ja vaatii t&auml;ss&auml; kuvattua ennakkokalibrointia: &rdquo;Jotkut puheentunnistusj&auml;rjestelm&auml;t k&auml;ytt&auml;v&auml;t &rsquo;harjoittelua&rsquo; (jota my&ouml;s &rsquo;kirjoittautumiseksi&rsquo; kutsutaan), jossa yksitt&auml;inen puhuja lukee teksti&auml; tai yksitt&auml;isen sanaston j&auml;rjestelm&auml;&auml;n. J&auml;rjestelm&auml; analysoi henkil&ouml;n &auml;&auml;nen erityisyytt&auml; ja k&auml;ytt&auml;&auml; sit&auml; kyseisen henkil&ouml;n puheen tunnistamisen hienos&auml;&auml;t&ouml;&ouml;n, mik&auml; lis&auml;&auml; tarkkuutta. &rsquo;Puhujariippumattomiksi&rsquo; kutsutaan sellaisia j&auml;rjestelmi&auml;, jotka eiv&auml;t k&auml;yt&auml; t&auml;m&auml;nkaltaista harjoittelua&rdquo; (ks. ) (Wikipedia 16.2.17).&lt;\/div&gt;\"><span itemprop=\"name\">1.8FI13<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">K&auml;ytt&auml;m&auml;mme puheentunnistus on &rdquo;puhujariippuvaista&rdquo; ja vaatii t&auml;ss&auml; kuvattua ennakkokalibrointia: &rdquo;Jotkut puheentunnistusj&auml;rjestelm&auml;t k&auml;ytt&auml;v&auml;t &rsquo;harjoittelua&rsquo; (jota my&ouml;s &rsquo;kirjoittautumiseksi&rsquo; kutsutaan), jossa yksitt&auml;inen puhuja lukee teksti&auml; tai yksitt&auml;isen sanaston j&auml;rjestelm&auml;&auml;n. J&auml;rjestelm&auml;(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8fi14\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Improvisaatiota edelt&auml;v&auml;t kokoontumiset &ndash; jotka muistuttavat amerikkalaisen jalkapallon &amp;lt;em&amp;gt;huddle&amp;lt;\/em&amp;gt;-neuvotteluja &ndash; lis&auml;t&auml;&auml;n toisessa taiteellisessa osassa &amp;lt;em&amp;gt;(love.abz)&amp;lt;sup&amp;gt;3&amp;lt;\/sup&amp;gt;&amp;lt;\/em&amp;gt;:ssa, jotta esiintyjill&auml; olisi enemm&auml;n valtaa improvisaatioihin. Improvisaatiot kun ovat ensimm&auml;ist&auml; taiteellista osaakin vaativampia, sill&auml; niit&auml; on useita samanaikaisesti kuten videossa kuuluva taustah&auml;lin&auml; osoittaa.&lt;\/div&gt;\"><span itemprop=\"name\">1.8FI14<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Improvisaatiota edelt&auml;v&auml;t kokoontumiset &ndash; jotka muistuttavat amerikkalaisen jalkapallon huddle-neuvotteluja &ndash; lis&auml;t&auml;&auml;n toisessa taiteellisessa osassa (love.abz)3:ssa, jotta esiintyjill&auml; olisi enemm&auml;n valtaa improvisaatioihin. Improvisaatiot kun ovat ensimm&auml;ist&auml; taiteellista osaakin(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8fi15-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Tai k&auml;&auml;nt&auml;m&auml;n&auml; ilman lainausmerkkej&auml;, sill&auml; t&auml;m&auml;n tutkimuksen valossa on perusteltua ajatella puheentunnistusta yhten&auml; koneellisen k&auml;&auml;nt&auml;misen muotona.&lt;\/div&gt;\"><span itemprop=\"name\">1.8FI15.5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Tai k&auml;&auml;nt&auml;m&auml;n&auml; ilman lainausmerkkej&auml;, sill&auml; t&auml;m&auml;n tutkimuksen valossa on perusteltua ajatella puheentunnistusta yhten&auml; koneellisen k&auml;&auml;nt&auml;misen muotona.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8fi16\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Kuten Hannu Toivonen kirjoittaa, laskennallinen luovuus on keino&auml;lyn kaksonen: &rdquo;Siin&auml; miss&auml; keino&auml;ly tutkii miten suorittaa teht&auml;vi&auml;, joita ihmisen suorittamina pidett&auml;isiin &auml;lykk&auml;in&auml;, laskennallinen luovuus tutkii suorituksia, joita ihmisen suorittamina pidett&auml;isiin luovina&rdquo; (Toivonen &amp;amp;amp; Gross 2015, 265).&lt;\/div&gt;\"><span itemprop=\"name\">1.8FI16<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Kuten Hannu Toivonen kirjoittaa, laskennallinen luovuus on keino&auml;lyn kaksonen: &rdquo;Siin&auml; miss&auml; keino&auml;ly tutkii miten suorittaa teht&auml;vi&auml;, joita ihmisen suorittamina pidett&auml;isiin &auml;lykk&auml;in&auml;, laskennallinen luovuus tutkii suorituksia, joita ihmisen suorittamina pidett&auml;isiin luovina&rdquo; (Toivonen &amp; Gross(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-8fi17\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-8fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Muun muassa&nbsp;&amp;lt;em&amp;gt;Brains on Art&amp;lt;\/em&amp;gt; -ryhm&auml; on luonut&nbsp;&amp;lt;em&amp;gt;Brain Poetry&nbsp;&amp;lt;\/em&amp;gt;-nimisen runogeneraattorin, joka muuntaa k&auml;ytt&auml;j&auml;n aivos&auml;hk&ouml;k&auml;yr&auml;n runoksi. Ks.&nbsp;&amp;lt;a href=&amp;quot;https:\/\/brainsonart.wordpress.com\/2013\/10\/18\/brain-poetry-2013\/&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;brainsonart.wordpress.com\/2013\/10\/18\/brain-poetry-2013\/&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">1.8FI17<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Muun muassa&nbsp;Brains on Art -ryhm&auml; on luonut&nbsp;Brain Poetry&nbsp;-nimisen runogeneraattorin, joka muuntaa k&auml;ytt&auml;j&auml;n aivos&auml;hk&ouml;k&auml;yr&auml;n runoksi. Ks.&nbsp;brainsonart.wordpress.com\/2013\/10\/18\/brain-poetry-2013\/<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-9en1-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-9en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;I thank my supervisor, Esa Kirkkopelto, for the ideas and words I interpret and modify in this paragraph.&lt;\/div&gt;\"><span itemprop=\"name\">1.9EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">I thank my supervisor, Esa Kirkkopelto, for the ideas and words I interpret and modify in this paragraph.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-9fi1-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-9fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Kiit&auml;n v&auml;it&ouml;kseni ohjaajaa Esa Kirkkopeltoa ajatuksista ja sanoista, joita tulkitsen ja muokkaan t&auml;ss&auml; kappaleessa.&lt;\/div&gt;\"><span itemprop=\"name\">1.9FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Kiit&auml;n v&auml;it&ouml;kseni ohjaajaa Esa Kirkkopeltoa ajatuksista ja sanoista, joita tulkitsen ja muokkaan t&auml;ss&auml; kappaleessa.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-10en1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-10en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;BLEU (bilingual evaluation understudy) is an algorithm that is commonly used to evaluate the quality of text machine translated from one natural language into another. (Wikipedia 31 July 2017)&lt;\/div&gt;\"><span itemprop=\"name\">1.10EN2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">BLEU (bilingual evaluation understudy) is an algorithm that is commonly used to evaluate the quality of text machine translated from one natural language into another. (<a class=\"glossaryLink cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;quot;BLEU.&rdquo; &amp;lt;i&amp;gt;Wikipedia.&nbsp;&amp;lt;\/i&amp;gt;Online encyclopedia. Accessed 31 July 2017. &amp;lt;a href=&amp;quot;https:\/\/en.wikipedia.org\/wiki\/BLEU&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;en.wikipedia.org\/wiki\/BLEU&amp;lt;\/a&amp;gt;&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/wikipedia-31-july-2017\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Wikipedia 31 July 2017<\/a>)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-10en2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-10en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Rouvroy favors the term &amp;lt;em&amp;gt;computational turn&amp;lt;\/em&amp;gt;, whereas Haverinen &amp;amp;amp; Suominen (Haverinen &amp;amp;amp; Suominen 2015EN) opt for &amp;lt;em&amp;gt;digital turn&amp;lt;\/em&amp;gt;, because the changes the terms suggest &amp;quot;touch upon all areas of life and thus also extend to areas of research.&rdquo;&lt;\/div&gt;\"><span itemprop=\"name\">1.10EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Rouvroy favors the term computational turn, whereas Haverinen &amp; Suominen (<a class=\"glossaryLink cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Haverinen, Anna&nbsp;&amp;amp;amp; Suominen, Jaakko. 2015.&nbsp;&amp;quot;Koodaamisen ja kirjoittamisen vuoropuhelu? Mit&auml; on digitaalinen humanistinen tutkimus.&rdquo; &amp;lt;em&amp;gt;Ennen ja nyt, Historian tietosanomat&amp;lt;\/em&amp;gt; website. Accessed 28 February 2017. &amp;lt;a href=&amp;quot;http:\/\/www.ennenjanyt.net\/2015\/02\/koodaamisen-ja-kirjoittamisen-vuoropuhelu-mita-on-digitaalinen-humanistinen-tutkimus\/&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.ennenjanyt.net\/2015\/02\/koodaamisen-ja-kirjoittamisen-vuoropuhelu-mita-on-digitaalinen-humanistinen-tutkimus\/&amp;lt;\/a&amp;gt;&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/haverinen-suominen-2015en\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Haverinen &amp; Suominen 2015EN<\/a>) opt for digital turn, because the changes the terms suggest &ldquo;touch upon all areas of life and thus also extend to areas of research.&rdquo;<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-10fi1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-10fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;BLEU (engl. &amp;lt;em&amp;gt;bilingual evaluation understudy&amp;lt;\/em&amp;gt;) on algoritmi, jota k&auml;ytet&auml;&auml;n yleisesti luonnollisesta kielest&auml; toiseen koneellisesti k&auml;&auml;nnetyn tekstin laadun arviointiin (Wikipedia 31.7.2017).&lt;\/div&gt;\"><span itemprop=\"name\">1.10FI2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">BLEU (engl. bilingual evaluation understudy) on algoritmi, jota k&auml;ytet&auml;&auml;n yleisesti luonnollisesta kielest&auml; toiseen koneellisesti k&auml;&auml;nnetyn tekstin laadun arviointiin (<a class=\"glossaryLink cmtt_refer-fi\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;quot;BLEU.&rdquo;&nbsp;&amp;lt;i&amp;gt;Wikipedia&nbsp;&amp;lt;\/i&amp;gt;vapaa tietosanakirja, 31.7.2017. &amp;lt;a href=&amp;quot;https:\/\/en.wikipedia.org\/wiki\/BLEU&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;en.wikipedia.org\/wiki\/BLEU&amp;lt;\/a&amp;gt;&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/wikipedia-31-7-2017\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Wikipedia 31.7.2017<\/a>).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/1-10fi2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-1-10fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Rouvroy suosii termi&auml; &amp;lt;em&amp;gt;laskennallinen k&auml;&auml;nne,&amp;lt;\/em&amp;gt; kun Haverinen &amp;amp;amp; Suominen (Haverinen &amp;amp;amp; Suominen 2015FI) taas kannattavat &amp;lt;em&amp;gt;digitaalista k&auml;&auml;nnett&auml;&amp;lt;\/em&amp;gt; sill&auml; perusteella, ett&auml; se &rdquo;koskettaa kaikkia el&auml;m&auml;nalueita ja ulottuu siten my&ouml;s tutkimuksen osa-alueille&rdquo;.&lt;\/div&gt;\"><span itemprop=\"name\">1.10FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Rouvroy suosii termi&auml; laskennallinen k&auml;&auml;nne, kun Haverinen &amp; Suominen (<a class=\"glossaryLink cmtt_refer-fi\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Haverinen, Anna&nbsp;&amp;amp;amp; Suominen, Jaakko. 2015.&nbsp;&rdquo;Koodaamisen ja kirjoittamisen vuoropuhelu? Mit&auml; on digitaalinen humanistinen tutkimus.&rdquo; &amp;lt;em&amp;gt;Ennen ja nyt, Historian tietosanomat&amp;lt;\/em&amp;gt; verkkosivusto. Haettu 28.2.2017. &amp;lt;a href=&amp;quot;http:\/\/www.ennenjanyt.net\/2015\/02\/koodaamisen-ja-kirjoittamisen-vuoropuhelu-mita-on-digitaalinen-humanistinen-tutkimus\/&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.ennenjanyt.net\/2015\/02\/koodaamisen-ja-kirjoittamisen-vuoropuhelu-mita-on-digitaalinen-humanistinen-tutkimus\/&amp;lt;\/a&amp;gt;&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/haverinen-suominen-2015fi\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Haverinen &amp; Suominen 2015FI<\/a>) taas kannattavat digitaalista k&auml;&auml;nnett&auml; sill&auml; perusteella, ett&auml; se &rdquo;koskettaa kaikkia el&auml;m&auml;nalueita ja ulottuu siten my&ouml;s tutkimuksen osa-alueille&rdquo;.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-1en3\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-1en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Familiarity and &amp;quot;humanness&rdquo; are, indeed, research topics in the field of human-robot interaction (see, for example, M. Kim et al. 2011, 24).&lt;\/div&gt;\"><span itemprop=\"name\">2.1EN3<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Familiarity and &ldquo;humanness&rdquo; are, indeed, research topics in the field of human-robot interaction (see, for example, <a class=\"glossaryLink cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Kim, M. &amp;amp;amp; Oh, K. &amp;amp;amp; Choi, J. &amp;amp;amp; Jung, J. &amp;amp;amp; Kim, Y. &amp;quot;User-Centered HRI: HRI Research Methodology for Designers.&rdquo; In &amp;lt;i&amp;gt;Mixed Reality and Human-Robot Interaction&amp;lt;\/i&amp;gt;, ed. Xiangyu Wang, 13&ndash;34. Dordrecht: Springer.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/m-kim-et-al-2011\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">M. Kim et al. 2011<\/a>, 24).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-1fi2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-2fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;V&auml;it&ouml;stutkimuksessaan &rdquo;Reading Digital Poetry &ndash; Interface, Interaction, and Interpretation&rdquo; Matti Kangaskoski ehdottaa l&auml;hi- ja hyperlukemisen leikkis&auml;&auml; yhdist&auml;mist&auml;. Kangaskoskelle &rdquo;hyperl&auml;hilukeminen&rdquo; ja &rdquo;l&auml;hihyperlukeminen&rdquo; viittaavat lukemiseen, joka tutkii hyperlukemista l&auml;helt&auml;. (Kangaskoski 2017, 68.)&lt;\/div&gt;\"><span itemprop=\"name\">2.2FI2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">V&auml;it&ouml;stutkimuksessaan &rdquo;Reading Digital Poetry &ndash; Interface, Interaction, and Interpretation&rdquo; Matti Kangaskoski ehdottaa l&auml;hi- ja hyperlukemisen leikkis&auml;&auml; yhdist&auml;mist&auml;. Kangaskoskelle &rdquo;hyperl&auml;hilukeminen&rdquo; ja &rdquo;l&auml;hihyperlukeminen&rdquo; viittaavat lukemiseen, joka tutkii hyperlukemista l&auml;helt&auml;.(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-1fi3\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-1fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Tuttuuden vaikutelma ja &amp;quot;inhimillisyys&rdquo; ovatkin tutkimusaiheita ihmisen ja robottien vuorovaikutusta tutkivalla robotiikan alalla (engl. human-robot interaction) (ks. esim. M. Kim et al. 2011FI, 24).&lt;\/div&gt;\"><span itemprop=\"name\">2.1FI3<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Tuttuuden vaikutelma ja &ldquo;inhimillisyys&rdquo; ovatkin tutkimusaiheita ihmisen ja robottien vuorovaikutusta tutkivalla robotiikan alalla (engl. human-robot interaction) (ks. esim. <a class=\"glossaryLink cmtt_refer-fi\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Kim, M. &amp;amp;amp; Oh, K. &amp;amp;amp; Choi, J. &amp;amp;amp; Jung, J. &amp;amp;amp; Kim, Y. &amp;quot;User-Centered HRI: HRI Research Methodology for Designers.&rdquo; &amp;lt;i&amp;gt;Mixed Reality and Human-Robot Interaction&amp;lt;\/i&amp;gt;, toim. Xiangyu Wang, 13&ndash;34. Dordrecht: Springer.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/m-kim-et-al-2011fi\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">M. Kim et al. 2011FI<\/a>, 24).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-2en1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-2en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;When referring to features or parts present in both, I use the common name &amp;lt;em&amp;gt;love.abz\/(love.abz)&amp;lt;sup&amp;gt;3&amp;lt;\/sup&amp;gt;&amp;lt;\/em&amp;gt; of the artistic parts of the research.&lt;\/div&gt;\"><span itemprop=\"name\">2.2EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">When referring to features or parts present in both, I use the common name love.abz\/(love.abz)3 of the artistic parts of the research.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-2en2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-2en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;In&nbsp;&amp;quot;Reading Digital Poetry&mdash;Interface, Interaction, and Interpretation,&rdquo; Matti Kangaskoski suggests the playful conflation of close and hyper reading. For Kangaskoski, &amp;quot;hyper close reading&rdquo; and &amp;quot;close hyper reading&rdquo; &amp;quot;designate a reading that investigates the performance of hyper reading closely.&rdquo; (Kangaskoski 2017EN, 68)&lt;\/div&gt;\"><span itemprop=\"name\">2.2EN2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">In&nbsp;&ldquo;Reading Digital Poetry&mdash;Interface, Interaction, and Interpretation,&rdquo; Matti Kangaskoski suggests the playful conflation of close and hyper reading. For Kangaskoski, &ldquo;hyper close reading&rdquo; and &ldquo;close hyper reading&rdquo; &ldquo;designate a reading that investigates the performance of hyper reading(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-2fi1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-2fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;K&auml;yt&auml;n tutkimuksen taiteellisista osista yhteisnimityst&auml; &amp;lt;em&amp;gt;love.abz\/(love.abz)&amp;lt;sup&amp;gt;3&amp;lt;\/sup&amp;gt;&amp;lt;\/em&amp;gt; silloin, kun viittaan niiden yhteisiin piirteisiin tai osiin.&lt;\/div&gt;\"><span itemprop=\"name\">2.2FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">K&auml;yt&auml;n tutkimuksen taiteellisista osista yhteisnimityst&auml; love.abz\/(love.abz)3 silloin, kun viittaan niiden yhteisiin piirteisiin tai osiin.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><div class=\"term-block\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-3en1-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-3en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;At the bottom right of the text input field in the Google Translate webpage, the characters for each text are displayed (300 characters for fragment 13). Significantly more characters could be entered into the field, up to 5000, but capturing a screenshot of texts consisting of more than 300 characters is impractical for this study, as the font size decreases and the text continues beyond the bottom of the screen view.&lt;\/div&gt;\"><span itemprop=\"name\">2.3EN1.5<\/span><\/a><\/div><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">At the bottom right of the text input field in the Google Translate webpage, the characters for each text are displayed (300 characters for fragment 13). Significantly more characters could be entered into the field, up to 5000, but capturing a screenshot of texts consisting of more than 300(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-3fi1-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-3fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Google-k&auml;&auml;nt&auml;j&auml;-verkkosivun tekstinsy&ouml;tt&ouml;kent&auml;n oikeassa alalaidassa n&auml;kyy kunkin tekstin merkkim&auml;&auml;r&auml; (fragmentti 13:n tapauksessa tasan 300 merkki&auml;). Merkkej&auml; mahtuisi kentt&auml;&auml;n enemm&auml;nkin, aina 5000:een merkkiin saakka, mutta kuvakaappauksen ottaminen&nbsp;300 merkki&auml; pidemm&auml;st&auml; tekstist&auml; on t&auml;m&auml;n tutkimuksen kannalta ep&auml;k&auml;yt&auml;nn&ouml;llist&auml;, fontin koko kun pienenee ja teksti jatkuu ruutun&auml;kym&auml;n alalaidan yli.&lt;\/div&gt;\"><span itemprop=\"name\">2.3FI1.5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Google-k&auml;&auml;nt&auml;j&auml;-verkkosivun tekstinsy&ouml;tt&ouml;kent&auml;n oikeassa alalaidassa n&auml;kyy kunkin tekstin merkkim&auml;&auml;r&auml; (fragmentti 13:n tapauksessa tasan 300 merkki&auml;). Merkkej&auml; mahtuisi kentt&auml;&auml;n enemm&auml;nkin, aina 5000:een merkkiin saakka, mutta kuvakaappauksen ottaminen&nbsp;300 merkki&auml; pidemm&auml;st&auml; tekstist&auml; on t&auml;m&auml;n(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-4en1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-4en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;The fact that there is no link above to a corresponding Hayles passage seems to also point to this possible interpretation. Fragment 16 is the third fragment&nbsp;that does not refer to any particular Hayles passage (see &amp;lt;a href=&amp;quot;http:\/\/actascenica.teak.fi\/huopaniemi-otso\/frag\/4\/&amp;quot;&amp;gt;1.4&amp;lt;\/a&amp;gt; and &amp;lt;a href=&amp;quot;http:\/\/actascenica.teak.fi\/huopaniemi-otso\/frag\/10\/&amp;quot;&amp;gt;1.10&amp;lt;\/a&amp;gt;).&lt;\/div&gt;\"><span itemprop=\"name\">2.4EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">The fact that there is no link above to a corresponding Hayles passage seems to also point to this possible interpretation. Fragment 16 is the third fragment&nbsp;that does not refer to any particular Hayles passage (see 1.4 and 1.10).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-4en2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-4en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;In addition to a print copy, I have at my disposal a digital copy of Carr&rsquo;s book, freely available on&nbsp;the Internet.&lt;\/div&gt;\"><span itemprop=\"name\">2.4EN2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">In addition to a print copy, I have at my disposal a digital copy of Carr&rsquo;s book, freely available on&nbsp;the Internet.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-4fi1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-4fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;T&auml;h&auml;n tulkintamahdollisuuteen viittaa sekin, ettei yll&auml; ole linkki&auml; Haylesin kirjan katkelmaan. Fragmentti 16 on j&auml;rjestyksess&auml; kolmas, joka ei viittaa mihink&auml;&auml;n tiettyyn Hayles-katkelmaan (vrt. &amp;lt;a href=&amp;quot;http:\/\/actascenica.teak.fi\/huopaniemi-otso\/frag\/4\/&amp;quot;&amp;gt;1.4&amp;lt;\/a&amp;gt; ja &amp;lt;a href=&amp;quot;http:\/\/actascenica.teak.fi\/huopaniemi-otso\/frag\/10\/&amp;quot;&amp;gt;1.10&amp;lt;\/a&amp;gt;).&lt;\/div&gt;\"><span itemprop=\"name\">2.4FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">T&auml;h&auml;n tulkintamahdollisuuteen viittaa sekin, ettei yll&auml; ole linkki&auml; Haylesin kirjan katkelmaan. Fragmentti 16 on j&auml;rjestyksess&auml; kolmas, joka ei viittaa mihink&auml;&auml;n tiettyyn Hayles-katkelmaan (vrt. 1.4 ja 1.10).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-4fi2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-4fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Painetun kirjan lis&auml;ksi minulla on k&auml;yt&ouml;ss&auml;ni Carrin kirjan digitaalinen, netiss&auml; vapaasti saatavilla oleva&nbsp;versio.&lt;\/div&gt;\"><span itemprop=\"name\">2.4FI2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Painetun kirjan lis&auml;ksi minulla on k&auml;yt&ouml;ss&auml;ni Carrin kirjan digitaalinen, netiss&auml; vapaasti saatavilla oleva&nbsp;versio.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-5en0\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-5en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Against this backdrop, the algorithmic (mis)translation in &amp;lt;a href=&amp;quot;http:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-content\/uploads\/2016\/02\/Fragment-17.jpg&amp;quot;&amp;gt;fragmentti 17&amp;lt;\/a&amp;gt; is about apposite as it could be: &amp;quot;it is embarrassing to embody psycho-physical dependence.&rdquo;&lt;\/div&gt;\"><span itemprop=\"name\">2.5EN0<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Against this backdrop, the algorithmic (mis)translation in fragmentti 17 is about apposite as it could be: &ldquo;it is embarrassing to embody psycho-physical dependence.&rdquo;<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-5en0-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-5en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;The etymology of the word &amp;quot;translation&rdquo; is evidence of the connection between translation and courier work, as the past participle of the Latin verb &amp;lt;i&amp;gt;transferre&amp;lt;\/i&amp;gt;, &amp;lt;i&amp;gt;translat&amp;lt;\/i&amp;gt;, means &amp;quot;carried across.&rdquo;&lt;\/div&gt;\"><span itemprop=\"name\">2.5EN0.5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">The etymology of the word &ldquo;translation&rdquo; is evidence of the connection between translation and courier work, as the past participle of the Latin verb transferre, translat, means &ldquo;carried across.&rdquo;<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-5en1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-5en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;In light of this anecdote, comparing the route suggestions of Google Maps to the translation suggestions of Google Translate could allow us to explore&nbsp;how digital technologies expand and fail to expand our geographical and linguistic reach.&lt;\/div&gt;\"><span itemprop=\"name\">2.5EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">In light of this anecdote, comparing the route suggestions of Google Maps to the translation suggestions of Google Translate could allow us to explore&nbsp;how digital technologies expand and fail to expand our geographical and linguistic reach.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-5fi0\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-5fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;T&auml;t&auml; taustaa vasten &amp;lt;a href=&amp;quot;http:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-content\/uploads\/2016\/02\/Fragment-17.jpg&amp;quot;&amp;gt;fragmentti 17:n&amp;lt;\/a&amp;gt; algoritmisessa k&auml;&auml;nn&ouml;ksess&auml; ilmenev&auml; (v&auml;&auml;rin)k&auml;&auml;nn&ouml;s &rdquo;it is embarrassing to embody psycho-physical dependence&rdquo; on sattuva.&lt;\/div&gt;\"><span itemprop=\"name\">2.5FI0<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">T&auml;t&auml; taustaa vasten fragmentti 17:n algoritmisessa k&auml;&auml;nn&ouml;ksess&auml; ilmenev&auml; (v&auml;&auml;rin)k&auml;&auml;nn&ouml;s &rdquo;it is embarrassing to embody psycho-physical dependence&rdquo; on sattuva.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><div class=\"term-block\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-5fi0-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-5fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;K&auml;&auml;nt&auml;misen ja kuriirinty&ouml;n yhteys ilmenee jo engl.&nbsp;&amp;lt;em&amp;gt;translation&amp;lt;\/em&amp;gt;-sanan etymologiassa, latinan &amp;lt;em&amp;gt;tranferre-&amp;lt;\/em&amp;gt;verbist&auml; juontuva&nbsp;&amp;lt;em&amp;gt;tranlat&nbsp;&amp;lt;\/em&amp;gt;kun tarkoittaa&nbsp;&rdquo;yli tai toiselle puolelle kannettua&rdquo;.&lt;\/div&gt;\"><span itemprop=\"name\">2.5FI0.5<\/span><\/a><\/div><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">K&auml;&auml;nt&auml;misen ja kuriirinty&ouml;n yhteys ilmenee jo engl.&nbsp;translation-sanan etymologiassa, latinan tranferre-verbist&auml; juontuva&nbsp;tranlat&nbsp;kun tarkoittaa&nbsp;&rdquo;yli tai toiselle puolelle kannettua&rdquo;.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-5fi1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-5fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Google Mapsin reittiehdotusten&nbsp;vertaaminen Google-k&auml;&auml;nt&auml;j&auml;n k&auml;&auml;nn&ouml;sehdotuksiin voisikin t&auml;m&auml;n anekdootin valossa antaa aihetta tutkia, miten digitaaliset teknologiat laajentavat ja ovat laajentamatta maantieteellist&auml; ja lingvistist&auml; liikkuma-aluettamme.&lt;\/div&gt;\"><span itemprop=\"name\">2.5FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Google Mapsin reittiehdotusten&nbsp;vertaaminen Google-k&auml;&auml;nt&auml;j&auml;n k&auml;&auml;nn&ouml;sehdotuksiin voisikin t&auml;m&auml;n anekdootin valossa antaa aihetta tutkia, miten digitaaliset teknologiat laajentavat ja ovat laajentamatta maantieteellist&auml; ja lingvistist&auml; liikkuma-aluettamme.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-6en1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-6en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;In his artistic research, &amp;lt;em&amp;gt;The Theater Enters! The Play within the Play as a Means of Disruption&amp;lt;\/em&amp;gt;, Davide Giovanzana suggests that the play within the play structure is a tool that challenges authoritarian discourses from within, playfully (Giovanzana 2015). Adapting this claim, DAR&rsquo;s thesis could be considered to challenge and disturb my thesis, which is in a dominant position.&lt;\/div&gt;\"><span itemprop=\"name\">2.6EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">In his artistic research, The Theater Enters! The Play within the Play as a Means of Disruption, Davide Giovanzana suggests that the play within the play structure is a tool that challenges authoritarian discourses from within, playfully (<a class=\"glossaryLink cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Giovanzana, Davide. 2015.&nbsp;&amp;lt;i&amp;gt;Theatre Enters! The Play within the Play as a Means of Disruption. &amp;lt;\/i&amp;gt;Acta Scenica 43. Helsinki: University of the Arts Helsinki, Theatre Academy, Performing Arts Research Center.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/giovanzana-2015\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Giovanzana 2015<\/a>). Adapting this claim, DAR&rsquo;s thesis(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-6en2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-6en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;The process is by no means as frictionless and seamless as this description may imply, especially if the implementation of the updates takes place in the late stages of the rehearsal&nbsp;process or during the performance period.&lt;\/div&gt;\"><span itemprop=\"name\">2.6EN3<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">The process is by no means as frictionless and seamless as this description may imply, especially if the implementation of the updates takes place in the late stages of the rehearsal&nbsp;process or during the performance period.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-6en2-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-6en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;The tech plot is close to the concept of the score, which in dramaturgy refers to a script for an action or event. The score can take the form of notes or instructions that consist of, for example, text, route maps for performers, and clarifications on the use of the performance space (Uniarts.fi 6 August 2017). Tech plots as I use them contain mainly text and are clearly written from my point of view, that of the coordinator of the performances. Originally, their use is related to managing the technical requirements of the performances, which may also distinguish them from the above definition of score.&lt;\/div&gt;\"><span itemprop=\"name\">2.6EN2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">The tech plot is close to the concept of the score, which in dramaturgy refers to a script for an action or event. The score can take the form of notes or instructions that consist of, for example, text, route maps for performers, and clarifications on the use of the performance space(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-6fi1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-6fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Taiteellisessa tutkimuksessaan &amp;lt;em&amp;gt;Theatre Enters! The Play within the Play as a Means of Disruption&amp;lt;\/em&amp;gt; Davide Giovanzana esitt&auml;&auml;, ett&auml; n&auml;ytelm&auml; n&auml;ytelm&auml;ss&auml; -rakenne on v&auml;line joka haastaa autoritaarista diskurssia sis&auml;lt&auml; k&auml;sin, leikkis&auml;sti (Giovanzana 2015FI). T&auml;t&auml; taustaa vasten DAR:n opinn&auml;ytteen voisi ajatella haastavan ja h&auml;iritsev&auml;n minun opinn&auml;ytett&auml;ni, joka on dominoivassa asemassa.&lt;\/div&gt;\"><span itemprop=\"name\">2.6FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Taiteellisessa tutkimuksessaan Theatre Enters! The Play within the Play as a Means of Disruption Davide Giovanzana esitt&auml;&auml;, ett&auml; n&auml;ytelm&auml; n&auml;ytelm&auml;ss&auml; -rakenne on v&auml;line joka haastaa autoritaarista diskurssia sis&auml;lt&auml; k&auml;sin, leikkis&auml;sti (<a class=\"glossaryLink cmtt_refer-fi\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Giovanzana, Davide. 2015.&nbsp;&amp;lt;i&amp;gt;Theatre Enters! The Play within the Play as a Means of Disruption. &amp;lt;\/i&amp;gt;Acta Scenica 43. Helsinki: Taideyliopiston Teatterikorkeakoulu, Esitt&auml;vien taiteiden tutkimuskeskus.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/giovanzana-2015fi\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Giovanzana 2015FI<\/a>). T&auml;t&auml; taustaa vasten DAR:n opinn&auml;ytteen(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-6fi2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-6fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Prosessi ei suinkaan ole kitkaton ja saumaton &ndash; toisin kuin t&auml;m&auml; kuvaus saattaa antaa ymm&auml;rt&auml;&auml; &ndash;, ei varsinkaan jos p&auml;ivitysten t&auml;yt&auml;nt&ouml;&ouml;npano ajoittuu harjoitusprosessin my&ouml;h&auml;isiin vaiheisiin tai esityskaudelle.&lt;\/div&gt;\"><span itemprop=\"name\">2.6FI3<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Prosessi ei suinkaan ole kitkaton ja saumaton &ndash; toisin kuin t&auml;m&auml; kuvaus saattaa antaa ymm&auml;rt&auml;&auml; &ndash;, ei varsinkaan jos p&auml;ivitysten t&auml;yt&auml;nt&ouml;&ouml;npano ajoittuu harjoitusprosessin my&ouml;h&auml;isiin vaiheisiin tai esityskaudelle.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-6fi2-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-6fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Tekninen k&auml;sikirjoitus on l&auml;hell&auml; scoren eli toiminta- tai tapahtumak&auml;sikirjoituksen k&auml;sitett&auml;, jolla dramaturgiassa tarkoitetaan &amp;quot;muistiinpanoja tai ohjeita, jotka voivat koostua esimerkiksi tekstist&auml;, esiintyj&auml;n reittikartasta ja esitystilan k&auml;ytt&ouml;&auml; selvent&auml;vist&auml; kaavakuvista&rdquo; (Uniarts.fi 6.8.17). Kirjoittamani tekniset k&auml;sikirjoitukset tosin sis&auml;lt&auml;v&auml;t l&auml;hinn&auml; teksti&auml; ja ovat selv&auml;sti minun, esitysten koordinoijan, n&auml;k&ouml;kulmasta kirjoitettuja. Niiden alkuper&auml;inen k&auml;ytt&ouml;tarkoitus liittyy esitysten teknisten vaatimusten hallintaan, mik&auml; sekin saattaa erottaa ne edell&auml; olevasta scoren m&auml;&auml;ritelm&auml;st&auml;.&lt;\/div&gt;\"><span itemprop=\"name\">2.6FI2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Tekninen k&auml;sikirjoitus on l&auml;hell&auml; scoren eli toiminta- tai tapahtumak&auml;sikirjoituksen k&auml;sitett&auml;, jolla dramaturgiassa tarkoitetaan &ldquo;muistiinpanoja tai ohjeita, jotka voivat koostua esimerkiksi tekstist&auml;, esiintyj&auml;n reittikartasta ja esitystilan k&auml;ytt&ouml;&auml; selvent&auml;vist&auml; kaavakuvista&rdquo; (Uniarts.fi(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-8en1-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-8en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;I quote the fragment in its entirety because it is so closely linked to my reading:&nbsp;&amp;quot;Drawing on my own experience with throwing pots, I typically would begin with a conscious idea: the shape to be crafted, the size, texture, glaze, etc. Wedging the clay gives other cognitions a chance to work as I absorb through my hands information about the clay&rsquo;s graininess, moisture content, chemical composition, etc., which may perhaps cause me to modify my original idea. Even more dynamic is working the clay on the wheel, a complex interaction between what I envision and what the clay has a mind to do. A successful pot emerges when these interactions become a fluid dance, with the clay and my hands coming to rest at the same moment. In this process, embodied cognitions of many kinds participate, including unconscious and nonconscious ones running throughout my body and, through the rhythmic kicking of my foot, extending into the wheel.&rdquo; (Hayles 2012, 92)&lt;\/div&gt;\"><span itemprop=\"name\">2.8EN1.5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">I quote the fragment in its entirety because it is so closely linked to my reading:&nbsp;&ldquo;Drawing on my own experience with throwing pots, I typically would begin with a conscious idea: the shape to be crafted, the size, texture, glaze, etc. Wedging the clay gives other cognitions a chance to work(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-8en3\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-8en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Despite its length, the passage deserves to be quoted in its entirety here:&nbsp;&amp;quot;Andy Clark illustrates [the potential to make use of objects to enable more sophisticated thoughts than would otherwise be possible] with a story about Richard Feynman, the Nobel Prize&mdash;winning physicist, meeting with the historian Charles Weiner to discuss a batch of Feynman&rsquo;s original notes. Weiner remarks that the papers are &lsquo;a record of [Feynman&rsquo;s] day-to-day work,&rsquo; but Feynman disagrees. &lsquo;I actually did the work on the paper,&rsquo; he said. &lsquo;Well,&rsquo; Weiner said, &lsquo;the work was done in your head, but the record of it is still here.&rsquo; &lsquo;No, it&rsquo;s not a&nbsp;&amp;lt;em&amp;gt;record&amp;lt;\/em&amp;gt;, not really. It&rsquo;s&nbsp;&amp;lt;em&amp;gt;working&amp;lt;\/em&amp;gt;. You have to work on paper and this is the paper. Okay?&rsquo; Feynman makes clear that he did not have his ideas in advance and wrote them down. Rather, the process of writing down was an integral part of his thinking, and the paper and pencil were as much a part of his cognitive system as the neurons firing in his brain. Working from such instances, Clark develops the model of extended cognition (which he calls EXTENDED), contrasting it with a model that imagines cognition happens in the brain (which he calls BRAINBOUND). The differences between EXTENDED and BRAINBOUND are clear, with the neurological, experimental, and anecdotal evidence overwhelmingly favoring the former over the latter.&rdquo; (Hayles 2012, 93)&lt;\/div&gt;\"><span itemprop=\"name\">2.8EN3<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Despite its length, the passage deserves to be quoted in its entirety here:&nbsp;&ldquo;Andy Clark illustrates [the potential to make use of objects to enable more sophisticated thoughts than would otherwise be possible] with a story about Richard Feynman, the Nobel Prize&mdash;winning physicist, meeting with(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-8fi1-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-8fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Siteeraan katkelman kokonaisuudessaan, koska se liittyy niin elimellisesti luentaani: &rdquo;Ammentaen omasta kokemuksestani ruukkujen valamisesta tyypillisesti aloitan muotoa, kokoa, pintarakennetta, lasitetta jne. koskevalla tietoisella idealla. Saven alustaminen antaa muille kognitioille mahdollisuuden ty&ouml;skennell&auml;, kun min&auml; omaksun k&auml;sieni kautta tietoa saven rakeisuudesta, kosteuspitoisuudesta, kemiallisesta koostumuksesta jne., mik&auml; voi saada minut muokkaamaan alkuper&auml;ist&auml; ideaani. Viel&auml; dynaamisempaa on saven muovaaminen v&auml;&auml;nt&ouml;py&ouml;r&auml;ss&auml;, monitahoinen vuorovaikutus sen v&auml;lill&auml; mit&auml; min&auml; kuvittelen ja mit&auml; savi mielii tehd&auml;. Onnistunut ruukku syntyy, kun n&auml;m&auml; vuorovaikutukset muuttuvat sulavaksi tanssiksi, jossa savi ja k&auml;teni p&auml;&auml;tyv&auml;t lep&auml;&auml;m&auml;&auml;n samalla hetkell&auml;. Monenlaiset keholliset kognitiot osallistuvat t&auml;h&auml;n prosessiin mukaan lukien kehoni l&auml;pi kulkevat tiedostamattomat ja ei-tietoiset kognitiot, jotka jalkani rytmisen potkimisen kautta ulottuvat v&auml;&auml;nt&ouml;py&ouml;r&auml;&auml;n.&rdquo; (Hayles 2012, 92.)&lt;\/div&gt;\"><span itemprop=\"name\">2.8FI1.5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Siteeraan katkelman kokonaisuudessaan, koska se liittyy niin elimellisesti luentaani: &rdquo;Ammentaen omasta kokemuksestani ruukkujen valamisesta tyypillisesti aloitan muotoa, kokoa, pintarakennetta, lasitetta jne. koskevalla tietoisella idealla. Saven alustaminen antaa muille kognitioille(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/2-8fi3\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-8fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Pituudestaan huolimatta katkelma ansaitsee tulla siteeratuksi kokonaisuudessaan: &rdquo;Andy Clark havainnollistaa [ihmisen potentiaalia hy&ouml;dynt&auml;&auml; esineit&auml; mahdollistamaan monimutkaisempia ajatuksia kuin muutoin olisi mahdollista] tarinalla Nobel-palkitusta fyysikosta Richard Feynmanista, joka tapaa historioitsija Charles Weinerin keskustellakseen er&auml;ist&auml; Feynmanin alkuper&auml;isist&auml; muistiinpanoista. Weiner mainitsee, ett&auml; paperit ovat &rsquo;todiste [Feynmanin] jokap&auml;iv&auml;isest&auml; ty&ouml;st&auml;&rsquo;. Feynman on kuitenkin eri mielt&auml;. &rsquo;Oikeastaan tein ty&ouml;n paperilla&rsquo;, h&auml;n sanoo. &rsquo;No, ty&ouml;n teit p&auml;&auml;ss&auml;si, mutta sen todiste on viel&auml; t&auml;ss&auml;&rsquo;. &rsquo;Ei, se ei oikeastaan ole&nbsp;&amp;lt;em&amp;gt;todiste&amp;lt;\/em&amp;gt;. Se on&nbsp;&amp;lt;em&amp;gt;ty&ouml;t&auml;&amp;lt;\/em&amp;gt;. T&auml;ytyy ty&ouml;skennell&auml; paperilla ja t&auml;m&auml; on se paperi. Okei?&rsquo;. Feynman tekee selv&auml;ksi, ettei h&auml;n kirjoittanut muistiin mieless&auml;&auml;n etuk&auml;teen olleita ideoita. Muistiin kirjoittamisen prosessi oli pikemminkin olennainen osa h&auml;nen ajatteluaan. Kyn&auml; ja paperi olivat yht&auml; lailla osa h&auml;nen kognitiivista j&auml;rjestelm&auml;&auml;ns&auml; kuin h&auml;nen aivoissaan purkautuvat hermosolut. T&auml;m&auml;nkaltaisista tapauksista liikkeelle l&auml;htien Clark kehitt&auml;&auml; laajennetun kognition mallin (jota h&auml;n kutsuu &amp;lt;em&amp;gt;EXTENDED:ksi&amp;lt;\/em&amp;gt;) erottaen sen mallista, joka kuvittelee kognition tapahtuvan aivoissa (jota h&auml;n kutsuu &amp;lt;em&amp;gt;BRAINBOUND:ksi&amp;lt;\/em&amp;gt;). EXTENDED:n ja BRAINBOUND:n v&auml;liset erot ovat selke&auml;t neurologisten, kokeellisten ja anekdoottisten todisteiden puoltaessa edellist&auml; j&auml;lkimm&auml;isen sijaan.&rdquo; (Hayles 2012, 93.)&lt;\/div&gt;\"><span itemprop=\"name\">2.8FI3<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Pituudestaan huolimatta katkelma ansaitsee tulla siteeratuksi kokonaisuudessaan: &rdquo;Andy Clark havainnollistaa [ihmisen potentiaalia hy&ouml;dynt&auml;&auml; esineit&auml; mahdollistamaan monimutkaisempia ajatuksia kuin muutoin olisi mahdollista] tarinalla Nobel-palkitusta fyysikosta Richard Feynmanista, joka tapaa(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-2en2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-2en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Unless, of course, we take into account the physical infrastructure needed to maintain and run this website. For more on the physical infrastructure of the Internet, see Blum 2012.&lt;\/div&gt;\"><span itemprop=\"name\">3.2EN2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Unless, of course, we take into account the physical infrastructure needed to maintain and run this website. For more on the physical infrastructure of the Internet, see <a class=\"glossaryLink cmtt_refer-fi cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Blum, Andrew. 2012.&nbsp;&amp;lt;em&amp;gt;Tubes: A Journey to the Center of the Internet&amp;lt;\/em&amp;gt;. New York: Ecco Press.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/blum-2012\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Blum 2012<\/a>.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-2fi2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-2fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Samoin&nbsp;tietysti ellei oteta huomioon t&auml;m&auml;n sivuston yll&auml;pitoon tarvittavaa fyysist&auml; infrastruktuuria. Internetin fyysisest&auml; infrastruktuurista ks. Blum 2012.&lt;\/div&gt;\"><span itemprop=\"name\">3.2FI2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Samoin&nbsp;tietysti ellei oteta huomioon t&auml;m&auml;n sivuston yll&auml;pitoon tarvittavaa fyysist&auml; infrastruktuuria. Internetin fyysisest&auml; infrastruktuurista ks. Blum 2012.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-4en1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-4en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;The video below, entitled &amp;quot;Babelian Performance,&rdquo;&nbsp;is an adaptation of two texts that deal with the Tower of Babel. The texts are the English translation of Jacques Derrida&rsquo;s &amp;quot;Des Tours de Babel&rdquo; and Samuel Weber&rsquo;s &amp;quot;Translatability II&mdash;Afterlife&rdquo; (Derrida 2007, 191&ndash;225; Weber 2008, 79&ndash;94). I complete the 23-minute video soon after the second artistic part and it reflects the Babelian character of its last part.&amp;lt;div class=&amp;quot;pl-video vimeo&amp;quot;&amp;gt;&amp;lt;iframe src=&amp;quot;\/\/player.vimeo.com\/video\/234740070&amp;quot; width=&amp;quot;100%&amp;quot; height=&amp;quot;100%&amp;quot;  frameborder=&amp;quot;0&amp;quot; webkitAllowFullScreen mozallowfullscreen allowFullScreen wmode=&amp;quot;transparent&amp;quot;&amp;gt;&amp;lt;\/iframe&amp;gt;&amp;lt;\/div&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">3.4EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">The video below, entitled &ldquo;Babelian Performance,&rdquo;&nbsp;is an adaptation of two texts that deal with the Tower of Babel. The texts are the English translation of Jacques Derrida&rsquo;s &ldquo;Des Tours de Babel&rdquo; and Samuel Weber&rsquo;s &ldquo;Translatability II&mdash;Afterlife&rdquo; (<a class=\"glossaryLink cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Derrida, Jacques. 2007. &amp;lt;i&amp;gt;Psyche: Inventions of the Other, Volume I&amp;lt;\/i&amp;gt;. Translated by Joseph F. Graham. Stanford: Stanford University Press.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/derrida-2007\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Derrida 2007<\/a>, 191&ndash;225; <a class=\"glossaryLink cmtt_refer-fi cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Weber, Samuel. 2008.&nbsp;&amp;lt;i&amp;gt;Benjamin&rsquo;s -abilities&amp;lt;\/i&amp;gt;. Cambridge &amp;amp;amp; London: Harvard University Press.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/weber-2008\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Weber 2008<\/a>, 79&ndash;94). I(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-4fi1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-4fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Alla oleva englanninkielinen video &ndash; jonka nimi on &rdquo;Babelian Performance&rdquo; &ndash; on kahden Baabelin tornia k&auml;sittelev&auml;n tekstin sovitus. Tekstit ovat Jacques Derridan &rdquo;Des tours de Babelin&rdquo; englanninkielinen k&auml;&auml;nn&ouml;s ja Samuel Weberin &rdquo;Translatability II &ndash; Afterlife&rdquo; (Derrida 2007FI, 191&ndash;225; Weber 2008, 79&ndash;94). Valmistan 23-minuuttinen videon pian toisen taiteellisen osan j&auml;lkeen ja se heijastelee t&auml;m&auml;n viimeisen osan baabelilaista luonnetta.&amp;lt;div class=&amp;quot;pl-video vimeo&amp;quot;&amp;gt;&amp;lt;iframe src=&amp;quot;\/\/player.vimeo.com\/video\/234740070&amp;quot; width=&amp;quot;100%&amp;quot; height=&amp;quot;100%&amp;quot;  frameborder=&amp;quot;0&amp;quot; webkitAllowFullScreen mozallowfullscreen allowFullScreen wmode=&amp;quot;transparent&amp;quot;&amp;gt;&amp;lt;\/iframe&amp;gt;&amp;lt;\/div&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">3.4FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Alla oleva englanninkielinen video &ndash; jonka nimi on &rdquo;Babelian Performance&rdquo; &ndash; on kahden Baabelin tornia k&auml;sittelev&auml;n tekstin sovitus. Tekstit ovat Jacques Derridan &rdquo;Des tours de Babelin&rdquo; englanninkielinen k&auml;&auml;nn&ouml;s ja Samuel Weberin &rdquo;Translatability II &ndash; Afterlife&rdquo; (<a class=\"glossaryLink cmtt_refer-fi\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Derrida, Jacques. 2007.&nbsp;&amp;lt;i&amp;gt;Psyche: Inventions of the Other, Volume I&amp;lt;\/i&amp;gt;. K&auml;&auml;nt&auml;nyt&nbsp;Joseph F. Graham. Stanford: Stanford University Press.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/derrida-2007fi\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Derrida 2007FI<\/a>, 191&ndash;225; Weber(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-5en2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-5en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Christopher Manning has described neural machine translation (NMT) as &amp;quot;the approach of modeling the&nbsp;&amp;lt;strong&amp;gt;entire&nbsp;&amp;lt;\/strong&amp;gt;[machine translation] process via &amp;lt;strong&amp;gt;one&amp;lt;\/strong&amp;gt; big artificial neural network&rdquo; (Neural Machine Translation and Models with Attention 3 April 2017, emphasis in original). Google has replaced its earlier statistical methods with a NMT&nbsp;system of its own, although not in all its language pairs (Lewis-Kraus 2016). Microsoft Translator has also migrated&nbsp;to an NMT system. On its website, the company promises &amp;quot;major advances in translation quality&rdquo; compared to statistical methods: &amp;quot;Neural networks better capture the context of full sentences [-] providing [-] more human-sounding output&rdquo; (Microsoft Translator launching Neural Network based translations for all its speech languages 15 November 2016).&lt;\/div&gt;\"><span itemprop=\"name\">3.5EN2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Christopher Manning has described neural machine translation (NMT) as &ldquo;the approach of modeling the&nbsp;entire&nbsp;[machine translation] process via one big artificial neural network&rdquo; (<a class=\"glossaryLink cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Neural Machine Translation and Models with Attention. YouTube video. 3 April 2017. Accessed 1 July 2017.&nbsp;&amp;lt;a href=&amp;quot;https:\/\/youtu.be\/IxQtK2SjWWM&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;youtu.be\/IxQtK2SjWWM&amp;lt;\/a&amp;gt;&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/neural-machine-translation-and-models-with-attention-3-april-2017\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Neural Machine Translation and Models with Attention 3 April 2017<\/a>, emphasis in original). Google has replaced its(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-5en3\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-5en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Currently, Google continues to use a statistical method in its translations between Finnish and English instead of the neural method (Google 1 July 2017).&lt;\/div&gt;\"><span itemprop=\"name\">3.5EN3<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Currently, Google continues to use a statistical method in its translations between Finnish and English instead of the neural method (<a class=\"glossaryLink cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;lt;em&amp;gt;Google Cloud Platform.&amp;lt;\/em&amp;gt; Language Support. Accessed 1 July 2017. &amp;lt;a href=&amp;quot;https:\/\/cloud.google.com\/translate\/docs\/languages&amp;quot; target=&amp;quot;_blank&amp;quot;&amp;gt;cloud.google.com\/translate\/docs\/languages&amp;lt;\/a&amp;gt;&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/google-1-july-2017\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Google 1 July 2017<\/a>).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-5en4-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-5en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;By writing machine, in this context, I refer to a&nbsp;machine with&nbsp;the capacity to contribute to the writing process by providing elements&mdash;individual words, phrases, whole sentences&mdash;that the human writer would not otherwise incorporate into their text (see &amp;lt;a href=&amp;quot;http:\/\/actascenica.teak.fi\/huopaniemi-otso\/frag\/19\/&amp;quot;&amp;gt;2.7&amp;lt;\/a&amp;gt;).&lt;\/div&gt;\"><span itemprop=\"name\">3.5EN4.5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">By writing machine, in this context, I refer to a&nbsp;machine with&nbsp;the capacity to contribute to the writing process by providing elements&mdash;individual words, phrases, whole sentences&mdash;that the human writer would not otherwise incorporate into their text (see 2.7).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-5en5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-5en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;The idea of human algorithmic writing is alluring, as is the idea of an algorithm as a dramaturgical tool, a kind of performance&nbsp;script or score. See &amp;lt;a href=&amp;quot;http:\/\/actascenica.teak.fi\/huopaniemi-otso\/frag\/18\/&amp;quot;&amp;gt;2.6&amp;lt;\/a&amp;gt;.&lt;\/div&gt;\"><span itemprop=\"name\">3.5EN5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">The idea of human algorithmic writing is alluring, as is the idea of an algorithm as a dramaturgical tool, a kind of performance&nbsp;script or score. See 2.6.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-5en6\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-5en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;In particular, I refer here to &amp;quot;The Textual Event&rdquo;, a chapter in Joseph Grigely&rsquo;s &amp;lt;em&amp;gt;Textualterity&mdash;Art, Theory, and Textual Criticism&amp;lt;\/em&amp;gt; in which he writes about the boundaries of a text, textual instability, and the text as a site of instability: &amp;quot;There is no correct text, no final text, no original text, but only texts that are different, drifting in their like differences&rdquo; (Grigely 1995, 119).&lt;\/div&gt;\"><span itemprop=\"name\">3.5EN6<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">In particular, I refer here to &ldquo;The Textual Event&rdquo;, a chapter in Joseph Grigely&rsquo;s Textualterity&mdash;Art, Theory, and Textual Criticism in which he writes about the boundaries of a text, textual instability, and the text as a site of instability: &ldquo;There is no correct text, no final text, no(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-5fi2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-5fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Christopher Manning on kuvannut neuraalista konek&auml;&auml;nt&auml;mist&auml; (engl. lyh. NMT) &rdquo;l&auml;hestymistavaksi, jossa [koneellisen k&auml;&auml;nt&auml;misen] &amp;lt;strong&amp;gt;koko&amp;lt;\/strong&amp;gt; prosessi mallinnetaan &amp;lt;strong&amp;gt;yhden&amp;lt;\/strong&amp;gt; suuren keinotekoisen neuroverkon kautta&rdquo; (Neural Machine Translation and Models with Attention 3.4.2017, painotus alkutekstiss&auml;). Google on korvannut aiemmat tilastolliset menetelm&auml;ns&auml; omalla NMT-j&auml;rjestelm&auml;ll&auml;, ei tosin kaikissa kielipareissaan (Lewis-Kraus 2016). Microsoft-k&auml;&auml;nt&auml;j&auml; on sekin siirtynyt NMT-j&auml;rjestelm&auml;&auml;n. Verkkosivuillaan yhti&ouml; lupaa &rdquo;merkitt&auml;v&auml;&auml; edistyst&auml; k&auml;&auml;nn&ouml;sten laadussa&rdquo; tilastollisiin menetelmiin verrattuna: &rdquo;Neuroverkot ottavat paremmin haltuun koko lauseen kontekstin [-] ja tarjoavat inhimillisemmilt&auml; kuulostavia tuloksia&rdquo; (Microsoft Translator launching Neural Network based translations for all its speech languages 15.11.2016).&lt;\/div&gt;\"><span itemprop=\"name\">3.5FI2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Christopher Manning on kuvannut neuraalista konek&auml;&auml;nt&auml;mist&auml; (engl. lyh. NMT) &rdquo;l&auml;hestymistavaksi, jossa [koneellisen k&auml;&auml;nt&auml;misen] koko prosessi mallinnetaan yhden suuren keinotekoisen neuroverkon kautta&rdquo; (<a class=\"glossaryLink cmtt_refer-fi\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;lt;em&amp;gt;Neural Machine Translation and Models with Attention&amp;lt;\/em&amp;gt;. YouTube video, 3.4.2017. Haettu 1.7.2017. &amp;lt;a href=&amp;quot;https:\/\/youtu.be\/IxQtK2SjWWM&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;youtu.be\/IxQtK2SjWWM&amp;lt;\/a&amp;gt;&amp;lt;br\/&amp;gt;&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/neural-machine-translation-and-models-with-attention-3-4-2017\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Neural Machine Translation and Models with Attention 3.4.2017<\/a>, painotus alkutekstiss&auml;).(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-5fi3\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-5fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;T&auml;ll&auml; hetkell&auml; Google k&auml;ytt&auml;&auml; edelleen suomen ja englannin v&auml;lisiss&auml; k&auml;&auml;nn&ouml;ksiss&auml;&auml;n tilastollista menetelm&auml;&auml; neuraalisen menetelm&auml;n sijaan (Google 1.7.2017).&lt;\/div&gt;\"><span itemprop=\"name\">3.5FI3<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">T&auml;ll&auml; hetkell&auml; Google k&auml;ytt&auml;&auml; edelleen suomen ja englannin v&auml;lisiss&auml; k&auml;&auml;nn&ouml;ksiss&auml;&auml;n tilastollista menetelm&auml;&auml; neuraalisen menetelm&auml;n sijaan (<a class=\"glossaryLink cmtt_refer-fi\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;lt;em&amp;gt;Google Cloud Platform.&amp;lt;\/em&amp;gt;&nbsp;Tukisivusto. Haettu 1.7.2017. &amp;lt;a href=&amp;quot;https:\/\/cloud.google.com\/translate\/docs\/languages&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;cloud.google.com\/translate\/docs\/languages&amp;lt;\/a&amp;gt;&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/google-1-7-2017\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Google 1.7.2017<\/a>).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-5fi4-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-5fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Kirjoittavalla koneella tarkoitan t&auml;ss&auml; yhteydess&auml; konetta, jolla on kapasiteetti my&ouml;t&auml;vaikuttaa kirjoitusprosessiin tuomalla siihen aineksia &ndash; yksitt&auml;isi&auml; sanoja, fraaseja, kokonaisia lauseitakin &ndash; joita inhimillinen kirjoittaja ei olisi ilman sit&auml; tullut sis&auml;llytt&auml;neeksi tekstiins&auml; (ks. &amp;lt;a href=&amp;quot;http:\/\/actascenica.teak.fi\/huopaniemi-otso\/frag\/19\/&amp;quot;&amp;gt;2.7&amp;lt;\/a&amp;gt;).&lt;\/div&gt;\"><span itemprop=\"name\">3.5FI4.5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Kirjoittavalla koneella tarkoitan t&auml;ss&auml; yhteydess&auml; konetta, jolla on kapasiteetti my&ouml;t&auml;vaikuttaa kirjoitusprosessiin tuomalla siihen aineksia &ndash; yksitt&auml;isi&auml; sanoja, fraaseja, kokonaisia lauseitakin &ndash; joita inhimillinen kirjoittaja ei olisi ilman sit&auml; tullut sis&auml;llytt&auml;neeksi tekstiins&auml; (ks. 2.7).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-5fi5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-5fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Ajatus inhimillisest&auml; algoritmisesta kirjoittamisesta on kutkuttava, samoin kuin on ajatus algoritmista dramaturgisena ty&ouml;kaluna, er&auml;&auml;nlaisena esitysk&auml;sikirjoituksena tai &amp;lt;em&amp;gt;scorena&amp;lt;\/em&amp;gt;. Ks. &amp;lt;a href=&amp;quot;http:\/\/actascenica.teak.fi\/huopaniemi-otso\/frag\/18\/&amp;quot;&amp;gt;2.6&amp;lt;\/a&amp;gt;.&lt;\/div&gt;\"><span itemprop=\"name\">3.5FI5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Ajatus inhimillisest&auml; algoritmisesta kirjoittamisesta on kutkuttava, samoin kuin on ajatus algoritmista dramaturgisena ty&ouml;kaluna, er&auml;&auml;nlaisena esitysk&auml;sikirjoituksena tai scorena. Ks. 2.6.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-5fi6\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-5fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Viittaan erityisesti Joseph Grigelyn kirjan &amp;lt;em&amp;gt;Textualterity &ndash; Art, Theory, and Textual Criticism&amp;lt;\/em&amp;gt; lukuun &rdquo;The Textual Event&rdquo; (&rdquo;Tekstuaalinen tapahtuma&rdquo;), jossa Grigely kirjoittaa tekstin rajoista, tekstuaalisesta ep&auml;vakaudesta ja tekstist&auml; ep&auml;vakauden tapahtumapaikkana: &rdquo;Ei ole oikeaa teksti&auml;, ei lopullista teksti&auml;, ei alkuper&auml;ist&auml; teksti&auml; vaan ainoastaan erilaisia tekstej&auml;, jotka ajelehtivat niiden samankaltaisissa eroissa&rdquo; (Grigely 1995, 119).&lt;\/div&gt;\"><span itemprop=\"name\">3.5FI6<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Viittaan erityisesti Joseph Grigelyn kirjan Textualterity &ndash; Art, Theory, and Textual Criticism lukuun &rdquo;The Textual Event&rdquo; (&rdquo;Tekstuaalinen tapahtuma&rdquo;), jossa Grigely kirjoittaa tekstin rajoista, tekstuaalisesta ep&auml;vakaudesta ja tekstist&auml; ep&auml;vakauden tapahtumapaikkana: &rdquo;Ei ole oikeaa teksti&auml;, ei(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-6en1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-6en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;From the point of view of research that utilizes different forms of automation, it is interesting to note that in English self-tranlation is also known as &amp;lt;em&amp;gt;autotranslation&amp;lt;\/em&amp;gt; (Bassnett 2013, 285). The basic definition of self-translation is translation of the&nbsp;author by the author.&lt;\/div&gt;\"><span itemprop=\"name\">3.6EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">From the point of view of research that utilizes different forms of automation, it is interesting to note that in English self-tranlation is also known as autotranslation (<a class=\"glossaryLink cmtt_refer-fi cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Bassnett, Susan. 2013. &amp;quot;Rejoinder.&rdquo;&nbsp;&amp;lt;em&amp;gt;Orbis Litterarum 68(3)&amp;lt;\/em&amp;gt;: 282&ndash;289.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/bassnett-2013\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Bassnett 2013<\/a>, 285). The basic definition of self-translation is translation of the&nbsp;author by the author.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-6en2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-6en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;DAR is an unusual case in that Google&rsquo;s &amp;quot;original&rdquo; translations are still visible in the translation boxes.&lt;\/div&gt;\"><span itemprop=\"name\">3.6EN2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">DAR is an unusual case in that Google&rsquo;s &ldquo;original&rdquo; translations are still visible in the translation boxes.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-6en3\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-6en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Having systematically translated and retranslated his philosophical texts in up to four languages, Vil&eacute;m Flusser stands out as a remarkable example of integrating translation into creative thought processes. According to Rainer Guldin, Flusser &amp;quot;used the technique of self-translation &amp;lt;em&amp;gt;to distance himself from his texts in order to verify their inner coherence and formal qualities&amp;lt;\/em&amp;gt;&rdquo; (Guldin 2013, 95, emphasis added).&lt;\/div&gt;\"><span itemprop=\"name\">3.6EN3<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Having systematically translated and retranslated his philosophical texts in up to four languages, Vil&eacute;m Flusser stands out as a remarkable example of integrating translation into creative thought processes. According to Rainer Guldin, Flusser &ldquo;used the technique of self-translation to(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-6fi1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-6fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;lt;em&amp;gt;Self-translation&amp;lt;\/em&amp;gt;&nbsp;suomennetaan joko &amp;lt;em&amp;gt;itsek&auml;&auml;nn&ouml;kseksi &amp;lt;\/em&amp;gt;tai&nbsp;&amp;lt;em&amp;gt;oma k&auml;&auml;nn&ouml;kseksi&amp;lt;\/em&amp;gt;&nbsp;(vrt. ruotsin&nbsp;&amp;lt;em&amp;gt;egen&ouml;vers&auml;ttning&amp;lt;\/em&amp;gt;&nbsp;ja saksan&nbsp;&amp;lt;em&amp;gt;Selbst&uuml;bersetzung&amp;lt;\/em&amp;gt;). Automaation eri muotoja hy&ouml;dynt&auml;v&auml;n tutkimuksen kannalta on mielenkiintoista huomata, ett&auml; englannin kieless&auml; itsek&auml;&auml;nn&ouml;s&nbsp;tunnetaan my&ouml;s &amp;lt;em&amp;gt;autotranslationina&nbsp;&amp;lt;\/em&amp;gt;(Bassnett 2013, 285).&nbsp;Itsek&auml;&auml;nn&ouml;ksen perusm&auml;&auml;ritelm&auml; on &rdquo;kirjoittajan omasta tekstist&auml;&auml;n tekem&auml; k&auml;&auml;nn&ouml;s&rdquo;.&lt;\/div&gt;\"><span itemprop=\"name\">3.6FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Self-translation&nbsp;suomennetaan joko itsek&auml;&auml;nn&ouml;kseksi tai&nbsp;oma k&auml;&auml;nn&ouml;kseksi&nbsp;(vrt. ruotsin&nbsp;egen&ouml;vers&auml;ttning&nbsp;ja saksan&nbsp;Selbst&uuml;bersetzung). Automaation eri muotoja hy&ouml;dynt&auml;v&auml;n tutkimuksen kannalta on mielenkiintoista huomata, ett&auml; englannin kieless&auml; itsek&auml;&auml;nn&ouml;s&nbsp;tunnetaan my&ouml;s(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-6fi2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-6fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;DAR:n tapaus on siin&auml; suhteessa ep&auml;tavallinen, ett&auml; Googlen &rdquo;alkuper&auml;iset&rdquo; k&auml;&auml;nn&ouml;kset j&auml;&auml;v&auml;t n&auml;kyviin k&auml;&auml;nn&ouml;slaatikoihin.&lt;\/div&gt;\"><span itemprop=\"name\">3.6FI2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">DAR:n tapaus on siin&auml; suhteessa ep&auml;tavallinen, ett&auml; Googlen &rdquo;alkuper&auml;iset&rdquo; k&auml;&auml;nn&ouml;kset j&auml;&auml;v&auml;t n&auml;kyviin k&auml;&auml;nn&ouml;slaatikoihin.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-6fi3\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-6fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Filosofisia tekstej&auml;&auml;n systemaattisesti jopa nelj&auml;lle kielelle k&auml;&auml;nt&auml;neen ja uudelleenk&auml;&auml;nt&auml;neen Vil&eacute;m Flusserin ty&ouml; on harvinaislaatuinen esimerkki siit&auml;, miten itsek&auml;&auml;nn&ouml;s voidaan integroida osaksi luovia ajatusprosesseja. Rainer Guldinin mukaan Flusser &rdquo;k&auml;ytti itsek&auml;&auml;nn&ouml;ksen tekniikkaa &amp;lt;em&amp;gt;et&auml;&auml;nnytt&auml;&auml;kseen itse&auml;&auml;n teksteist&auml;&auml;n ja tarkastaakseen niiden sis&auml;isen johdonmukaisuuden&amp;lt;\/em&amp;gt;&rdquo; (Guldin 2013FI, 95, painotus lis&auml;tty).&lt;\/div&gt;\"><span itemprop=\"name\">3.6FI3<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Filosofisia tekstej&auml;&auml;n systemaattisesti jopa nelj&auml;lle kielelle k&auml;&auml;nt&auml;neen ja uudelleenk&auml;&auml;nt&auml;neen Vil&eacute;m Flusserin ty&ouml; on harvinaislaatuinen esimerkki siit&auml;, miten itsek&auml;&auml;nn&ouml;s voidaan integroida osaksi luovia ajatusprosesseja. Rainer Guldinin mukaan Flusser &rdquo;k&auml;ytti itsek&auml;&auml;nn&ouml;ksen tekniikkaa(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-7en1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-7en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Annie Dorsen&rsquo;s&nbsp;&amp;lt;em&amp;gt;algorithmic theater&amp;lt;\/em&amp;gt; is an example of an ambitious attempt to incorporate algorithms into&nbsp;all facets of the creative process,&nbsp;including writing (Dorsen 2012).&lt;\/div&gt;\"><span itemprop=\"name\">3.7EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Annie Dorsen&rsquo;s&nbsp;algorithmic theater is an example of an ambitious attempt to incorporate algorithms into&nbsp;all facets of the creative process,&nbsp;including writing (<a class=\"glossaryLink cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Dorsen, Annie. 2012. &amp;quot;On Algorithmic Theatre.&rdquo; Accessed 4 May 2016. &amp;lt;a href=&amp;quot;http:\/\/www.anniedorsen.com\/useruploads\/files\/on_algorithmic_theatre.pdf&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;&amp;lt;span class=&amp;quot;s1&amp;quot;&amp;gt;www.anniedorsen.com\/useruploads\/files\/on_algorithmic_theatre.pdf&amp;lt;\/span&amp;gt;&amp;lt;\/a&amp;gt;&amp;lt;br\/&amp;gt;&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/dorsen-2012\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Dorsen 2012<\/a>).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-7en2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-7en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Visual artist Roman Verostko defines algorists as &amp;quot;artists who create art using algorithmic procedures that include their own algorithms&rdquo; (Verostko n.d., 1).&lt;\/div&gt;\"><span itemprop=\"name\">3.7EN2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Visual artist Roman Verostko defines algorists as &ldquo;artists who create art using algorithmic procedures that include their own algorithms&rdquo; (<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;lt;div&amp;gt;&amp;lt;div class=&amp;quot;cmtt_meaning_label&amp;quot;&amp;gt;1&amp;lt;\/div&amp;gt;&amp;lt;span class=&amp;quot;s1&amp;quot;&amp;gt;Verostko, Roman. n.d. &amp;quot;The Algorists.&rdquo; &amp;lt;em&amp;gt;&amp;lt;span class=&amp;quot;s2&amp;quot;&amp;gt;Verostko.co&amp;lt;\/span&amp;gt;&amp;lt;span class=&amp;quot;s2&amp;quot;&amp;gt;m&amp;lt;\/span&amp;gt;&amp;lt;\/em&amp;gt; website. Accessed 24 March 2017.&nbsp;&amp;lt;a href=&amp;quot;http:\/\/www.verostko.com\/algorist.html&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;&amp;lt;span class=&amp;quot;s2&amp;quot;&amp;gt;www.verostko.com\/algorist.html&amp;lt;\/span&amp;gt;&amp;lt;\/a&amp;gt;&amp;lt;\/span&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;\/div&amp;gt;&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/verostko-n-d\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Verostko n.d.<\/a>, 1).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-7en3\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-7en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;In connection with his exhibition &amp;lt;em&amp;gt;Lingua Franca&amp;lt;\/em&amp;gt;, Australian contemporary artist Baden Pailthorpe speaks of &amp;quot;the &lsquo;voices&rsquo; of Google&rsquo;s algorithms becom[ing] more and more present in the translations&rdquo; of George Orwell&rsquo;s&nbsp;&amp;lt;em&amp;gt;Nineteen Eighty-Four&amp;lt;\/em&amp;gt; (Pailthorpe 2012). Pailthorpe&rsquo;s exhibition is the subject of Parikka&rsquo;s essay.&lt;\/div&gt;\"><span itemprop=\"name\">3.7EN3<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">In connection with his exhibition Lingua Franca, Australian contemporary artist Baden Pailthorpe speaks of &ldquo;the &lsquo;voices&rsquo; of Google&rsquo;s algorithms becom[ing] more and more present in the translations&rdquo; of George Orwell&rsquo;s&nbsp;Nineteen Eighty-Four (<a class=\"glossaryLink cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Pailthorpe, Baden. 2012. &amp;quot;Lingua Franca.&rdquo;&nbsp;&amp;lt;em&amp;gt;Ctrl-Z: New Media Philosophy &amp;lt;\/em&amp;gt;online journal. Accessed 1 May 2015. &amp;lt;a href=&amp;quot;http:\/\/www.ctrl-z.net.au\/articles\/issue-1\/pailthorpe-lingua-franca&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.ctrl-z.net.au\/articles\/issue-1\/pailthorpe-lingua-franca&amp;lt;\/a&amp;gt;&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/pailthorpe-2012\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Pailthorpe 2012<\/a>). Pailthorpe&rsquo;s exhibition is the(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-7en4\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-7en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;In part, this is what gives rise to the &amp;quot;linguistic wars&rdquo; Kaplan mentions, in which internet search engine algorithms battle with algorithms trying to artificially manipulate their search results (Kaplan 2014, 58).&lt;\/div&gt;\"><span itemprop=\"name\">3.7EN4<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">In part, this is what gives rise to the &ldquo;linguistic wars&rdquo; Kaplan mentions, in which internet search engine algorithms battle with algorithms trying to artificially manipulate their search results (<a class=\"glossaryLink cmtt_refer-fi cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Kaplan, Frederic. 2014. &amp;quot;Linguistic Capitalism and Algorithmic Mediation.&rdquo; &amp;lt;em&amp;gt;Representations&amp;lt;\/em&amp;gt; 127: 57&ndash;63.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/kaplan-2014\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Kaplan 2014<\/a>, 58).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-7fi1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-7fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Annie Dorsenin &amp;lt;em&amp;gt;algoritminen teatteri&amp;lt;\/em&amp;gt; on esimerkki kunnianhimoisesta yrityksest&auml; ottaa algoritmit mukaan esityksen valmistamiseen kaikkiin osa-alueisiin, mukaan lukien kirjoittamiseen (Dorsen 2012FI).&lt;\/div&gt;\"><span itemprop=\"name\">3.7FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Annie Dorsenin algoritminen teatteri on esimerkki kunnianhimoisesta yrityksest&auml; ottaa algoritmit mukaan esityksen valmistamiseen kaikkiin osa-alueisiin, mukaan lukien kirjoittamiseen (<a class=\"glossaryLink cmtt_refer-fi\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Dorsen, Annie. 2012. &rdquo;On Algorithmic Theatre.&rdquo; Haettu 4.5.2016. &amp;lt;a href=&amp;quot;http:\/\/www.anniedorsen.com\/useruploads\/files\/on_algorithmic_theatre.pdf&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.anniedorsen.com\/useruploads\/files\/on_algorithmic_theatre.pdf&amp;lt;\/a&amp;gt;&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/dorsen-2012fi\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Dorsen 2012FI<\/a>).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-7fi2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-7fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Kuvataiteilija Roman Verostko m&auml;&auml;rittelee algoristit &rdquo;taiteilijoiksi, jotka luovat taidetta k&auml;ytt&auml;en algoritmeja, mukaan lukien omia algoritmejaan&rdquo; (Verostko s.a., 1).&lt;\/div&gt;\"><span itemprop=\"name\">3.7FI2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Kuvataiteilija Roman Verostko m&auml;&auml;rittelee algoristit &rdquo;taiteilijoiksi, jotka luovat taidetta k&auml;ytt&auml;en algoritmeja, mukaan lukien omia algoritmejaan&rdquo; (<a class=\"glossaryLink cmtt_refer-fi\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;lt;div class=&amp;quot;cmtt_meaning_label&amp;quot;&amp;gt;1&amp;lt;\/div&amp;gt;Verostko, Roman. s.a. &amp;quot;The Algorists.&rdquo; &amp;lt;em&amp;gt;Verostko.com&amp;lt;\/em&amp;gt; verkkosivusto. Haettu 24.3.2017. &amp;lt;a href=&amp;quot;http:\/\/www.verostko.com\/algorist.html&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.verostko.com\/algorist.html&amp;lt;\/a&amp;gt;&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/verostko-s-a-3\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Verostko s.a.<\/a>, 1).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-7fi3\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-7fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;lt;em&amp;gt;Lingua Franca&amp;lt;\/em&amp;gt; -n&auml;yttelyns&auml; yhteydess&auml; australialainen nykytaiteilija Baden Pailthorpe kirjoittaa&nbsp;siit&auml;, miten &rdquo;Googlen algoritmien &lsquo;&auml;&auml;net&rsquo; ovat yh&auml; enemm&auml;n l&auml;sn&auml;&rdquo; George Orwellin &amp;lt;em&amp;gt;Vuonna 1984 &amp;lt;\/em&amp;gt;-teoksen k&auml;&auml;nn&ouml;ksiss&auml; (Pailthorpe 2012FI). Pailthorpen n&auml;yttely on Parikan esseen aihe.&lt;\/div&gt;\"><span itemprop=\"name\">3.7FI3<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Lingua Franca -n&auml;yttelyns&auml; yhteydess&auml; australialainen nykytaiteilija Baden Pailthorpe kirjoittaa&nbsp;siit&auml;, miten &rdquo;Googlen algoritmien &lsquo;&auml;&auml;net&rsquo; ovat yh&auml; enemm&auml;n l&auml;sn&auml;&rdquo; George Orwellin Vuonna 1984 -teoksen k&auml;&auml;nn&ouml;ksiss&auml; (<a class=\"glossaryLink cmtt_refer-fi\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Pailthorpe, Baden. 2012. &rdquo;Lingua Franca.&rdquo;&nbsp;&amp;lt;em&amp;gt;Ctrl-Z: New Media Philosophy &amp;lt;\/em&amp;gt;verkkojulkaisu. Haettu 1.5.2015. &amp;lt;a href=&amp;quot;http:\/\/www.ctrl-z.net.au\/articles\/issue-1\/pailthorpe-lingua-franca&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.ctrl-z.net.au\/articles\/issue-1\/pailthorpe-lingua-franca&amp;lt;\/a&amp;gt;&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/pailthorpe-2012fi\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Pailthorpe 2012FI<\/a>). Pailthorpen n&auml;yttely on Parikan esseen aihe.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-7fi4\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-7fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Osittain t&auml;st&auml; syyst&auml; internetin hakukoneiden ja niiden tuloksia keinotekoisesti muuttavien algoritmien v&auml;lill&auml; k&auml;yd&auml;&auml;n Kaplanin mainitsemia&nbsp;&rdquo;lingivistisi&auml; sotia&rdquo; (Kaplan 2014, 58).&lt;\/div&gt;\"><span itemprop=\"name\">3.7FI4<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Osittain t&auml;st&auml; syyst&auml; internetin hakukoneiden ja niiden tuloksia keinotekoisesti muuttavien algoritmien v&auml;lill&auml; k&auml;yd&auml;&auml;n Kaplanin mainitsemia&nbsp;&rdquo;lingivistisi&auml; sotia&rdquo; (Kaplan 2014, 58).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-9en1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-9en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Fragment 29 is provocative in many respects as it marks&mdash;after a sizable gap of seven fragments&mdash;a return to the normal rule of order, i.e., adapting directly corresponding Hayles passages. Even more strikingly, the Hayles passage adapted here is on page 128 of&nbsp;&amp;lt;em&amp;gt;How We Think&amp;lt;\/em&amp;gt;, while the previous one is on page 4 (see &amp;lt;a href=&amp;quot;http:\/\/actascenica.teak.fi\/huopaniemi-otso\/frag\/22\/&amp;quot;&amp;gt;3.2&amp;lt;\/a&amp;gt;).&nbsp;At the latest, it is now clear that DAR has abandoned their intention to adapt&nbsp;every sentence in the Hayles book.&lt;\/div&gt;\"><span itemprop=\"name\">3.9EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Fragment 29 is provocative in many respects as it marks&mdash;after a sizable gap of seven fragments&mdash;a return to the normal rule of order, i.e., adapting directly corresponding Hayles passages. Even more strikingly, the Hayles passage adapted here is on page 128 of&nbsp;How We Think, while the previous(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-9en2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-9en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;I wrote my first artistic&nbsp;research plan in autumn&nbsp;2006. The project, to be carried out in and through the writing of plays, was to explore autobiographical writing as a form of self-exploitation or &amp;lt;em&amp;gt;selfploitation&amp;lt;\/em&amp;gt;. &amp;lt;em&amp;gt;An ABZ of Love&amp;lt;\/em&amp;gt; was one of the artistic works described in the proposal. (Huopaniemi 2007)&lt;\/div&gt;\"><span itemprop=\"name\">3.9EN2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">I wrote my first artistic&nbsp;research plan in autumn&nbsp;2006. The project, to be carried out in and through the writing of plays, was to explore autobiographical writing as a form of self-exploitation or selfploitation. An ABZ of Love was one of the artistic works described in the proposal.(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-9fi1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-9fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Fragmentti 29 on provokatiivinen monessakin suhteessa, sill&auml; se merkitsee paluuta normaaliin ty&ouml;j&auml;rjestykseen eli Hayles-katkelmien suorempaan sovittamiseen seitsem&auml;n fragmentin tauon j&auml;lkeen. Viel&auml;kin silm&auml;&auml;npist&auml;v&auml;mp&auml;&auml; on, ett&auml; t&auml;m&auml;nkertainen Hayles-katkelma on sivulla 128, kun edellinen on sivulla 4 (ks. &amp;lt;a href=&amp;quot;http:\/\/actascenica.teak.fi\/huopaniemi-otso\/frag\/22\/&amp;quot;&amp;gt;3.2&amp;lt;\/a&amp;gt;). Viimeist&auml;&auml;n nyt on selv&auml;&auml;, ett&auml; DAR on luopunut aikeestaan sovittaa Haylesin kirjan jokaisen&nbsp;lauseen.&lt;\/div&gt;\"><span itemprop=\"name\">3.9FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Fragmentti 29 on provokatiivinen monessakin suhteessa, sill&auml; se merkitsee paluuta normaaliin ty&ouml;j&auml;rjestykseen eli Hayles-katkelmien suorempaan sovittamiseen seitsem&auml;n fragmentin tauon j&auml;lkeen. Viel&auml;kin silm&auml;&auml;npist&auml;v&auml;mp&auml;&auml; on, ett&auml; t&auml;m&auml;nkertainen Hayles-katkelma on sivulla 128, kun edellinen on(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/3-9fi2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-9fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Kirjoitin ensimm&auml;isen taiteellisen tutkimussuunnitelmani syksyll&auml; 2006. N&auml;ytelmien kirjoittamisen kautta toteutettavan projektin tarkoitus oli tutkia omael&auml;m&auml;kerrallista kirjoittamista &rdquo;oman el&auml;m&auml;n eksploitaationa&rdquo;.&nbsp;&amp;lt;em&amp;gt;Rakkauden ABZ&amp;lt;\/em&amp;gt;&nbsp;oli yksi suunnitelmassa kuvatuista taiteellisista t&ouml;ist&auml;.&nbsp;(Huopaniemi 2006.)&lt;\/div&gt;\"><span itemprop=\"name\">3.9FI2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Kirjoitin ensimm&auml;isen taiteellisen tutkimussuunnitelmani syksyll&auml; 2006. N&auml;ytelmien kirjoittamisen kautta toteutettavan projektin tarkoitus oli tutkia omael&auml;m&auml;kerrallista kirjoittamista &rdquo;oman el&auml;m&auml;n eksploitaationa&rdquo;.&nbsp;Rakkauden ABZ&nbsp;oli yksi suunnitelmassa kuvatuista taiteellisista(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/4-1en1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-4-1en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;I would like to thank my pre-examiner Riku Roihankorpi for his critical note on silence.&lt;\/div&gt;\"><span itemprop=\"name\">4.1EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">I would like to thank my pre-examiner Riku Roihankorpi for his critical note on silence.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/4-1fi1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-4-1fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Kiit&auml;n ty&ouml;ni esitarkastajaa Riku Roihankorpea vaikenemista koskevasta kriittisest&auml; huomiostaan.&lt;\/div&gt;\"><span itemprop=\"name\">4.1FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Kiit&auml;n ty&ouml;ni esitarkastajaa Riku Roihankorpea vaikenemista koskevasta kriittisest&auml; huomiostaan.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/4-2en1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-4-2en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Hayles develops her theory of non-conscious cognition in her next book &amp;lt;em&amp;gt;Unthought&mdash;The Power of the Cognitive Nonconscious&amp;lt;\/em&amp;gt;, which is, if possible, even broader in scope than &amp;lt;em&amp;gt;How We Think&amp;lt;\/em&amp;gt;. In &amp;lt;em&amp;gt;Unthought&amp;lt;\/em&amp;gt;, Hayles argues that the conscious processing of information has traditionally received too much attention at the expense of non-conscious cognition, which living beings and intelligent machines have in common. (Hayles 2017.)&lt;\/div&gt;\"><span itemprop=\"name\">4.2EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Hayles develops her theory of non-conscious cognition in her next book Unthought&mdash;The Power of the Cognitive Nonconscious, which is, if possible, even broader in scope than How We Think. In Unthought, Hayles argues that the conscious processing of information has traditionally received too much(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/4-2en2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-4-2en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;I thank the pre-examiners of this work, Mika Elo and Riku Roihankorpi, for their critical remarks concerning gender.&lt;\/div&gt;\"><span itemprop=\"name\">4.2EN2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">I thank the pre-examiners of this work, Mika Elo and Riku Roihankorpi, for their critical remarks concerning gender.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/4-2fi1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-4-2fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Hayles kehittelee teesi&auml;&auml;n ei-tietoisesta kognitiosta seuraavassa kirjassaan &amp;lt;em&amp;gt;Unthought &ndash; The Power of the Cognitive Nonconscious&amp;lt;\/em&amp;gt;, joka on katsantokannaltaan jos mahdollista viel&auml; laajempi kuin &amp;lt;em&amp;gt;How We Think&amp;lt;\/em&amp;gt;. &amp;lt;em&amp;gt;Unthoughtissa&amp;lt;\/em&amp;gt;&nbsp;Hayles esitt&auml;&auml;, ett&auml; tietoinen informaation k&auml;sittely on perinteisesti saanut liikaa huomiota ei-tietoisen kognition kustannuksella, joka yhdist&auml;&auml; elollisia olioita ja &auml;lykk&auml;it&auml; koneita. (Hayles 2017.)&lt;\/div&gt;\"><span itemprop=\"name\">4.2FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Hayles kehittelee teesi&auml;&auml;n ei-tietoisesta kognitiosta seuraavassa kirjassaan Unthought &ndash; The Power of the Cognitive Nonconscious, joka on katsantokannaltaan jos mahdollista viel&auml; laajempi kuin How We Think. Unthoughtissa&nbsp;Hayles esitt&auml;&auml;, ett&auml; tietoinen informaation k&auml;sittely on perinteisesti(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/4-2fi2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-4-2fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Kiit&auml;n ty&ouml;ni esitarkastajia Mika Eloa ja Riku Roihankorpea sukupuolta koskevista kriittisist&auml; kommenteistaan.&lt;\/div&gt;\"><span itemprop=\"name\">4.2FI2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Kiit&auml;n ty&ouml;ni esitarkastajia Mika Eloa ja Riku Roihankorpea sukupuolta koskevista kriittisist&auml; kommenteistaan.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/4en\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-1en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;In&nbsp;&amp;quot;On Linguistic Aspects of Translation,&rdquo; Roman Jakobson describes three kinds of translation: &amp;quot;1) Intralingual translation or&nbsp;&amp;lt;em&amp;gt;rewording&amp;lt;\/em&amp;gt;&nbsp;is an interpretation of verbal signs by means of other signs of the same language. 2) Interlingual translation or&nbsp;&amp;lt;em&amp;gt;translation proper&amp;lt;\/em&amp;gt;&nbsp;is an interpretation of verbal signs by means of some other language. 3) Intersemiotic translation is an interpretation of verbal signs by means of signs of nonverbal sign systems&rdquo; (Jakobson 1971, 261).&lt;\/div&gt;\"><span itemprop=\"name\">2.1EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">In&nbsp;&ldquo;On Linguistic Aspects of Translation,&rdquo; Roman Jakobson describes three kinds of translation: &ldquo;1) Intralingual translation or&nbsp;rewording&nbsp;is an interpretation of verbal signs by means of other signs of the same language. 2) Interlingual translation or&nbsp;translation proper&nbsp;is an interpretation of(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/4fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-1fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Kirjoituksessaan &rdquo;On Linguistic Aspects of Translation&rdquo; (suomentamaton) Roman Jakobson k&auml;sittelee kolmea k&auml;&auml;nt&auml;misen lajia: 1) &rdquo;intralingual translationia&rdquo; eli kielensis&auml;ist&auml; k&auml;&auml;nt&auml;mist&auml;, jossa sanallisia merkkej&auml; tulkitaan toisilla, samaan kieleen kuuluvilla merkeill&auml;; 2) kieltenv&auml;list&auml; eli varsinaista k&auml;&auml;nt&auml;mist&auml;, jossa sanallisia merkkej&auml; tulkitaan toisen kielen avulla; ja 3) intersemioottista k&auml;&auml;nn&ouml;st&auml;, jossa sanallisia merkkej&auml; tulkitaan ei-verbaalisen merkkij&auml;rjestelm&auml;n avulla (ja kaiketi my&ouml;s toisinp&auml;in) (Jakobson 1971FI, 261).&lt;\/div&gt;\"><span itemprop=\"name\">2.1FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Kirjoituksessaan &rdquo;On Linguistic Aspects of Translation&rdquo; (suomentamaton) Roman Jakobson k&auml;sittelee kolmea k&auml;&auml;nt&auml;misen lajia: 1) &rdquo;intralingual translationia&rdquo; eli kielensis&auml;ist&auml; k&auml;&auml;nt&auml;mist&auml;, jossa sanallisia merkkej&auml; tulkitaan toisilla, samaan kieleen kuuluvilla merkeill&auml;; 2) kieltenv&auml;list&auml; eli(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/5en\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-1en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;On Trujillo&rsquo;s intelligibility scale&mdash;a tool used to evaluate the results of machine translation&mdash;this example could belong in category 3: &amp;quot;The basic thrust of the sentence is clear, but you are not sure of some detailed parts because of grammar and word usage problems. You would need to look at the original source language sentence to clarify the meaning.&rdquo;&nbsp;At best, it might be seen to belong in category&nbsp;2 on the five-point scale: &amp;quot;The meaning of the sentence is clear, but there are some problems in grammar, word usage and\/or style, making the overall quality less than 1.&rdquo; (Tobin 2015, 102)&lt;\/div&gt;\"><span itemprop=\"name\">2.1EN2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">On Trujillo&rsquo;s intelligibility scale&mdash;a tool used to evaluate the results of machine translation&mdash;this example could belong in category 3: &ldquo;The basic thrust of the sentence is clear, but you are not sure of some detailed parts because of grammar and word usage problems. You would need to look at(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/5fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-1fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Trujillon ymm&auml;rrett&auml;vyysasteikolla &ndash; v&auml;line, jota k&auml;ytet&auml;&auml;n arvioimaan konek&auml;&auml;nn&ouml;ksen tuloksia &ndash; t&auml;m&auml; esimerkki voisi sijoittua kategoriaan 3: &rdquo;Lauseen perusvaikutin on selv&auml;, mutta joissakin yksityiskohdissa on ep&auml;selvyytt&auml; johtuen kielioppi- ja sanavalintaongelmista. Lauseen merkityksen selvent&auml;miseksi olisi tarkasteltava alkukielist&auml; lausetta.&rdquo; Parhaassakin tapauksessa se voisi sijoittua viisikohtaisen asteikon kategoriaan 2: &rdquo;Lauseen merkitys on selv&auml;, mutta kieliopissa, sanank&auml;yt&ouml;ss&auml; ja tyyliss&auml; on joitakin ongelmia, mink&auml; takia kokonaislaatu on heikompi kuin 1.&rdquo; (Tobin 2015, 102.)&lt;\/div&gt;\"><span itemprop=\"name\">2.1FI2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Trujillon ymm&auml;rrett&auml;vyysasteikolla &ndash; v&auml;line, jota k&auml;ytet&auml;&auml;n arvioimaan konek&auml;&auml;nn&ouml;ksen tuloksia &ndash; t&auml;m&auml; esimerkki voisi sijoittua kategoriaan 3: &rdquo;Lauseen perusvaikutin on selv&auml;, mutta joissakin yksityiskohdissa on ep&auml;selvyytt&auml; johtuen kielioppi- ja sanavalintaongelmista. Lauseen merkityksen(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/8en\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-3en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Here are two of these descriptions: 1) &amp;quot;Of all the sacrifices we make when we devote ourselves to the Internet as our universal medium, the greatest is likely to be the wealth of connections within our own minds&rdquo;; 2) &amp;quot;As a universal medium, a supremely versatile extension of our senses, our cognition, and our memory, the networked computer serves as a particularly powerful neural amplifier.&rdquo; (Carr 2010, 195, 213.)&lt;\/div&gt;\"><span itemprop=\"name\">2.3EN2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Here are two of these descriptions: 1) &ldquo;Of all the sacrifices we make when we devote ourselves to the Internet as our universal medium, the greatest is likely to be the wealth of connections within our own minds&rdquo;; 2) &ldquo;As a universal medium, a supremely versatile extension of our senses, our(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/8fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-3fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;T&auml;ss&auml; n&auml;ist&auml; luonnehdinnoista kaksi: 1) &rdquo;Uhraamme omassa mieless&auml;mme olevan yhteyksien runsauden, kun panostamme internetiin universaalina medianamme ja t&auml;m&auml; on kaikista tekemist&auml;mme uhrauksista suurin.&rdquo;; 2) &rdquo;Universaalina mediana, aistiemme, kognitiomme ja muistimme &auml;&auml;rimm&auml;isen monik&auml;ytt&ouml;isen&auml; jatkeena verkottunut tietokone toimii erityisen tehokkaana hermostollisena vahvistimena&rdquo;. (Carr 2010, 195, 213.)&lt;\/div&gt;\"><span itemprop=\"name\">2.3FI2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">T&auml;ss&auml; n&auml;ist&auml; luonnehdinnoista kaksi: 1) &rdquo;Uhraamme omassa mieless&auml;mme olevan yhteyksien runsauden, kun panostamme internetiin universaalina medianamme ja t&auml;m&auml; on kaikista tekemist&auml;mme uhrauksista suurin.&rdquo;; 2) &rdquo;Universaalina mediana, aistiemme, kognitiomme ja muistimme &auml;&auml;rimm&auml;isen(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/10en\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-2en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;The term &amp;lt;em&amp;gt;born-digital&amp;lt;\/em&amp;gt; &amp;quot;denotes texts or recordings produced in digital form, rather than having been converted from print or analog equivalents&rdquo; (New Oxford American Dictionary).&lt;\/div&gt;\"><span itemprop=\"name\">3.2EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">The term born-digital &ldquo;denotes texts or recordings produced in digital form, rather than having been converted from print or analog equivalents&rdquo; (New Oxford American Dictionary).<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/10fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-2fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Olen suomentanut englanninkielisen termin &amp;lt;em&amp;gt;born-digital&amp;lt;\/em&amp;gt; &rdquo;alkuaan digitaaliseksi&rdquo;. Termill&auml; tarkoitetaan digitaalisessa muodossa alunperin tuotettuja tekstej&auml; tai tallenteita erotukseksi digitalisoiduista aineistoista.&lt;\/div&gt;\"><span itemprop=\"name\">3.2FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Olen suomentanut englanninkielisen termin born-digital &rdquo;alkuaan digitaaliseksi&rdquo;. Termill&auml; tarkoitetaan digitaalisessa muodossa alunperin tuotettuja tekstej&auml; tai tallenteita erotukseksi digitalisoiduista aineistoista.<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/11en\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-5en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;As Rita Raley writes, Weaver&rsquo;s wish, expressed in 1955, is that machine translation would allow for the automated transmission of multilingual texts.&nbsp;Thus, it would promote the availability of texts, not to mention international cultural exchange and mutual understanding&mdash;ultimately, the free communication of people around the globe. (Raley 2003, 291)&lt;\/div&gt;\"><span itemprop=\"name\">3.5EN1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">As Rita Raley writes, Weaver&rsquo;s wish, expressed in 1955, is that machine translation would allow for the automated transmission of multilingual texts.&nbsp;Thus, it would promote the availability of texts, not to mention international cultural exchange and mutual understanding&mdash;ultimately, the free(...)<\/dfn><\/li><li class=\" ln-num\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/11fi-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-5fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Kuten Rita Raley kirjoittaa, Weaverin vuonna 1955 ilmaisema toive on,&nbsp;ett&auml; koneellinen k&auml;&auml;nn&ouml;s mahdollistaisi monikielisten tekstien perusmerkityksen v&auml;litt&auml;misen automatisoidusti. Siten se edist&auml;isi tekstien saatavuutta, kansainv&auml;list&auml; kulttuurinvaihtoa ja yhteisymm&auml;rryst&auml; &ndash; viime k&auml;dess&auml; ihmisten vapaata kommunikaatiota. (Raley 2003, 291.)&lt;\/div&gt;\"><span itemprop=\"name\">3.5FI1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Kuten Rita Raley kirjoittaa, Weaverin vuonna 1955 ilmaisema toive on,&nbsp;ett&auml; koneellinen k&auml;&auml;nn&ouml;s mahdollistaisi monikielisten tekstien perusmerkityksen v&auml;litt&auml;misen automatisoidusti. Siten se edist&auml;isi tekstien saatavuutta, kansainv&auml;list&auml; kulttuurinvaihtoa ja yhteisymm&auml;rryst&auml; &ndash; viime k&auml;dess&auml;(...)<\/dfn><\/li><li class=\" ln-0\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/adapted-from-hayles-passage-1\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;How do we think? This book explores the proposition that we think through, with, and alongside media. This, of course, is not a new idea. (Hayles 2012, 1)&lt;\/div&gt;\"><span itemprop=\"name\">adapted from Hayles passage 1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">How do we think? This book explores the proposition that we think through, with, and alongside media. This, of course, is not a new idea. (Hayles 2012, 1)<\/dfn><\/li><li class=\" ln-0\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/adapted-from-hayles-passage-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Marshall McLuhan, Friedrich Kittler, Lev Manovich, Mark Hansen, and a host of others have made similar claims (Hayles 2012, 1).&lt;\/div&gt;\"><span itemprop=\"name\">adapted from Hayles passage 2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Marshall McLuhan, Friedrich Kittler, Lev Manovich, Mark Hansen, and a host of others have made similar claims (<a class=\"glossaryLink cmtt_refer-fi cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Hayles, N. Katherine. 2012.&nbsp;&amp;lt;em&amp;gt;How We Think: Digital Media and Contemporary Technogenesis.&amp;lt;\/em&amp;gt; Chicago &amp;amp;amp;&nbsp;London: The University of Chicago Press.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/hayles-2012\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Hayles 2012<\/a>, 1).<\/dfn><\/li><li class=\" ln-0\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/adapted-from-hayles-passage-3\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Building on their work, this book charts the implications of media upheavals within the humanities and qualitative social sciences as traditionally print-based disciplines such as literature, history, philosophy, religion, and art history move into digital media (Hayles 2012, 1).&lt;\/div&gt;\"><span itemprop=\"name\">adapted from Hayles passage 3<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Building on their work, this book charts the implications of media upheavals within the humanities and qualitative social sciences as traditionally print-based disciplines such as literature, history, philosophy, religion, and art history move into digital media (Hayles 2012, 1).<\/dfn><\/li><li class=\" ln-0\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/adapted-from-hayles-passage-4\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;While the sciences and quantitative social sciences have already made this transition, the humanities and qualitative social sciences are only now facing a paradigm shift in which digital research and publication can no longer be ignored (Hayles 2012, 1).&lt;\/div&gt;\"><span itemprop=\"name\">adapted from Hayles passage 4<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">While the sciences and quantitative social sciences have already made this transition, the humanities and qualitative social sciences are only now facing a paradigm shift in which digital research and publication can no longer be ignored (Hayles 2012, 1).<\/dfn><\/li><li class=\" ln-0\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/adapted-from-hayles-passage-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Starting from mind-sets formed by print, nurtured by print, and enabled and constrained by print, humanities scholars are confronting the differences that digital media make in every aspect of humanistic inquiry, including conceptualizing projects, implementing research programs, designing curricula, and educating students (Hayles 2012, 1-2).&lt;\/div&gt;\"><span itemprop=\"name\">adapted from Hayles passage 5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Starting from mind-sets formed by print, nurtured by print, and enabled and constrained by print, humanities scholars are confronting the differences that digital media make in every aspect of humanistic inquiry, including conceptualizing projects, implementing research programs, designing(...)<\/dfn><\/li><li class=\" ln-0\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/adapted-from-hayles-passage-6\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;The Age of Print is passing, and the assumptions, presuppositions, and practices associated with it are now becoming visible as media-specific practices rather than the largely invisible status quo (Hayles 2012, 2).&lt;\/div&gt;\"><span itemprop=\"name\">adapted from Hayles passage 6<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">The Age of Print is passing, and the assumptions, presuppositions, and practices associated with it are now becoming visible as media-specific practices rather than the largely invisible status quo (<a class=\"glossaryLink cmtt_refer-fi cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Hayles, N. Katherine. 2012.&nbsp;&amp;lt;em&amp;gt;How We Think: Digital Media and Contemporary Technogenesis.&amp;lt;\/em&amp;gt; Chicago &amp;amp;amp;&nbsp;London: The University of Chicago Press.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/hayles-2012\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Hayles 2012<\/a>, 2).<\/dfn><\/li><li class=\" ln-0\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/adapted-from-hayles-passage-7\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;To evaluate the impact of digital technologies, we may consider in overview an escalating series of effects. At the lower levels are e-mail, departmental websites, web searches, text messaging, creating digital files, saving and disseminating them, and so forth. Nearly everyone in academia, and large numbers outside academia, participate in digital technologies at these levels. Even here, the effects are not negligible. For example, the patterns of errors in writing made with pen and\/or typewriter are quite different from those made with word processing. More dramatic is the impact on academic research; whereas scholars used to haunt the library, nowadays they are likely to access the sources they need via web searches. (Hayles 2012, 2)&lt;\/div&gt;\"><span itemprop=\"name\">adapted from Hayles passage 7<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">To evaluate the impact of digital technologies, we may consider in overview an escalating series of effects. At the lower levels are e-mail, departmental websites, web searches, text messaging, creating digital files, saving and disseminating them, and so forth. Nearly everyone in academia,(...)<\/dfn><\/li><li class=\" ln-0\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/adapted-from-hayles-passage-8\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Perhaps most significant at [the scholarly]&nbsp;level is the feeling one has that the world is at one&rsquo;s fingertips. The ability to access and retrieve information on a global scale has a significant impact on how one thinks about one&rsquo;s place in the world. (Hayles 2012, 2)&lt;\/div&gt;\"><span itemprop=\"name\">adapted from Hayles passage 8<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Perhaps most significant at [the scholarly]&nbsp;level is the feeling one has that the world is at one&rsquo;s fingertips. The ability to access and retrieve information on a global scale has a significant impact on how one thinks about one&rsquo;s place in the world. (Hayles 2012, 2)<\/dfn><\/li><li class=\" ln-0\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/adapted-from-hayles-passage-9\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;I live in a small town in North Carolina, but thanks to the web, I do not feel in the least isolated. I can access national news, compare it to international coverage, find arcane sources, look up information to fact-check a claim, and a host of other activities that would have taken days in the pre-Internet era instead of minutes, if indeed they could be done at all. (Hayles 2012, 2)&lt;\/div&gt;\"><span itemprop=\"name\">adapted from Hayles passage 9<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">I live in a small town in North Carolina, but thanks to the web, I do not feel in the least isolated. I can access national news, compare it to international coverage, find arcane sources, look up information to fact-check a claim, and a host of other activities that would have taken days in(...)<\/dfn><\/li><li class=\" ln-0\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/adapted-from-hayles-passage-10\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;When my computer goes down or my Internet connection fails, I feel lost, disoriented, unable to work&mdash;in fact, I feel as if my hands have been amputated (perhaps recalling Marshall McLuhan&amp;#039;s claim that media function as prostheses). Such feelings, which are widespread, constitute nothing less than a change in worldview. (Hayles 2012, 2)&lt;\/div&gt;\"><span itemprop=\"name\">adapted from Hayles passage 10<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">When my computer goes down or my Internet connection fails, I feel lost, disoriented, unable to work&mdash;in fact, I feel as if my hands have been amputated (perhaps recalling Marshall McLuhan's claim that media function as prostheses). Such feelings, which are widespread, constitute nothing less(...)<\/dfn><\/li><li class=\" ln-0\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/adapted-from-hayles-passage-11\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Research indicates that the small habitual actions associated with web interactions&mdash;clicking the mouse, moving a cursor, etc.&mdash;may be extraordinarily effective in retraining (or more accurately, repurposing) our neural circuitry, so that the changes are not only psychological but physical as well (Hayles 2012, 2).&lt;\/div&gt;\"><span itemprop=\"name\">adapted from Hayles passage 11<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Research indicates that the small habitual actions associated with web interactions&mdash;clicking the mouse, moving a cursor, etc.&mdash;may be extraordinarily effective in retraining (or more accurately, repurposing) our neural circuitry, so that the changes are not only psychological but physical as(...)<\/dfn><\/li><li class=\" ln-0\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/adapted-from-hayles-passage-12\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Learning to read has been shown to result in significant changes in brain functioning; so has learning to read differently, for example by performing Google searches (Hayles 2012, 2).&lt;\/div&gt;\"><span itemprop=\"name\">adapted from Hayles passage 12<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Learning to read has been shown to result in significant changes in brain functioning; so has learning to read differently, for example by performing Google searches (Hayles 2012, 2).<\/dfn><\/li><li class=\" ln-0\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/adapted-from-hayles-passage-13\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Nicholas Carr in&nbsp;&amp;lt;em&amp;gt;The Shallows: What the Internet Is Doing to Our Brains&amp;lt;\/em&amp;gt; (2010) argues that [changes in brain functioning associated with web interactions] are imperiling our ability to concentrate, leading to superficial thought, diminished capacity to understand complex texts, and a general decline in intellectual capacity. He relates them to feelings of being constantly distracted, so that instead of focusing on a task for a relatively long time, one feels compelled to check e-mail, search the web, break off to play a computer game, and so forth. (Hayles 2012, 2)&lt;\/div&gt;\"><span itemprop=\"name\">adapted from Hayles passage 13<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Nicholas Carr in&nbsp;The Shallows: What the Internet Is Doing to Our Brains (2010) argues that [changes in brain functioning associated with web interactions] are imperiling our ability to concentrate, leading to superficial thought, diminished capacity to understand complex texts, and a general(...)<\/dfn><\/li><li class=\" ln-0\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/adapted-from-hayles-passage-14\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Here I want to draw a somewhat different implication: our interactions with digital media are embodied, and they have bodily effects at the physical level. Similarly, the actions of computers are also embodied, although in a very different manner than with humans. (Hayles 2012, 2-3)&lt;\/div&gt;\"><span itemprop=\"name\">adapted from Hayles passage 14<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Here I want to draw a somewhat different implication: our interactions with digital media are embodied, and they have bodily effects at the physical level. Similarly, the actions of computers are also embodied, although in a very different manner than with humans. (<a class=\"glossaryLink cmtt_refer-fi cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Hayles, N. Katherine. 2012.&nbsp;&amp;lt;em&amp;gt;How We Think: Digital Media and Contemporary Technogenesis.&amp;lt;\/em&amp;gt; Chicago &amp;amp;amp;&nbsp;London: The University of Chicago Press.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/hayles-2012\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Hayles 2012<\/a>, 2-3)<\/dfn><\/li><li class=\" ln-0\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/adapted-from-hayles-passage-15\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;The more one works with digital technologies, the more one comes to appreciate the capacity of networked and programmable machines to carry out sophisticated cognitive tasks, and the more the keyboard comes to seem an extension of one&rsquo;s thoughts rather than an external device on which one types (Hayles 2012, 3).&amp;lt;br\/&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">adapted from Hayles passage 15<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">The more one works with digital technologies, the more one comes to appreciate the capacity of networked and programmable machines to carry out sophisticated cognitive tasks, and the more the keyboard comes to seem an extension of one&rsquo;s thoughts rather than an external device on which one(...)<\/dfn><\/li><li class=\" ln-0\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/adapted-from-hayles-passage-16\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Embodiment then takes the form of extended cognition, in which human agency and thought are enmeshed within larger networks that extend beyond the desktop computer into the environment. For this reason, models of embodied and extended cognition, such as proposed by Andy Clark (2008) and others, play a central role in my argument. (Hayles 2012, 3)&lt;\/div&gt;\"><span itemprop=\"name\">adapted from Hayles passage 16<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Embodiment then takes the form of extended cognition, in which human agency and thought are enmeshed within larger networks that extend beyond the desktop computer into the environment. For this reason, models of embodied and extended cognition, such as proposed by Andy Clark (2008) and(...)<\/dfn><\/li><li class=\" ln-0\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/adapted-from-hayles-passage-17\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;So far I have been speaking of lower levels of engagement, carried out every day by millions of people. Scholars are among those who frequently enact more sophisticated activities in digital media. At the next level, a scholar begins to use digital technologies as part of the research process. (Hayles 2012, 3)&lt;\/div&gt;\"><span itemprop=\"name\">adapted from Hayles passage 17<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">So far I have been speaking of lower levels of engagement, carried out every day by millions of people. Scholars are among those who frequently enact more sophisticated activities in digital media. At the next level, a scholar begins to use digital technologies as part of the research process.(...)<\/dfn><\/li><li class=\" ln-0\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/adapted-from-hayles-passage-18\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;The next step in engagement comes with conceptualizing and implementing research projects in digital media. Here a spectrum of possibilities unfolds: at one end, a one-off project that a scholar undertakes without becoming deeply engaged and, at the other end, scholars who work primarily in digital media. (Hayles 2012, 4)&lt;\/div&gt;\"><span itemprop=\"name\">adapted from Hayles passage 18<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">The next step in engagement comes with conceptualizing and implementing research projects in digital media. Here a spectrum of possibilities unfolds: at one end, a one-off project that a scholar undertakes without becoming deeply engaged and, at the other end, scholars who work primarily in(...)<\/dfn><\/li><li class=\" ln-0\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/adapted-from-hayles-passage-19\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Once learned and practiced routinely [-], sound receiving became as easy as listening to natural-language speech; one decoded automatically, going directly from sounds to word impressions. A woman who worked on Morse code receiving as part of a massive effort at Bletchley Park to decrypt German Enigma transmissions during World War II reported that after her intense experiences there, she heard Morse code everywhere&mdash;in traffic noise, bird songs, and other ambient sounds&mdash;with her mind automatically forming the words to which the sounds putatively corresponded. Although no scientific data exist on the changes sound receiving made in neural functioning, we may reasonably infer that it brought about long-lasting changes in brain activation patterns, as this anecdote suggests. (Hayles 2012, 128)&lt;\/div&gt;\"><span itemprop=\"name\">adapted from Hayles passage 19<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Once learned and practiced routinely [-], sound receiving became as easy as listening to natural-language speech; one decoded automatically, going directly from sounds to word impressions. A woman who worked on Morse code receiving as part of a massive effort at Bletchley Park to decrypt(...)<\/dfn><\/li><li class=\" ln-0\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/agamben-2006en\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Agamben, Giorgio. 2006.&nbsp;&amp;lt;em&amp;gt;Infancy and History: On the Destruction of Experience.&nbsp;&amp;lt;\/em&amp;gt;Translated by Liz Heron. London and New York: Verso.&amp;amp;nbsp;&lt;\/div&gt;\"><span itemprop=\"name\">Agamben 2006EN<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Agamben, Giorgio. 2006.&nbsp;Infancy and History: On the Destruction of Experience.&nbsp;Translated by Liz Heron. London and New York: Verso.\r\n\r\n&nbsp;<\/dfn><\/li><li class=\" ln-0\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/agamben-2006fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Agamben, Giorgio. 2006.&nbsp;&amp;lt;em&amp;gt;Infancy and History: On the Destruction of Experience.&nbsp;&amp;lt;\/em&amp;gt;K&auml;&auml;nt&auml;nyt&nbsp;Liz Heron. London and New York: Verso.&lt;\/div&gt;\"><span itemprop=\"name\">Agamben 2006FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Agamben, Giorgio. 2006.&nbsp;Infancy and History: On the Destruction of Experience.&nbsp;K&auml;&auml;nt&auml;nyt&nbsp;Liz Heron. London and New York: Verso.<\/dfn><\/li><li class=\" ln-1\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/bank-of-finnish-terminology-in-arts-and-sciences-27-july-2017\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;lt;em&amp;gt;Bank of Finnish Terminology in Arts and Sciences&amp;lt;\/em&amp;gt;. Online learning materials.&nbsp;Accessed 27.07.2017. Url: &amp;lt;a href=&amp;quot;http:\/\/www.tieteentermipankki.fi\/wiki\/K&auml;&auml;nn&ouml;stiede:parafraasi&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.tieteentermipankki.fi\/wiki\/K&auml;&auml;nn&ouml;stiede:parafraasi&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Bank of Finnish Terminology in Arts and Sciences 27 July 2017<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Bank of Finnish Terminology in Arts and Sciences. Online learning materials.&nbsp;Accessed 27.07.2017. Url: www.tieteentermipankki.fi\/wiki\/K&auml;&auml;nn&ouml;stiede:parafraasi<\/dfn><\/li><li class=\" ln-1\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/bassnett-2013\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Bassnett, Susan. 2013. &amp;quot;Rejoinder.&rdquo;&nbsp;&amp;lt;em&amp;gt;Orbis Litterarum 68(3)&amp;lt;\/em&amp;gt;: 282&ndash;289.&lt;\/div&gt;\"><span itemprop=\"name\">Bassnett 2013<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Bassnett, Susan. 2013. &ldquo;Rejoinder.&rdquo;&nbsp;Orbis Litterarum 68(3): 282&ndash;289.<\/dfn><\/li><li class=\" ln-1\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/benjamin-1972fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Benjamin, Walter. 1972. &rdquo;Die Aufgabe des &Uuml;bersetzers.&rdquo; &amp;lt;em&amp;gt;Gesammelte Schriften Bd. IV\/1&amp;lt;\/em&amp;gt;, toim. Tillman Rexroth, 9&ndash;21. Frankfurt\/Main: Suhrkamp.&lt;\/div&gt;\"><span itemprop=\"name\">Benjamin 1972FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Benjamin, Walter. 1972. &rdquo;Die Aufgabe des &Uuml;bersetzers.&rdquo; Gesammelte Schriften Bd. IV\/1, toim. Tillman Rexroth, 9&ndash;21. Frankfurt\/Main: Suhrkamp.<\/dfn><\/li><li class=\" ln-1\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/benjamin-2012\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Benjamin, Walter. 1972.&nbsp;&amp;quot;Die Aufgabe des &Uuml;bersetzers.&rdquo; In &amp;lt;i&amp;gt;Gesammelte Schriften Bd. IV\/1&amp;lt;\/i&amp;gt;, ed. Tillman Rexroth, 9&ndash;21. Frankfurt\/Main: Suhrkamp.&lt;\/div&gt;\"><span itemprop=\"name\">Benjamin 1972<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Benjamin, Walter. 1972.&nbsp;&ldquo;Die Aufgabe des &Uuml;bersetzers.&rdquo; In Gesammelte Schriften Bd. IV\/1, ed. Tillman Rexroth, 9&ndash;21. Frankfurt\/Main: Suhrkamp.<\/dfn><\/li><li class=\" ln-1\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/best-marcus-2009\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Best, Stephen &amp;amp;amp; Marcus, Sharon. 2009. &amp;quot;Surface Reading: An Introduction.&rdquo;&nbsp;&amp;lt;em&amp;gt;Representation&amp;lt;\/em&amp;gt;&amp;lt;em&amp;gt;s&nbsp;&amp;lt;\/em&amp;gt;108 (fall 2009): 1&ndash;21.&lt;\/div&gt;\"><span itemprop=\"name\">Best &amp; Marcus 2009<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Best, Stephen &amp; Marcus, Sharon. 2009. &ldquo;Surface Reading: An Introduction.&rdquo;&nbsp;Representations&nbsp;108 (fall 2009): 1&ndash;21.<\/dfn><\/li><li class=\" ln-1\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/blum-2012\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Blum, Andrew. 2012.&nbsp;&amp;lt;em&amp;gt;Tubes: A Journey to the Center of the Internet&amp;lt;\/em&amp;gt;. New York: Ecco Press.&lt;\/div&gt;\"><span itemprop=\"name\">Blum 2012<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Blum, Andrew. 2012.&nbsp;Tubes: A Journey to the Center of the Internet. 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Teoreettisen filosofian pro gradu -tutkielma, Helsingin yliopisto, Helsinki.&lt;\/div&gt;\"><span itemprop=\"name\">Calonius 2013FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Calonius, Lauri. 2013. &rdquo;It Ain&rsquo;t All in the Head &ndash; Situating Cognition to the Body and the Surrounding World&rdquo;. Teoreettisen filosofian pro gradu -tutkielma, Helsingin yliopisto, Helsinki.<\/dfn><\/li><li class=\" ln-2\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/carr-2010\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Carr, Nicholas. 2010.&nbsp;&amp;lt;em&amp;gt;The Shallows:&nbsp;&amp;lt;\/em&amp;gt;&amp;lt;em&amp;gt;What the Internet Is Doing to Our Brains&amp;lt;\/em&amp;gt;. New York &amp;amp;amp;&nbsp;London: W. W. 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Accessed 3 April 2016. &amp;lt;a href=&amp;quot;https:\/\/lucian.uchicago.edu\/blogs\/mediatheory\/keywords\/prosthesis\/&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;lucian.uchicago.edu\/blogs\/mediatheory\/keywords\/prosthesis\/&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Coffey n.d.<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Coffey, Sarah. n.d. &ldquo;Prosthesis.&rdquo;&nbsp;The Chicago School of Media Theory&nbsp;blog. Accessed 3 April 2016. lucian.uchicago.edu\/blogs\/mediatheory\/keywords\/prosthesis\/<\/dfn><\/li><li class=\" ln-2\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/coffey-s-a\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Coffey, Sarah: &amp;quot;Prostheses&rdquo;.&nbsp;&amp;lt;i&amp;gt;The Chicago School of Media Theory&amp;lt;\/i&amp;gt; -blogi. &amp;lt;a href=&amp;quot;https:\/\/lucian.uchicago.edu\/blogs\/mediatheory\/keywords\/prosthesis\/&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;lucian.uchicago.edu\/blogs\/mediatheory\/keywords\/prosthesis&amp;lt;\/a&amp;gt; (3.4.2016)&lt;\/div&gt;\"><span itemprop=\"name\">Coffey s.a.<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Coffey, Sarah: &ldquo;Prostheses&rdquo;.&nbsp;The Chicago School of Media Theory -blogi. lucian.uchicago.edu\/blogs\/mediatheory\/keywords\/prosthesis (3.4.2016)<\/dfn><\/li><li class=\" ln-3\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/de-vries-hildebrandt-2013\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;de Vries, Katja &amp;amp;amp; Hildebrandt, Mireille. 2013.&nbsp;&amp;quot;Privacy, due process and the computational turn at a glance: pointers for the hurried reader.&rdquo; In &amp;lt;i&amp;gt;Privacy, Due Process and the Computational Turn: The Philosophy of Law Meets the Philosophy of Technology&amp;lt;\/i&amp;gt;, eds. Katja de Vries and Mireille Hildebrandt, 1&ndash;40. New York: Routledge.&lt;\/div&gt;\"><span itemprop=\"name\">de Vries &amp; Hildebrandt 2013<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">de Vries, Katja &amp; Hildebrandt, Mireille. 2013.&nbsp;&ldquo;Privacy, due process and the computational turn at a glance: pointers for the hurried reader.&rdquo; In Privacy, Due Process and the Computational Turn: The Philosophy of Law Meets the Philosophy of Technology, eds. Katja de Vries and Mireille(...)<\/dfn><\/li><li class=\" ln-3\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/de-vries-hildebrandt-2013fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;de Vries, Katja &amp;amp;amp; Hildebrandt, Mireille. 2013.&nbsp;&amp;quot;Privacy, due process and the computational turn at a glance: pointers for the hurried reader.&rdquo; &amp;lt;i&amp;gt;Privacy, Due process and the Computational Turn: The Philosophy of Law Meets the Philosophy of Technology&amp;lt;\/i&amp;gt;, toim. Mireille Hildebrandt ja&nbsp;Katja de Vries, 143&ndash;168. New York: Routledge.&lt;\/div&gt;\"><span itemprop=\"name\">de Vries &amp; Hildebrandt 2013FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">de Vries, Katja &amp; Hildebrandt, Mireille. 2013.&nbsp;&ldquo;Privacy, due process and the computational turn at a glance: pointers for the hurried reader.&rdquo; Privacy, Due process and the Computational Turn: The Philosophy of Law Meets the Philosophy of Technology, toim. Mireille Hildebrandt ja&nbsp;Katja de(...)<\/dfn><\/li><li class=\" ln-3\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/derrida-2007\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Derrida, Jacques. 2007. &amp;lt;i&amp;gt;Psyche: Inventions of the Other, Volume I&amp;lt;\/i&amp;gt;. Translated by Joseph F. Graham. Stanford: Stanford University Press.&lt;\/div&gt;\"><span itemprop=\"name\">Derrida 2007<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Derrida, Jacques. 2007. Psyche: Inventions of the Other, Volume I. Translated by Joseph F. Graham. Stanford: Stanford University Press.<\/dfn><\/li><li class=\" ln-3\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/derrida-2007fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Derrida, Jacques. 2007.&nbsp;&amp;lt;i&amp;gt;Psyche: Inventions of the Other, Volume I&amp;lt;\/i&amp;gt;. K&auml;&auml;nt&auml;nyt&nbsp;Joseph F. Graham. 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Accessed 1 February 2017. &amp;lt;a href=&amp;quot;http:\/\/dh101.humanities.ucla.edu\/?page_id=13&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;dh101.humanities.ucla.edu\/?page_id=13&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Drucker 2013EN<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Drucker, Johanna. 2013. &ldquo;Intro to Digital Humanities: Introduction.&rdquo; UCLA Center for Digital Humanities&nbsp;website. Accessed 1 February 2017. dh101.humanities.ucla.edu\/?page_id=13<\/dfn><\/li><li class=\" ln-3\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/drucker-2013fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Drucker, Johanna. 2013. &amp;quot;Intro to Digital Humanities: Introduction.&rdquo; &amp;lt;em&amp;gt;UCLA Center for Digital Humanities&amp;lt;\/em&amp;gt; verkkosivusto. Haettu 1.2.2017. 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Url: dh101.humanities.ucla.edu\/?page_id=13<\/dfn><\/li><li class=\" ln-4\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/emerson-2014\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Emerson, Lori. 2014.&nbsp;&amp;lt;em&amp;gt;Reading Writing Interfaces&mdash;From the Digital to the Bookbound&amp;lt;\/em&amp;gt;. Electronic Mediations 44. Minneapolis &amp;amp;amp;&nbsp;London: University of Minnesota Press.&lt;\/div&gt;\"><span itemprop=\"name\">Emerson 2014<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Emerson, Lori. 2014.&nbsp;Reading Writing Interfaces&mdash;From the Digital to the Bookbound. Electronic Mediations 44. 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M&uuml;nchen: Knaus Verlag.<\/dfn><\/li><li class=\" ln-6\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/gillespie-2014en\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Gillespie, Tarleton. 2014. &amp;quot;The Relevance of Algorithms.&rdquo; &amp;lt;em&amp;gt;Media Technologies: Essays on Communication, Materiality, and Society&amp;lt;\/em&amp;gt;, ed. Tarleton Gillespie, 167&ndash;193. Cambridge ja Lontoo: The MIT Press.&lt;\/div&gt;\"><span itemprop=\"name\">Gillespie 2014EN<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Gillespie, Tarleton. 2014. &ldquo;The Relevance of Algorithms.&rdquo; Media Technologies: Essays on Communication, Materiality, and Society, ed. Tarleton Gillespie, 167&ndash;193. Cambridge ja Lontoo: The MIT Press.<\/dfn><\/li><li class=\" ln-6\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/gillespie-2014fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Gillespie, Tarleton. 2014. &amp;quot;The Relevance of Algorithms.&rdquo; &amp;lt;em&amp;gt;Media Technologies: Essays on Communication, Materiality, and Society&amp;lt;\/em&amp;gt;, toim. Tarleton Gillespie, 167&ndash;193. Cambridge ja Lontoo: The MIT Press.&lt;\/div&gt;\"><span itemprop=\"name\">Gillespie 2014FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Gillespie, Tarleton. 2014. &ldquo;The Relevance of Algorithms.&rdquo; Media Technologies: Essays on Communication, Materiality, and Society, toim. Tarleton Gillespie, 167&ndash;193. Cambridge ja Lontoo: The MIT Press.<\/dfn><\/li><li class=\" ln-6\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/giovanzana-2015\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Giovanzana, Davide. 2015.&nbsp;&amp;lt;i&amp;gt;Theatre Enters! The Play within the Play as a Means of Disruption. &amp;lt;\/i&amp;gt;Acta Scenica 43. Helsinki: University of the Arts Helsinki, Theatre Academy, Performing Arts Research Center.&lt;\/div&gt;\"><span itemprop=\"name\">Giovanzana 2015<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Giovanzana, Davide. 2015.&nbsp;Theatre Enters! The Play within the Play as a Means of Disruption. Acta Scenica 43. Helsinki: University of the Arts Helsinki, Theatre Academy, Performing Arts Research Center.<\/dfn><\/li><li class=\" ln-6\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/giovanzana-2015fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Giovanzana, Davide. 2015.&nbsp;&amp;lt;i&amp;gt;Theatre Enters! The Play within the Play as a Means of Disruption. &amp;lt;\/i&amp;gt;Acta Scenica 43. Helsinki: Taideyliopiston Teatterikorkeakoulu, Esitt&auml;vien taiteiden tutkimuskeskus.&lt;\/div&gt;\"><span itemprop=\"name\">Giovanzana 2015FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Giovanzana, Davide. 2015.&nbsp;Theatre Enters! The Play within the Play as a Means of Disruption. Acta Scenica 43. 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Haettu 1.7.2017. cloud.google.com\/translate\/docs\/languages<\/dfn><\/li><li class=\" ln-6\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/google-1-july-2017\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;lt;em&amp;gt;Google Cloud Platform.&amp;lt;\/em&amp;gt; Language Support. Accessed 1 July 2017. &amp;lt;a href=&amp;quot;https:\/\/cloud.google.com\/translate\/docs\/languages&amp;quot; target=&amp;quot;_blank&amp;quot;&amp;gt;cloud.google.com\/translate\/docs\/languages&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Google 1 July 2017<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Google Cloud Platform. Language Support. Accessed 1 July 2017. cloud.google.com\/translate\/docs\/languages<\/dfn><\/li><li class=\" ln-6\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/grigely-1995\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Grigely, Joseph. 1995.&nbsp;&amp;lt;em&amp;gt;Textualterity: Art, Theory, and Textual Criticism&amp;lt;\/em&amp;gt;. Ann Arbor: University of Michigan Press.&lt;\/div&gt;\"><span itemprop=\"name\">Grigely 1995<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Grigely, Joseph. 1995.&nbsp;Textualterity: Art, Theory, and Textual Criticism. Ann Arbor: University of Michigan Press.<\/dfn><\/li><li class=\" ln-6\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/grutman-2009\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Grutman, Rainier. 2011. &amp;quot;Self-translation.&rdquo; In&nbsp;&amp;lt;em&amp;gt;Routledge Encyclopedia of Translation Studies&amp;lt;\/em&amp;gt;, ed. Mona Baker and Gabriela Saldanha, 257&ndash;260. London and New York: Routledge.&lt;\/div&gt;\"><span itemprop=\"name\">Grutman 2011<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Grutman, Rainier. 2011. &ldquo;Self-translation.&rdquo; In&nbsp;Routledge Encyclopedia of Translation Studies, ed. Mona Baker and Gabriela Saldanha, 257&ndash;260. London and New York: Routledge.<\/dfn><\/li><li class=\" ln-6\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/grutman-2011fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Grutman, Rainier. 2011. &amp;quot;Self-translation.&rdquo; &amp;lt;em&amp;gt;Routledge Encyclopedia of Translation Studies&amp;lt;\/em&amp;gt;, toim. Mona Baker and Gabriela Saldanha, 257&ndash;260. Lontoo ja New York: Routledge.&lt;\/div&gt;\"><span itemprop=\"name\">Grutman 2011FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Grutman, Rainier. 2011. &ldquo;Self-translation.&rdquo; Routledge Encyclopedia of Translation Studies, toim. Mona Baker and Gabriela Saldanha, 257&ndash;260. Lontoo ja New York: Routledge.<\/dfn><\/li><li class=\" ln-6\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/guldin-2013\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Guldin, Rainer. 2013. &amp;quot;Translating philosophy: Vil&eacute;m Flusser&rsquo;s practice of multiple self-translation.&rdquo; In &amp;lt;em&amp;gt;Self-Translation: Brokering Originality in Hybrid Culture&amp;lt;\/em&amp;gt;, ed. Anthony Cordingley, 95-109. Bloomsbury Studies in Translation. London and New York: Bloomsbury.&lt;\/div&gt;\"><span itemprop=\"name\">Guldin 2013<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Guldin, Rainer. 2013. &ldquo;Translating philosophy: Vil&eacute;m Flusser&rsquo;s practice of multiple self-translation.&rdquo; In Self-Translation: Brokering Originality in Hybrid Culture, ed. Anthony Cordingley, 95-109. Bloomsbury Studies in Translation. London and New York: Bloomsbury.<\/dfn><\/li><li class=\" ln-6\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/guldin-2013fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Guldin, Rainer. 2013. &rdquo;Translating philosophy: Vil&eacute;m Flusser&rsquo;s practice of multiple self-translation.&rdquo; &amp;lt;em&amp;gt;Self-Translation: Brokering Originality in Hybrid Culture&amp;lt;\/em&amp;gt;, toim. Anthony Cordingley, 95&ndash;109. Bloomsbury Studies in Translation. London ja New York: Bloomsbury.&lt;\/div&gt;\"><span itemprop=\"name\">Guldin 2013FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Guldin, Rainer. 2013. &rdquo;Translating philosophy: Vil&eacute;m Flusser&rsquo;s practice of multiple self-translation.&rdquo; Self-Translation: Brokering Originality in Hybrid Culture, toim. Anthony Cordingley, 95&ndash;109. Bloomsbury Studies in Translation. London ja New York: Bloomsbury.<\/dfn><\/li><li class=\" ln-7\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/haverinen-suominen-2015en\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Haverinen, Anna&nbsp;&amp;amp;amp; Suominen, Jaakko. 2015.&nbsp;&amp;quot;Koodaamisen ja kirjoittamisen vuoropuhelu? Mit&auml; on digitaalinen humanistinen tutkimus.&rdquo; &amp;lt;em&amp;gt;Ennen ja nyt, Historian tietosanomat&amp;lt;\/em&amp;gt; website. Accessed 28 February 2017. &amp;lt;a href=&amp;quot;http:\/\/www.ennenjanyt.net\/2015\/02\/koodaamisen-ja-kirjoittamisen-vuoropuhelu-mita-on-digitaalinen-humanistinen-tutkimus\/&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.ennenjanyt.net\/2015\/02\/koodaamisen-ja-kirjoittamisen-vuoropuhelu-mita-on-digitaalinen-humanistinen-tutkimus\/&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Haverinen &amp; Suominen 2015EN<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Haverinen, Anna&nbsp;&amp; Suominen, Jaakko. 2015.&nbsp;&ldquo;Koodaamisen ja kirjoittamisen vuoropuhelu? Mit&auml; on digitaalinen humanistinen tutkimus.&rdquo; Ennen ja nyt, Historian tietosanomat website. Accessed 28 February 2017.(...)<\/dfn><\/li><li class=\" ln-7\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/haverinen-suominen-2015fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Haverinen, Anna&nbsp;&amp;amp;amp; Suominen, Jaakko. 2015.&nbsp;&rdquo;Koodaamisen ja kirjoittamisen vuoropuhelu? Mit&auml; on digitaalinen humanistinen tutkimus.&rdquo; &amp;lt;em&amp;gt;Ennen ja nyt, Historian tietosanomat&amp;lt;\/em&amp;gt; verkkosivusto. Haettu 28.2.2017. &amp;lt;a href=&amp;quot;http:\/\/www.ennenjanyt.net\/2015\/02\/koodaamisen-ja-kirjoittamisen-vuoropuhelu-mita-on-digitaalinen-humanistinen-tutkimus\/&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.ennenjanyt.net\/2015\/02\/koodaamisen-ja-kirjoittamisen-vuoropuhelu-mita-on-digitaalinen-humanistinen-tutkimus\/&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Haverinen &amp; Suominen 2015FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Haverinen, Anna&nbsp;&amp; Suominen, Jaakko. 2015.&nbsp;&rdquo;Koodaamisen ja kirjoittamisen vuoropuhelu? Mit&auml; on digitaalinen humanistinen tutkimus.&rdquo; Ennen ja nyt, Historian tietosanomat verkkosivusto. Haettu 28.2.2017.(...)<\/dfn><\/li><li class=\" ln-7\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/hayles-2008\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Hayles, N. Katherine. 2008. &amp;quot;Distributed Cognition at\/in Work: Strickland, Lawson Jaramillo, and Ryan&rsquo;s slippingglimpse.&rdquo; &amp;lt;i&amp;gt;Frame&amp;lt;\/i&amp;gt; 2008(21.1): 15&ndash;29.&lt;\/div&gt;\"><span itemprop=\"name\">Hayles 2008<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Hayles, N. Katherine. 2008. &ldquo;Distributed Cognition at\/in Work: Strickland, Lawson Jaramillo, and Ryan&rsquo;s slippingglimpse.&rdquo; Frame 2008(21.1): 15&ndash;29.<\/dfn><\/li><li class=\" ln-7\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/hayles-2012\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Hayles, N. Katherine. 2012.&nbsp;&amp;lt;em&amp;gt;How We Think: Digital Media and Contemporary Technogenesis.&amp;lt;\/em&amp;gt; Chicago &amp;amp;amp;&nbsp;London: The University of Chicago Press.&lt;\/div&gt;\"><span itemprop=\"name\">Hayles 2012<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Hayles, N. Katherine. 2012.&nbsp;How We Think: Digital Media and Contemporary Technogenesis. Chicago &amp;&nbsp;London: The University of Chicago Press.<\/dfn><\/li><li class=\" ln-7\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/hayles-2017\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Hayles, N. Katherine. 2017. &amp;quot;&amp;lt;em&amp;gt;Unthought &ndash;&nbsp;The Power of the Cognitive Nonconscious.&rdquo;&amp;lt;\/em&amp;gt; Chicago &amp;amp;amp; London: The University of Chicago Press.&lt;\/div&gt;\"><span itemprop=\"name\">Hayles 2017<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Hayles, N. Katherine. 2017. &ldquo;Unthought &ndash;&nbsp;The Power of the Cognitive Nonconscious.&rdquo; Chicago &amp; London: The University of Chicago Press.<\/dfn><\/li><li class=\" ln-7\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/heinonen-et-al-2012\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Heinonen, T., Kivim&auml;ki A., Korhonen K., Korhonen T., Reitala H., Aristoteles. 2012. &amp;lt;em&amp;gt;Aristoteleen Runousoppi&amp;lt;\/em&amp;gt; (The Poetics by Aristotle, new Finnish translation). Helsinki: Teos.&lt;\/div&gt;\"><span itemprop=\"name\">Heinonen et al. 2012EN<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Heinonen, T., Kivim&auml;ki A., Korhonen K., Korhonen T., Reitala H., Aristoteles. 2012. Aristoteleen Runousoppi (The Poetics by Aristotle, new Finnish translation). Helsinki: Teos.<\/dfn><\/li><li class=\" ln-7\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/heinonen-et-al-2012-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Heinonen, T., Kivim&auml;ki A., Korhonen K., Korhonen T., Reitala H., Aristoteles. 2012. &amp;lt;em&amp;gt;Aristoteleen Runousoppi&amp;lt;\/em&amp;gt;. Helsinki: Teos.&lt;\/div&gt;\"><span itemprop=\"name\">Heinonen et al. 2012<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Heinonen, T., Kivim&auml;ki A., Korhonen K., Korhonen T., Reitala H., Aristoteles. 2012. Aristoteleen Runousoppi. 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Helsinki: Like.<\/dfn><\/li><li class=\" ln-7\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/huopaniemi-2006\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Huopaniemi, Otso. 2006.&nbsp;&rdquo;Oman el&auml;m&auml;n eksploitaatio.&rdquo; Taiteellisen tutkimuksen suunnitelma, Teatterikorkeakoulu, Helsinki.&lt;\/div&gt;\"><span itemprop=\"name\">Huopaniemi 2006<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Huopaniemi, Otso. 2006.&nbsp;&rdquo;Oman el&auml;m&auml;n eksploitaatio.&rdquo; Taiteellisen tutkimuksen suunnitelma, Teatterikorkeakoulu, Helsinki.<\/dfn><\/li><li class=\" ln-7\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/huopaniemi-2007\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Huopaniemi, Otso. 2007.&nbsp;&amp;quot;Selfploitation within the Context of Playwriting.&rdquo; Artistic research plan, Theater Academy Helsinki.&lt;\/div&gt;\"><span itemprop=\"name\">Huopaniemi 2007<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Huopaniemi, Otso. 2007.&nbsp;&ldquo;Selfploitation within the Context of Playwriting.&rdquo; Artistic research plan, Theater Academy Helsinki.<\/dfn><\/li><li class=\" ln-7\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/huopaniemi-2008en\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Huopaniemi, Otso. 2015.&nbsp;&amp;lt;em&amp;gt;Rakkauden ABZ&amp;lt;\/em&amp;gt;. &amp;lt;em&amp;gt;Research Catalogue&amp;lt;\/em&amp;gt; website. Accessed 16 February 2017. &amp;lt;a href=&amp;quot;https:\/\/www.researchcatalogue.net\/view\/159469\/205363&amp;quot; target=&amp;quot;_blank&amp;quot;&amp;gt;www.researchcatalogue.net\/view\/159469\/205363&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Huopaniemi 2015EN<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Huopaniemi, Otso. 2015.&nbsp;Rakkauden ABZ. Research Catalogue website. Accessed 16 February 2017. www.researchcatalogue.net\/view\/159469\/205363<\/dfn><\/li><li class=\" ln-7\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/huopaniemi-2014\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Huopaniemi, Otso. 2014. &rdquo;TPs and IOAs in Supposed Disorder.&rdquo; &amp;lt;i&amp;gt;Teatteri ja media(t)&amp;lt;\/i&amp;gt;, toim. Marjatta H&auml;ti-Korkeila, Hanna J&auml;rvinen, Jukka Kortti, Riku Roihankorpi, 139&ndash;148. N&auml;ytt&auml;m&ouml; ja tutkimus 5. Helsinki: Teatterintutkimuksen seura.&lt;\/div&gt;\"><span itemprop=\"name\">Huopaniemi 2014<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Huopaniemi, Otso. 2014. &rdquo;TPs and IOAs in Supposed Disorder.&rdquo; Teatteri ja media(t), toim. Marjatta H&auml;ti-Korkeila, Hanna J&auml;rvinen, Jukka Kortti, Riku Roihankorpi, 139&ndash;148. N&auml;ytt&auml;m&ouml; ja tutkimus 5. Helsinki: Teatterintutkimuksen seura.<\/dfn><\/li><li class=\" ln-7\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/huopaniemi-2014en\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Huopaniemi, Otso. 2014. &amp;quot;TPs and IOAs in Supposed Disorder.&rdquo; &amp;lt;i&amp;gt;Teatteri ja media(t)&amp;lt;\/i&amp;gt;, eds. Marjatta H&auml;ti-Korkeila, Hanna J&auml;rvinen, Jukka Kortti, Riku Roihankorpi, 139&ndash;148. N&auml;ytt&auml;m&ouml; ja tutkimus 5. Helsinki: Theatre Research Society.&lt;\/div&gt;\"><span itemprop=\"name\">Huopaniemi 2014EN<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Huopaniemi, Otso. 2014. &ldquo;TPs and IOAs in Supposed Disorder.&rdquo; Teatteri ja media(t), eds. Marjatta H&auml;ti-Korkeila, Hanna J&auml;rvinen, Jukka Kortti, Riku Roihankorpi, 139&ndash;148. N&auml;ytt&auml;m&ouml; ja tutkimus 5. Helsinki: Theatre Research Society.<\/dfn><\/li><li class=\" ln-7\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/huopaniemi-2015\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Huopaniemi, Otso. 2015. &rdquo;Dear Rita.&rdquo; &amp;lt;em&amp;gt;RUUKKU Taiteellisen tutkimuksen kausijulkaisu&amp;lt;\/em&amp;gt;. Haettu 6.4.2016. &amp;lt;a href=&amp;quot;https:\/\/www.researchcatalogue.net\/view\/159469\/229633&amp;quot;&amp;gt;www.researchcatalogue.net\/view\/159469\/229633&amp;lt;\/a&amp;gt;.&lt;\/div&gt;\"><span itemprop=\"name\">Huopaniemi 2015b<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Huopaniemi, Otso. 2015. &rdquo;Dear Rita.&rdquo; RUUKKU Taiteellisen tutkimuksen kausijulkaisu. Haettu 6.4.2016. www.researchcatalogue.net\/view\/159469\/229633.<\/dfn><\/li><li class=\" ln-7\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/huopaniemi-2015enb\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Huopaniemi, Otso. 2015. &amp;quot;Dear Rita.&rdquo; &amp;lt;em&amp;gt;RUUKKU Studies in Artistic Research&amp;lt;\/em&amp;gt; (online journal). Accessed 6 April 2016. &amp;lt;a href=&amp;quot;https:\/\/www.researchcatalogue.net\/view\/159469\/229633&amp;quot;&amp;gt;www.researchcatalogue.net\/view\/159469\/229633&amp;lt;\/a&amp;gt;.&lt;\/div&gt;\"><span itemprop=\"name\">Huopaniemi 2015ENb<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Huopaniemi, Otso. 2015. &ldquo;Dear Rita.&rdquo; RUUKKU Studies in Artistic Research (online journal). Accessed 6 April 2016. www.researchcatalogue.net\/view\/159469\/229633.<\/dfn><\/li><li class=\" ln-7\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/huopaniemi-2015fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Huopaniemi, Otso. 2015.&nbsp;&amp;lt;em&amp;gt;Rakkauden ABZ&amp;lt;\/em&amp;gt;.&nbsp;&amp;lt;em&amp;gt;Research Catalogue&amp;lt;\/em&amp;gt; verkkosivusto. Haettu 16.2.2017. &amp;lt;a href=&amp;quot;https:\/\/www.researchcatalogue.net\/view\/159469\/205363&amp;quot; target=&amp;quot;_blank&amp;quot;&amp;gt;www.researchcatalogue.net\/view\/159469\/205363&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Huopaniemi 2015FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Huopaniemi, Otso. 2015.&nbsp;Rakkauden ABZ.&nbsp;Research Catalogue verkkosivusto. Haettu 16.2.2017. www.researchcatalogue.net\/view\/159469\/205363<\/dfn><\/li><li class=\" ln-9\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/jain-et-al-2007\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Jain, Lakhmi C. &amp;amp;amp;&nbsp;Quteishat,&nbsp;Anas &amp;amp;amp;&nbsp;Lim,&nbsp;Chee Peng. 2007. &amp;quot;Intelligent Machines: An Introduction.&rdquo; &amp;lt;em&amp;gt;Studies in Computational Intelligence (SCI)&amp;lt;\/em&amp;gt; 70:1&ndash;9.&lt;\/div&gt;\"><span itemprop=\"name\">Jain et al. 2007<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Jain, Lakhmi C. &amp;&nbsp;Quteishat,&nbsp;Anas &amp;&nbsp;Lim,&nbsp;Chee Peng. 2007. &ldquo;Intelligent Machines: An Introduction.&rdquo; Studies in Computational Intelligence (SCI) 70:1&ndash;9.<\/dfn><\/li><li class=\" ln-9\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/jakobson-1971\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Jakobson, Roman. 1971. &amp;quot;On Linguistic Aspects of Translation.&rdquo; In&nbsp;&amp;lt;em&amp;gt;Selected Writings, Vol. 2&amp;lt;\/em&amp;gt;, ed. Roman Jakobson, 260&ndash;66.&nbsp;The Hague: Mouton.&lt;\/div&gt;\"><span itemprop=\"name\">Jakobson 1971<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Jakobson, Roman. 1971. &ldquo;On Linguistic Aspects of Translation.&rdquo; In&nbsp;Selected Writings, Vol. 2, ed. Roman Jakobson, 260&ndash;66.&nbsp;The Hague: Mouton.<\/dfn><\/li><li class=\" ln-9\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/jakobson-1971fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Jakobson, Roman. 1971. &rdquo;On Linguistic Aspects of Translation.&rdquo; &amp;lt;em&amp;gt;Selected Writings, Vol. 2&amp;lt;\/em&amp;gt;, toim. Roman Jakobson, 260&ndash;66.&nbsp;Haag: Mouton.&lt;\/div&gt;\"><span itemprop=\"name\">Jakobson 1971FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Jakobson, Roman. 1971. &rdquo;On Linguistic Aspects of Translation.&rdquo; Selected Writings, Vol. 2, toim. Roman Jakobson, 260&ndash;66.&nbsp;Haag: Mouton.<\/dfn><\/li><li class=\" ln-10\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/kangaskoski-2017\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Kangaskoski, Matti. 2017.&nbsp;&amp;quot;Reading Digital Poetry &ndash; Interface, Interaction, and Interpretation.&rdquo; Humanistisen tiedekunnan v&auml;it&ouml;stutkimus, Helsingin yliopisto, Helsinki.&lt;\/div&gt;\"><span itemprop=\"name\">Kangaskoski 2017<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Kangaskoski, Matti. 2017.&nbsp;&ldquo;Reading Digital Poetry &ndash; Interface, Interaction, and Interpretation.&rdquo; Humanistisen tiedekunnan v&auml;it&ouml;stutkimus, Helsingin yliopisto, Helsinki.<\/dfn><\/li><li class=\" ln-10\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/kangaskoski-2017en\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Kangaskoski, Matti. 2017.&nbsp;&amp;quot;Reading Digital Poetry&mdash;Interface, Interaction, and Interpretation.&rdquo; Academic Dissertation, Faculty of Arts, University of Helsinki, Helsinki.&lt;\/div&gt;\"><span itemprop=\"name\">Kangaskoski 2017EN<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Kangaskoski, Matti. 2017.&nbsp;&ldquo;Reading Digital Poetry&mdash;Interface, Interaction, and Interpretation.&rdquo; Academic Dissertation, Faculty of Arts, University of Helsinki, Helsinki.<\/dfn><\/li><li class=\" ln-10\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/kaplan-2014\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Kaplan, Frederic. 2014. &amp;quot;Linguistic Capitalism and Algorithmic Mediation.&rdquo; &amp;lt;em&amp;gt;Representations&amp;lt;\/em&amp;gt; 127: 57&ndash;63.&lt;\/div&gt;\"><span itemprop=\"name\">Kaplan 2014<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Kaplan, Frederic. 2014. &ldquo;Linguistic Capitalism and Algorithmic Mediation.&rdquo; Representations 127: 57&ndash;63.<\/dfn><\/li><li class=\" ln-11\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/lehmann-2006en\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Lehmann, Hans-Thies.&nbsp;&amp;lt;em&amp;gt;Postdramatic Theatre.&nbsp;&amp;lt;\/em&amp;gt;Translated and with an introduction by Karen J&uuml;rs-Munby. London and New York: Routledge.&lt;\/div&gt;\"><span itemprop=\"name\">Lehmann 2006EN<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Lehmann, Hans-Thies.&nbsp;Postdramatic Theatre.&nbsp;Translated and with an introduction by Karen J&uuml;rs-Munby. London and New York: Routledge.<\/dfn><\/li><li class=\" ln-11\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/lehmann-2006fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Lehmann, Hans-Thies.&nbsp;&amp;lt;em&amp;gt;Postdramatic Theatre.&nbsp;&amp;lt;\/em&amp;gt;K&auml;&auml;nt&auml;nyt ja esipuheen kirjoittanut&nbsp;Karen J&uuml;rs-Munby. Lontoo ja New York: Routledge.&lt;\/div&gt;\"><span itemprop=\"name\">Lehmann 2006FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Lehmann, Hans-Thies.&nbsp;Postdramatic Theatre.&nbsp;K&auml;&auml;nt&auml;nyt ja esipuheen kirjoittanut&nbsp;Karen J&uuml;rs-Munby. Lontoo ja New York: Routledge.<\/dfn><\/li><li class=\" ln-11\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><div class=\"term-block\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/lesage-2013\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Lesage, Dieter. 2013. &amp;quot;PaR in Continental Europe: A Site of Many Contests.&rdquo; In&nbsp;&amp;lt;em&amp;gt;Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances&amp;lt;\/em&amp;gt;, ed. Robin Nelson, 143&ndash;151. London: Palgrave Macmillan.&lt;\/div&gt;\"><span itemprop=\"name\">Lesage 2013<\/span><\/a><\/div><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Lesage, Dieter. 2013. &ldquo;PaR in Continental Europe: A Site of Many Contests.&rdquo; In&nbsp;Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances, ed. Robin Nelson, 143&ndash;151. London: Palgrave Macmillan.<\/dfn><\/li><li class=\" ln-11\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/lesage-2013fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Lesage, Dieter. 2013. &rdquo;PaR in Continental Europe: A Site of Many Contests.&rdquo; &amp;lt;em&amp;gt;Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances&amp;lt;\/em&amp;gt;, toim. Robin Nelson, 143&ndash;151. Lontoo: Palgrave Macmillan.&lt;\/div&gt;\"><span itemprop=\"name\">Lesage 2013FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Lesage, Dieter. 2013. &rdquo;PaR in Continental Europe: A Site of Many Contests.&rdquo; Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances, toim. Robin Nelson, 143&ndash;151. Lontoo: Palgrave Macmillan.<\/dfn><\/li><li class=\" ln-11\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/lewis-kraus-2016\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Lewis-Kraus, Gideon. 2016. &rdquo;The Great A.I. Awakening.&rdquo; &amp;lt;em&amp;gt;The New York Times&amp;lt;\/em&amp;gt; 14.12.2016. &amp;lt;a href=&amp;quot;http:\/\/www.nytimes.com\/2016\/12\/14\/magazine\/the-great-ai-awakening.html?_r=0&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.nytimes.com\/2016\/12\/14\/magazine\/the-great-ai-awakening.html?_r=0&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Lewis-Kraus 2016<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Lewis-Kraus, Gideon. 2016. &rdquo;The Great A.I. Awakening.&rdquo; The New York Times 14.12.2016. www.nytimes.com\/2016\/12\/14\/magazine\/the-great-ai-awakening.html?_r=0<\/dfn><\/li><li class=\" ln-11\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/lewis-kraus-2016en\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Lewis-Kraus, Gideon. 2016. &rdquo;The Great A.I. Awakening.&rdquo; &amp;lt;i&amp;gt;The New York Times&amp;lt;\/i&amp;gt; 14 December 2016.&nbsp;&amp;lt;a href=&amp;quot;http:\/\/www.nytimes.com\/2016\/12\/14\/magazine\/the-great-ai-awakening.html?_r=0&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;&amp;lt;span class=&amp;quot;s1&amp;quot;&amp;gt;www.nytimes.com\/2016\/12\/14\/magazine\/the-great-ai-awakening.html?_r=0&amp;lt;\/span&amp;gt;&amp;lt;\/a&amp;gt;&amp;lt;br\/&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Lewis-Kraus 2016EN<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Lewis-Kraus, Gideon. 2016. &rdquo;The Great A.I. Awakening.&rdquo; The New York Times 14 December 2016.&nbsp;www.nytimes.com\/2016\/12\/14\/magazine\/the-great-ai-awakening.html?_r=0<\/dfn><\/li><li class=\" ln-11\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/love-abz-production-information\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-2en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;Working group:&amp;lt;\/strong&amp;gt; Otso Huopaniemi (concept and direction), Anna Maria H&auml;kkinen (performance), Leo Kirjonen (performance), Alexander Koml&oacute;si (performance), Teemu Miettinen (performance), Heikki Paasonen (spatial and lighting design), Joonas Pehrsson (sound design)&amp;lt;strong&amp;gt;Venue:&amp;lt;\/strong&amp;gt; Kiasma Theater, Helsinki, Finland&amp;lt;strong&amp;gt;Performance dates:&amp;lt;\/strong&amp;gt; February-March 2013&amp;lt;strong&amp;gt;Languages:&amp;lt;\/strong&amp;gt; English, Finnish&amp;lt;strong&amp;gt;Supported by:&amp;lt;\/strong&amp;gt; University of Arts Helsinki (Theatre Academy), Finnish Cultural Foundation, Uusimaa Regional Fund, Samuel Huber Art Foundation and the Arts Promotion Center Finland&lt;\/div&gt;\"><span itemprop=\"name\">love.abz production info<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Working group: Otso Huopaniemi (concept and direction), Anna Maria H&auml;kkinen (performance), Leo Kirjonen (performance), Alexander Koml&oacute;si (performance), Teemu Miettinen (performance), Heikki Paasonen (spatial and lighting design), Joonas Pehrsson (sound design)\r\n\r\nVenue: Kiasma Theater,(...)<\/dfn><\/li><li class=\" ln-11\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/love-abz-produktiotiedot\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-2-2fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;Ty&ouml;ryhm&auml;:&amp;lt;\/strong&amp;gt; Otso Huopaniemi (suunnittelu ja toteutus), Anna Maria H&auml;kkinen (esitys), Leo Kirjonen (esitys), Alexander Komlosi (esitys), Teemu Miettinen (esitys), Heikki Paasonen (tila- ja valosuunnittelu), Joonas Pehrsson (&auml;&auml;nisuunnittelu)&amp;lt;strong&amp;gt;Esityspaikka:&amp;lt;\/strong&amp;gt; Kiasma-teatteri, Helsinki&amp;lt;strong&amp;gt;Esitysajankohta:&amp;lt;\/strong&amp;gt; helmi-maaliskuu 2013&amp;lt;strong&amp;gt;Esityskielet:&amp;lt;\/strong&amp;gt; suomi, englanti&amp;lt;strong&amp;gt;Rahoitus:&amp;lt;\/strong&amp;gt; Taideyliopiston Teatterikorkeakoulu, Suomen Kulttuurirahaston Uudenmaan maakuntarahasto, Samuel Huberin Taides&auml;&auml;ti&ouml; ja Taiteen edist&auml;miskeskus&lt;\/div&gt;\"><span itemprop=\"name\">love.abz produktiotiedot<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Ty&ouml;ryhm&auml;: Otso Huopaniemi (suunnittelu ja toteutus), Anna Maria H&auml;kkinen (esitys), Leo Kirjonen (esitys), Alexander Komlosi (esitys), Teemu Miettinen (esitys), Heikki Paasonen (tila- ja valosuunnittelu), Joonas Pehrsson (&auml;&auml;nisuunnittelu)\r\n\r\nEsityspaikka: Kiasma-teatteri,(...)<\/dfn><\/li><li class=\" ln-\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/love-abz3-production-info\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-4en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;Working group:&amp;lt;\/strong&amp;gt; Otso Huopaniemi (concept and implementation), Josep Caballero Garc&iacute;a (performance), Emily Gleeson (performance), Leo Kirjonen (performance), Meri Koivisto (performance), Alexander Koml&oacute;si (performance), Lee Meir (performance), Teemu Miettinen (performance), Ania Nowak (performance), Eeva Semerdjiev (performance), Annett Hardegen (production), Johannes Maas (spatial and lighting design), Roni Katz (assistant director), Robert Wolf (technical support),&amp;lt;strong&amp;gt;Venue:&amp;lt;\/strong&amp;gt; Theaterdiscounter, Berlin&amp;lt;strong&amp;gt;Performance dates:&amp;lt;\/strong&amp;gt;&nbsp;13&ndash;17 November 2015&amp;lt;strong&amp;gt;Languages&amp;lt;\/strong&amp;gt;: Finnish, English, German, Catalan, Hebrew, Bulgarian, Polish, French, Spanish, Swedish, Czech&amp;lt;strong&amp;gt;Supported by&amp;lt;\/strong&amp;gt; Kone Foundation, Finnland-Insitut in Deutschland, the Berlin Senate, the Finnish Cultural Foundation Central Fund, Fonds Darstellende K&uuml;nste (Germany)&lt;\/div&gt;\"><span itemprop=\"name\">(love.abz)3 production info<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Working group: Otso Huopaniemi (concept and implementation), Josep Caballero Garc&iacute;a (performance), Emily Gleeson (performance), Leo Kirjonen (performance), Meri Koivisto (performance), Alexander Koml&oacute;si (performance), Lee Meir (performance), Teemu Miettinen (performance), Ania Nowak(...)<\/dfn><\/li><li class=\" ln-\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/love-abz3-produktiotiedot\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_note-3-4fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;Ty&ouml;ryhm&auml;: &amp;lt;\/strong&amp;gt;Otso Huopaniemi (suunnittelu ja toteutus), Josep Caballero Garc&iacute;a (esitys), Emily Gleeson (esitys), Leo Kirjonen (esitys), Meri Koivisto (esitys), Alexander Komlosi (esitys), Lee Meir (esitys), Teemu Miettinen (esitys), Ania Nowak (esitys), Eeva Semerdjiev (esitys), Annett Hardegen (tuotanto), Johannes Maas (tila- ja valosuunnittelu), Roni Katz (apulaisohjaaja), Robert Wolf (tekninen tuki)&amp;lt;strong&amp;gt;Esityspaikka:&amp;lt;\/strong&amp;gt; Theaterdiscounter, Berliini&amp;lt;strong&amp;gt;Esitysajankohta: &amp;lt;\/strong&amp;gt;13.&ndash;17. marraskuuta 2015&amp;lt;strong&amp;gt;Esityskielet:&amp;lt;\/strong&amp;gt; suomi, englanti, saksa,&nbsp;katalaani, heprea, bulgaria, puola, ranska, espanja, ruotsi, t&scaron;ekki&amp;lt;strong&amp;gt;Rahoitus:&amp;lt;\/strong&amp;gt; Koneen S&auml;&auml;ti&ouml;, Suomen Saksan-instituutti, Berliinin senaatti, Suomen Kulttuurirahaston Keskusrahasto, Fonds Darstellende K&uuml;nste (Saksa)&lt;\/div&gt;\"><span itemprop=\"name\">(love.abz)3 produktiotiedot<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Ty&ouml;ryhm&auml;: Otso Huopaniemi (suunnittelu ja toteutus), Josep Caballero Garc&iacute;a (esitys), Emily Gleeson (esitys), Leo Kirjonen (esitys), Meri Koivisto (esitys), Alexander Komlosi (esitys), Lee Meir (esitys), Teemu Miettinen (esitys), Ania Nowak (esitys), Eeva Semerdjiev (esitys), Annett Hardegen(...)<\/dfn><\/li><li class=\" ln-12\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/m-kim-et-al-2011\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Kim, M. &amp;amp;amp; Oh, K. &amp;amp;amp; Choi, J. &amp;amp;amp; Jung, J. &amp;amp;amp; Kim, Y. &amp;quot;User-Centered HRI: HRI Research Methodology for Designers.&rdquo; In &amp;lt;i&amp;gt;Mixed Reality and Human-Robot Interaction&amp;lt;\/i&amp;gt;, ed. Xiangyu Wang, 13&ndash;34. Dordrecht: Springer.&lt;\/div&gt;\"><span itemprop=\"name\">M. Kim et al. 2011<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Kim, M. &amp; Oh, K. &amp; Choi, J. &amp; Jung, J. &amp; Kim, Y. &ldquo;User-Centered HRI: HRI Research Methodology for Designers.&rdquo; In Mixed Reality and Human-Robot Interaction, ed. Xiangyu Wang, 13&ndash;34. Dordrecht: Springer.<\/dfn><\/li><li class=\" ln-12\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/m-kim-et-al-2011fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Kim, M. &amp;amp;amp; Oh, K. &amp;amp;amp; Choi, J. &amp;amp;amp; Jung, J. &amp;amp;amp; Kim, Y. &amp;quot;User-Centered HRI: HRI Research Methodology for Designers.&rdquo; &amp;lt;i&amp;gt;Mixed Reality and Human-Robot Interaction&amp;lt;\/i&amp;gt;, toim. Xiangyu Wang, 13&ndash;34. Dordrecht: Springer.&lt;\/div&gt;\"><span itemprop=\"name\">M. Kim et al. 2011FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Kim, M. &amp; Oh, K. &amp; Choi, J. &amp; Jung, J. &amp; Kim, Y. &ldquo;User-Centered HRI: HRI Research Methodology for Designers.&rdquo; Mixed Reality and Human-Robot Interaction, toim. Xiangyu Wang, 13&ndash;34. Dordrecht: Springer.<\/dfn><\/li><li class=\" ln-12\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/microsoft-15-11-2016\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;quot;Microsoft Translator launching Neural Network based translations for all its speech languages.&rdquo;&nbsp;&amp;lt;em&amp;gt;Microsoft Translator&amp;lt;\/em&amp;gt; -verkkosivusto.&nbsp;Haettu 15.11.2016. &amp;lt;a href=&amp;quot;https:\/\/blogs.msdn.microsoft.com\/translation\/2016\/11\/15\/microsoft-translator-launching-neural-network-based-translations-for-all-its-speech-languages\/&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;blogs.msdn.microsoft.com\/translation\/2016\/11\/15\/microsoft-translator-launching-neural-network-based-translations-for-all-its-speech-languages\/&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Microsoft 15.11.2016<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">&ldquo;Microsoft Translator launching Neural Network based translations for all its speech languages.&rdquo;&nbsp;Microsoft Translator -verkkosivusto.&nbsp;Haettu 15.11.2016. blogs.msdn.microsoft.com\/translation\/2016\/11\/15\/microsoft-translator-launching-neural-network-based-translations-for-all-its-speech-languages\/<\/dfn><\/li><li class=\" ln-12\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/microsoft-15-november-2016\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;quot;Microsoft Translator launching Neural Network based translations for all its speech languages.&rdquo;&nbsp;&amp;lt;em&amp;gt;Microsoft Translator&amp;lt;\/em&amp;gt; website.&nbsp;Accessed 15 November 2016.&nbsp;&amp;lt;a href=&amp;quot;https:\/\/blogs.msdn.microsoft.com\/translation\/2016\/11\/15\/microsoft-translator-launching-neural-network-based-translations-for-all-its-speech-languages\/&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;blogs.msdn.microsoft.com\/translation\/2016\/11\/15\/microsoft-translator-launching-neural-network-based-translations-for-all-its-speech-languages\/&amp;lt;\/a&amp;gt;&amp;lt;br\/&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Microsoft 15 November 2016<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">&ldquo;Microsoft Translator launching Neural Network based translations for all its speech languages.&rdquo;&nbsp;Microsoft Translator website.&nbsp;Accessed 15 November 2016.&nbsp;blogs.msdn.microsoft.com\/translation\/2016\/11\/15\/microsoft-translator-launching-neural-network-based-translations-for-all-its-speech-languages\/<\/dfn><\/li><li class=\" ln-12\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/microsoft-translator-launching-neural-network-based-translations-for-all-its-speech-languages-15-11-2016\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;lt;em&amp;gt;Microsoft Translator launching Neural Network based translations for all its speech languages&amp;lt;\/em&amp;gt;. YouTube video,&nbsp;15.11.2016. Haettu 1.7.2017.&nbsp;&amp;lt;a href=&amp;quot;https:\/\/blogs.msdn.microsoft.com\/translation\/2016\/11\/15\/microsoft-translator-launching-neural-network-based-translations-for-all-its-speech-languages\/&amp;quot; target=&amp;quot;_blank&amp;quot;&amp;gt;blogs.msdn.microsoft.com\/translation\/2016\/11\/15\/microsoft-translator-launching-neural-network-based-translations-for-all-its-speech-languages\/&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Microsoft Translator launching Neural Network based translations for all its speech languages 15.11.2016<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Microsoft Translator launching Neural Network based translations for all its speech languages. YouTube video,&nbsp;15.11.2016. Haettu 1.7.2017.&nbsp;blogs.msdn.microsoft.com\/translation\/2016\/11\/15\/microsoft-translator-launching-neural-network-based-translations-for-all-its-speech-languages\/<\/dfn><\/li><li class=\" ln-12\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/microsoft-translator-launching-neural-network-based-translations-for-all-its-speech-languages-15-november-2016\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Microsoft Translator launching Neural Network based translations for all its speech languages, 15 November 2016. Accessed 1 July 2017. &amp;lt;a href=&amp;quot;https:\/\/blogs.msdn.microsoft.com\/translation\/2016\/11\/15\/microsoft-translator-launching-neural-network-based-translations-for-all-its-speech-languages\/&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;blogs.msdn.microsoft.com\/translation\/2016\/11\/15\/microsoft-translator-launching-neural-network-based-translations-for-all-its-speech-languages\/&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Microsoft Translator launching Neural Network based translations for all its speech languages 15 November 2016<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Microsoft Translator launching Neural Network based translations for all its speech languages, 15 November 2016. Accessed 1 July 2017. blogs.msdn.microsoft.com\/translation\/2016\/11\/15\/microsoft-translator-launching-neural-network-based-translations-for-all-its-speech-languages\/<\/dfn><\/li><li class=\" ln-13\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/neural-machine-translation-and-models-with-attention-3-4-2017\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;lt;em&amp;gt;Neural Machine Translation and Models with Attention&amp;lt;\/em&amp;gt;. YouTube video, 3.4.2017. Haettu 1.7.2017. &amp;lt;a href=&amp;quot;https:\/\/youtu.be\/IxQtK2SjWWM&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;youtu.be\/IxQtK2SjWWM&amp;lt;\/a&amp;gt;&amp;lt;br\/&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Neural Machine Translation and Models with Attention 3.4.2017<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Neural Machine Translation and Models with Attention. YouTube video, 3.4.2017. Haettu 1.7.2017. youtu.be\/IxQtK2SjWWM<\/dfn><\/li><li class=\" ln-13\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/neural-machine-translation-and-models-with-attention-3-april-2017\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Neural Machine Translation and Models with Attention. YouTube video. 3 April 2017. Accessed 1 July 2017.&nbsp;&amp;lt;a href=&amp;quot;https:\/\/youtu.be\/IxQtK2SjWWM&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;youtu.be\/IxQtK2SjWWM&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Neural Machine Translation and Models with Attention 3 April 2017<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Neural Machine Translation and Models with Attention. YouTube video. 3 April 2017. Accessed 1 July 2017.&nbsp;youtu.be\/IxQtK2SjWWM<\/dfn><\/li><li class=\" ln-15\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/page-et-al-1999en\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Page, Lawrence&nbsp;&amp;amp;amp;&nbsp;Brin, Sergey&nbsp;&amp;amp;amp;&nbsp;Motwani, Rajeev&nbsp;&amp;amp;amp;&nbsp;Winograd, Terry.&nbsp;1999.&nbsp;&amp;quot;The PageRank Citation Ranking: Bringing Order to the Web&amp;lt;em&amp;gt;.&rdquo;&amp;lt;\/em&amp;gt; Stanford InfoLab Publication Server. Accessed 27 February 2017. &amp;lt;a href=&amp;quot;http:\/\/ilpubs.stanford.edu:8090\/422\/&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;ilpubs.stanford.edu:8090\/422\/&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Page et al. 1999EN<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Page, Lawrence&nbsp;&amp;&nbsp;Brin, Sergey&nbsp;&amp;&nbsp;Motwani, Rajeev&nbsp;&amp;&nbsp;Winograd, Terry.&nbsp;1999.&nbsp;&ldquo;The PageRank Citation Ranking: Bringing Order to the Web.&rdquo; Stanford InfoLab Publication Server. Accessed 27 February 2017. ilpubs.stanford.edu:8090\/422\/<\/dfn><\/li><li class=\" ln-15\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/page-et-al-1999fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Page, Lawrence&nbsp;&amp;amp;amp;&nbsp;Brin, Sergey &amp;amp;amp; Motwani, Rajeev &amp;amp;amp; Winograd, Terry. 1999. &rdquo;The PageRank Citation Ranking: Bringing Order to the Web&amp;lt;em&amp;gt;.&rdquo;&amp;lt;\/em&amp;gt; Stanford InfoLab Publication Server. Haettu&nbsp;27.2.2017. &amp;lt;a href=&amp;quot;http:\/\/ilpubs.stanford.edu:8090\/422\/&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;ilpubs.stanford.edu:8090\/422\/&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Page et al. 1999FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Page, Lawrence&nbsp;&amp;&nbsp;Brin, Sergey &amp; Motwani, Rajeev &amp; Winograd, Terry. 1999. &rdquo;The PageRank Citation Ranking: Bringing Order to the Web.&rdquo; Stanford InfoLab Publication Server. Haettu&nbsp;27.2.2017. ilpubs.stanford.edu:8090\/422\/<\/dfn><\/li><li class=\" ln-15\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/pailthorpe-2012\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Pailthorpe, Baden. 2012. &amp;quot;Lingua Franca.&rdquo;&nbsp;&amp;lt;em&amp;gt;Ctrl-Z: New Media Philosophy &amp;lt;\/em&amp;gt;online journal. Accessed 1 May 2015. &amp;lt;a href=&amp;quot;http:\/\/www.ctrl-z.net.au\/articles\/issue-1\/pailthorpe-lingua-franca&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.ctrl-z.net.au\/articles\/issue-1\/pailthorpe-lingua-franca&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Pailthorpe 2012<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Pailthorpe, Baden. 2012. &ldquo;Lingua Franca.&rdquo;&nbsp;Ctrl-Z: New Media Philosophy online journal. Accessed 1 May 2015. www.ctrl-z.net.au\/articles\/issue-1\/pailthorpe-lingua-franca<\/dfn><\/li><li class=\" ln-15\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/pailthorpe-2012fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Pailthorpe, Baden. 2012. &rdquo;Lingua Franca.&rdquo;&nbsp;&amp;lt;em&amp;gt;Ctrl-Z: New Media Philosophy &amp;lt;\/em&amp;gt;verkkojulkaisu. Haettu 1.5.2015. &amp;lt;a href=&amp;quot;http:\/\/www.ctrl-z.net.au\/articles\/issue-1\/pailthorpe-lingua-franca&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.ctrl-z.net.au\/articles\/issue-1\/pailthorpe-lingua-franca&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Pailthorpe 2012FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Pailthorpe, Baden. 2012. &rdquo;Lingua Franca.&rdquo;&nbsp;Ctrl-Z: New Media Philosophy verkkojulkaisu. Haettu 1.5.2015. www.ctrl-z.net.au\/articles\/issue-1\/pailthorpe-lingua-franca<\/dfn><\/li><li class=\" ln-15\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/palancar-2012\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Palancar, Enrique L. 2012. &amp;quot;A typology of split conjunction.&rdquo; &amp;lt;em&amp;gt;Linguistic Typology&nbsp;&amp;lt;\/em&amp;gt;16: 265&ndash;320.&lt;\/div&gt;\"><span itemprop=\"name\">Palancar 2012<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Palancar, Enrique L. 2012. &ldquo;A typology of split conjunction.&rdquo; Linguistic Typology&nbsp;16: 265&ndash;320.<\/dfn><\/li><li class=\" ln-15\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/parikka-2012\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Parikka, Jussi. 2012. &amp;quot;Statistical Machine Art.&rdquo; In &amp;lt;i&amp;gt;Lingua Franca Catalogue Essays&amp;lt;\/i&amp;gt;, 3&ndash;8. Sydney: Firstdraft Gallery.&lt;\/div&gt;\"><span itemprop=\"name\">Parikka 2012<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Parikka, Jussi. 2012. &ldquo;Statistical Machine Art.&rdquo; In Lingua Franca Catalogue Essays, 3&ndash;8. Sydney: Firstdraft Gallery.<\/dfn><\/li><li class=\" ln-15\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/parikka-2012fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Parikka, Jussi. 2012. &rdquo;Statistical Machine Art.&rdquo; &amp;lt;em&amp;gt;Lingua Franca Catalogue Essays&amp;lt;\/em&amp;gt;, 3&ndash;8. Sydney: Firstdraft Gallery.&lt;\/div&gt;\"><span itemprop=\"name\">Parikka 2012FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Parikka, Jussi. 2012. &rdquo;Statistical Machine Art.&rdquo; Lingua Franca Catalogue Essays, 3&ndash;8. Sydney: Firstdraft Gallery.<\/dfn><\/li><li class=\" ln-15\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/parisi-2015\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Parisi, Luciana. 2015. &amp;quot;Automated Cognition, Algorithmic Capitalism and the Incomputable.&rdquo; Algorithmic Cultures and Security, fourth gathering in the Posthuman Glossary series, BAK, Utrecht. 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Haettu 5.5.2016.&nbsp;Url: vimeo.com\/140173695<\/dfn><\/li><li class=\" ln-15\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/pasqaule-2015\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Pasquale, Frank. 2015. &amp;lt;em&amp;gt;The Black Box Society: The Secret Algorithms That Control Money and Information&amp;lt;\/em&amp;gt;. Cambridge &amp;amp;amp; Lontoo: Harvard University Press.&lt;\/div&gt;\"><span itemprop=\"name\">Pasquale 2015<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Pasquale, Frank. 2015. The Black Box Society: The Secret Algorithms That Control Money and Information. Cambridge &amp; Lontoo: Harvard University Press.<\/dfn><\/li><li class=\" ln-15\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/penalver-2015\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Pe&ntilde;alver, Maria Recuenco. 2015. &amp;quot;Encounter with&nbsp;Andr&eacute; Brink: Looking on ... Self-Translation.&rdquo; &amp;lt;em&amp;gt;Research in African Literatures&amp;lt;\/em&amp;gt;&nbsp;46(2): 146&ndash;156.&lt;\/div&gt;\"><span itemprop=\"name\">Pe&ntilde;alver 2015<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Pe&ntilde;alver, Maria Recuenco. 2015. &ldquo;Encounter with&nbsp;Andr&eacute; Brink: Looking on ... Self-Translation.&rdquo; Research in African Literatures&nbsp;46(2): 146&ndash;156.<\/dfn><\/li><li class=\" ln-15\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/phdarts-eu-1-2-2017\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;PhDArts. s.a. &amp;quot;Admission Requirements.&rdquo; &amp;lt;em&amp;gt;Phdarts.eu&amp;lt;\/em&amp;gt; yliopistollinen verkkosivusto. Haettu 1.2.2017. &amp;lt;a href=&amp;quot;https:\/\/www.phdarts.eu\/Admission\/Requirements&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.phdarts.eu\/Admission\/Requirements&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Phdarts.eu 1.2.2017<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">PhDArts. s.a. &ldquo;Admission Requirements.&rdquo; Phdarts.eu yliopistollinen verkkosivusto. Haettu 1.2.2017. www.phdarts.eu\/Admission\/Requirements<\/dfn><\/li><li class=\" ln-15\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/phdarts-eu-1-february-2017\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;PhDArts. n.d. &amp;quot;Admission Requirements.&rdquo;&nbsp;&amp;lt;em&amp;gt;Phdarts.eu&amp;lt;\/em&amp;gt; university website. 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Accessed 1 February 2017. www.phdarts.eu\/Admission\/Requirements<\/dfn><\/li><li class=\" ln-15\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/pollock-1998en\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Pollock, Della. 1998.&nbsp;&amp;quot;Performing Writing.&rdquo; In &amp;lt;em&amp;gt;The Ends of Performance&amp;lt;\/em&amp;gt;, edited by Peggy Phelan and Jill Lane, 73&ndash;103. New York: New York University Press.&lt;\/div&gt;\"><span itemprop=\"name\">Pollock 1998EN<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Pollock, Della. 1998.&nbsp;&ldquo;Performing Writing.&rdquo; In The Ends of Performance, edited by Peggy Phelan and Jill Lane, 73&ndash;103. New York: New York University Press.<\/dfn><\/li><li class=\" ln-15\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/pollock-1998fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Pollock, Della. 1998. &rdquo;Performing Writing.&rdquo; Teoksessa &amp;lt;em&amp;gt;The Ends of Performance&amp;lt;\/em&amp;gt;, toimittaneet Peggy Phelan ja Jill Lane, 73&ndash;103. New York: New York University Press.&lt;\/div&gt;\"><span itemprop=\"name\">Pollock 1998FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Pollock, Della. 1998. &rdquo;Performing Writing.&rdquo; Teoksessa The Ends of Performance, toimittaneet Peggy Phelan ja Jill Lane, 73&ndash;103. New York: New York University Press.<\/dfn><\/li><li class=\" ln-17\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/rainio-2016\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Rainio, Tuomo. 2015. &amp;quot;Reconfigured Image&mdash;translations between concept, code and screen.&rdquo; &amp;lt;em&amp;gt;RUUKKU Studies in Artistic Research&amp;lt;\/em&amp;gt; (online journal). 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Haettu 6.4.2016. &amp;lt;a href=&amp;quot;https:\/\/www.researchcatalogue.net\/view\/156126\/156127&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.researchcatalogue.net\/view\/156126\/156127&amp;lt;\/a&amp;gt;.&lt;\/div&gt;\"><span itemprop=\"name\">Rainio 2015FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Rainio, Tuomo. 2015. &rdquo;Reconfigured Image &ndash; translations between concept, code and screen&rdquo;. RUUKKU Taiteellisen tutkimuksen kausijulkaisu. Haettu 6.4.2016. www.researchcatalogue.net\/view\/156126\/156127.<\/dfn><\/li><li class=\" ln-17\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/raley-2003\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Raley, Rita. 2003. &amp;quot;Machine Translation and Global English.&rdquo;&nbsp;&amp;lt;em&amp;gt;The Yale Journal of Criticism&amp;lt;\/em&amp;gt; 16(2): 291&ndash;313.&lt;\/div&gt;\"><span itemprop=\"name\">Raley 2003<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Raley, Rita. 2003. &ldquo;Machine Translation and Global English.&rdquo;&nbsp;The Yale Journal of Criticism 16(2): 291&ndash;313.<\/dfn><\/li><li class=\" ln-17\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/raley-2009\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Raley, Rita. 2009.&nbsp;&amp;lt;em&amp;gt;Tactical Media&amp;lt;\/em&amp;gt;&amp;lt;em&amp;gt;.&nbsp;&amp;lt;\/em&amp;gt;Electronic Mediations 28. Minneapolis and London: University of Minnesota Press.&lt;\/div&gt;\"><span itemprop=\"name\">Raley 2009<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Raley, Rita. 2009.&nbsp;Tactical Media.&nbsp;Electronic Mediations 28. Minneapolis and London: University of Minnesota Press.<\/dfn><\/li><li class=\" ln-17\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/raley-2015\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Raley, Rita. 2016.&nbsp;&amp;quot;Algorithmic Translations.&rdquo; &amp;lt;em&amp;gt;CR: The New Centennial Review&amp;lt;\/em&amp;gt; 16(1): 115&ndash;138.&lt;\/div&gt;\"><span itemprop=\"name\">Raley 2016<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Raley, Rita. 2016.&nbsp;&ldquo;Algorithmic Translations.&rdquo; CR: The New Centennial Review 16(1): 115&ndash;138.<\/dfn><\/li><li class=\" ln-17\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/raley-2018\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Raley, Rita. 2018. &amp;quot;love.abz and the Task of the Machine Translator.&rdquo; &amp;lt;em&amp;gt;Amodern&amp;lt;\/em&amp;gt; journal. Accessed 15 February 2018. &amp;lt;a href=&amp;quot;http:\/\/amodern.net\/article\/love-abz\/&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;amodern.net\/article\/love-abz&amp;lt;\/a&amp;gt;.&lt;\/div&gt;\"><span itemprop=\"name\">Raley 2018<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Raley, Rita. 2018. &ldquo;love.abz and the Task of the Machine Translator.&rdquo; Amodern journal. 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Haettu 15.2.2018. &amp;lt;a href=&amp;quot;http:\/\/amodern.net\/article\/love-abz\/&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;amodern.net\/article\/love-abz&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Raley 2018FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Raley, Rita. 2018. &rdquo;love.abz and the Task of the Machine Translator.&rdquo; Amodern-verkkojulkaisu. Haettu 15.2.2018. amodern.net\/article\/love-abz<\/dfn><\/li><li class=\" ln-17\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/rouvroy-2013ben\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Rouvroy, Antoinette. 2013.&nbsp;&amp;quot;The end(s) of critique: data-behaviourism vs. due-process.&rdquo; In &amp;lt;em&amp;gt;Privacy, Due process and the Computational Turn: The Philosophy of Law Meets the Philosophy of Technology&amp;lt;\/em&amp;gt;, eds. Mireille Hildebrandt and&nbsp;Katja de Vries, 143&ndash;168. New York: Routledge.&lt;\/div&gt;\"><span itemprop=\"name\">Rouvroy 2013bEN<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Rouvroy, Antoinette. 2013.&nbsp;&ldquo;The end(s) of critique: data-behaviourism vs. due-process.&rdquo; In Privacy, Due process and the Computational Turn: The Philosophy of Law Meets the Philosophy of Technology, eds. Mireille Hildebrandt and&nbsp;Katja de Vries, 143&ndash;168. New York: Routledge.<\/dfn><\/li><li class=\" ln-17\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/rouvroy-2013bfi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Rouvroy, Antoinette. 2013.&nbsp;&amp;quot;The end(s) of critique: data-behaviourism vs. due-process.&rdquo; &amp;lt;em&amp;gt;Privacy, Due process and the Computational Turn: The Philosophy of Law Meets the Philosophy of Technology&amp;lt;\/em&amp;gt;, toim. Mireille Hildebrandt ja&nbsp;Katja de Vries, 143&ndash;168. New York: Routledge.&lt;\/div&gt;\"><span itemprop=\"name\">Rouvroy 2013bFI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Rouvroy, Antoinette. 2013.&nbsp;&ldquo;The end(s) of critique: data-behaviourism vs. due-process.&rdquo; Privacy, Due process and the Computational Turn: The Philosophy of Law Meets the Philosophy of Technology, toim. Mireille Hildebrandt ja&nbsp;Katja de Vries, 143&ndash;168. New York: Routledge.<\/dfn><\/li><li class=\" ln-17\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/rouvroy-2013en\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Rouvroy, Antoinette. 2013. &rdquo;Algorithmic Governmentality and the End(s) of Critique&rdquo;. Society on the Query #2, Session 4: Reflections on Search, network cultures, 8&nbsp;November 2013. Url: &amp;lt;a href=&amp;quot;https:\/\/vimeo.com\/79880601&amp;quot; target=&amp;quot;_blank&amp;quot;&amp;gt;vimeo.com\/79880601&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Rouvroy 2013EN<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Rouvroy, Antoinette. 2013. &rdquo;Algorithmic Governmentality and the End(s) of Critique&rdquo;. Society on the Query #2, Session 4: Reflections on Search, network cultures, 8&nbsp;November 2013. Url: vimeo.com\/79880601<\/dfn><\/li><li class=\" ln-17\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/rouvroy-2013fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Rouvroy, Antoinette. 2013. &rdquo;Algorithmic Governmentality and the End(s) of Critique&rdquo;. Society on the Query #2, Session 4: Reflections on Search, network cultures, 8.11.2013. Url: &amp;lt;a href=&amp;quot;https:\/\/vimeo.com\/79880601&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;vimeo.com\/79880601&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Rouvroy 2013FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Rouvroy, Antoinette. 2013. &rdquo;Algorithmic Governmentality and the End(s) of Critique&rdquo;. Society on the Query #2, Session 4: Reflections on Search, network cultures, 8.11.2013. Url: vimeo.com\/79880601<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/sarconference2016-net-03-02-2017\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;lt;em&amp;gt;Sarconference2016.net&amp;lt;\/em&amp;gt;&nbsp;konferenssin verkkosivusto. Haettu 3.2.2017. &amp;lt;a href=&amp;quot;https:\/\/www.sarconference2016.net\/rc\/index.html&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.sarconference2016.net\/rc&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Sarconference2016.net 3.2.2017<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Sarconference2016.net&nbsp;konferenssin verkkosivusto. Haettu 3.2.2017. www.sarconference2016.net\/rc<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/sarconference2016-net-3-february-2017\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;lt;em&amp;gt;Sarconference2016.net&nbsp;&amp;lt;\/em&amp;gt;conference website. Accessed 3 February 2017. &amp;lt;a href=&amp;quot;https:\/\/www.sarconference2016.net\/rc\/index.html&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.sarconference2016.net\/rc&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Sarconference2016.net 3 February 2017<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Sarconference2016.net&nbsp;conference website. Accessed 3 February 2017. www.sarconference2016.net\/rc<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/schlesinger-et-al-2008\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Schlesinger, Judith D. &amp;amp;amp; O&rsquo;Leary, Dianne P. &amp;amp;amp; Conroy, John M. 2008. &amp;quot;Arabic\/English Multi-document Summarization with CLASSY&mdash;The Past and the Future.&rdquo; In &amp;lt;em&amp;gt;Computation Linguistics and Intelligent Text Processing&amp;lt;\/em&amp;gt;, ed. Alexander Gelbukh, 568&ndash;581. Berlin: Springer.&lt;\/div&gt;\"><span itemprop=\"name\">Schlesinger et al. 2008<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Schlesinger, Judith D. &amp; O&rsquo;Leary, Dianne P. &amp; Conroy, John M. 2008. &ldquo;Arabic\/English Multi-document Summarization with CLASSY&mdash;The Past and the Future.&rdquo; In Computation Linguistics and Intelligent Text Processing, ed. Alexander Gelbukh, 568&ndash;581. Berlin: Springer.<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/schlesinger-et-al-2008fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Schlesinger, Judith D. &amp;amp;amp; O&rsquo;Leary, Dianne P. &amp;amp;amp; Conroy, John M. 2008. &rdquo;Arabic\/English Multi-document Summarization with CLASSY&mdash;The Past and the Future.&rdquo; &amp;lt;em&amp;gt;Computation Linguistics and Intelligent Text Processing&amp;lt;\/em&amp;gt;, toim. Alexander Gelbukh, 568&ndash;581. Berlin: Springer.&lt;\/div&gt;\"><span itemprop=\"name\">Schlesinger et al. 2008FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Schlesinger, Judith D. &amp; O&rsquo;Leary, Dianne P. &amp; Conroy, John M. 2008. &rdquo;Arabic\/English Multi-document Summarization with CLASSY&mdash;The Past and the Future.&rdquo; Computation Linguistics and Intelligent Text Processing, toim. Alexander Gelbukh, 568&ndash;581. Berlin: Springer.<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/schuppli-2014\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Schuppli, Susan. 2014. &amp;quot;Deadly algorithms&mdash;Can legal codes hold software accountable for code that kills?&rdquo; &amp;lt;em&amp;gt;Susan Schuppli&amp;lt;\/em&amp;gt; website. Accessed 1 May 2016. &amp;lt;a href=&amp;quot;http:\/\/www.susanschuppli.com\/wp-content\/uploads\/2014\/11\/Deadly-Algorithms.pdf&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.susanschuppli.com\/wp-content\/uploads\/2014\/11\/Deadly-Algorithms.pdf&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Schuppli 2014<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Schuppli, Susan. 2014. &ldquo;Deadly algorithms&mdash;Can legal codes hold software accountable for code that kills?&rdquo; Susan Schuppli website. Accessed 1 May 2016. www.susanschuppli.com\/wp-content\/uploads\/2014\/11\/Deadly-Algorithms.pdf<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/schuppli-2014fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Schuppli, Susan. 2014. &rdquo;Deadly algorithms&mdash;Can legal codes hold software accountable for code that kills?&rdquo; &amp;lt;em&amp;gt;Susan Schuppli&amp;lt;\/em&amp;gt; verkkosivusto. Haettu 1.5.2016. &amp;lt;a href=&amp;quot;http:\/\/www.susanschuppli.com\/wp-content\/uploads\/2014\/11\/Deadly-Algorithms.pdf&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.susanschuppli.com\/wp-content\/uploads\/2014\/11\/Deadly-Algorithms.pdf&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Schuppli 2014FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Schuppli, Susan. 2014. &rdquo;Deadly algorithms&mdash;Can legal codes hold software accountable for code that kills?&rdquo; Susan Schuppli verkkosivusto. Haettu 1.5.2016. www.susanschuppli.com\/wp-content\/uploads\/2014\/11\/Deadly-Algorithms.pdf<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/schwab-2008en\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Schwab, Michael. 2008.&nbsp;&amp;quot;The Power of Deconstruction in Artistic Research.&rdquo; &amp;lt;em&amp;gt;Working Papers in Art and Design&amp;lt;\/em&amp;gt; 5. Accessed 1 February 2017. &amp;lt;a href=&amp;quot;https:\/\/www.herts.ac.uk\/__data\/assets\/pdf_file\/0017\/12428\/WPIAAD_vol5_schwab.pdf&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.herts.ac.uk\/__data\/assets\/pdf_file\/0017\/12428\/WPIAAD_vol5_schwab.pdf&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Schwab 2008EN<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Schwab, Michael. 2008.&nbsp;&ldquo;The Power of Deconstruction in Artistic Research.&rdquo; Working Papers in Art and Design 5. Accessed 1 February 2017. www.herts.ac.uk\/__data\/assets\/pdf_file\/0017\/12428\/WPIAAD_vol5_schwab.pdf<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/schwab-2008fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Schwab, Michael. 2008.&nbsp;&amp;quot;The Power of Deconstruction in Artistic Research.&rdquo; &amp;lt;em&amp;gt;Working Papers in Art and Design&amp;lt;\/em&amp;gt; 5. Haettu&nbsp;1.2.2017. &amp;lt;a href=&amp;quot;https:\/\/www.herts.ac.uk\/__data\/assets\/pdf_file\/0017\/12428\/WPIAAD_vol5_schwab.pdf&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.herts.ac.uk\/__data\/assets\/pdf_file\/0017\/12428\/WPIAAD_vol5_schwab.pdf&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Schwab 2008FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Schwab, Michael. 2008.&nbsp;&ldquo;The Power of Deconstruction in Artistic Research.&rdquo; Working Papers in Art and Design 5. Haettu&nbsp;1.2.2017. www.herts.ac.uk\/__data\/assets\/pdf_file\/0017\/12428\/WPIAAD_vol5_schwab.pdf<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/slavin-2011en\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Slavin, Kevin. 2011. &amp;quot;How algorithms shape our world.&rdquo;&nbsp;&amp;lt;em&amp;gt;TED Ideas worth spreading&amp;lt;\/em&amp;gt;&nbsp;website. Accessed 1 May 2016. &amp;lt;a href=&amp;quot;https:\/\/www.ted.com\/talks\/kevin_slavin_how_algorithms_shape_our_world\/transcript&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.ted.com\/talks\/kevin_slavin_how_algorithms_shape_our_world\/transcript&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Slavin 2011EN<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Slavin, Kevin. 2011. &ldquo;How algorithms shape our world.&rdquo;&nbsp;TED Ideas worth spreading&nbsp;website. Accessed 1 May 2016. www.ted.com\/talks\/kevin_slavin_how_algorithms_shape_our_world\/transcript<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/slavin-2011fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Slavin, Kevin. 2011. &rdquo;How algorithms shape our world.&rdquo; &amp;lt;em&amp;gt;TED Ideas worth spreading&amp;lt;\/em&amp;gt; -verkkosivusto. Haettu 01.05.2016. &amp;lt;a href=&amp;quot;https:\/\/www.ted.com\/talks\/kevin_slavin_how_algorithms_shape_our_world\/transcript&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.ted.com\/talks\/kevin_slavin_how_algorithms_shape_our_world\/transcript&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Slavin 2011FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Slavin, Kevin. 2011. &rdquo;How algorithms shape our world.&rdquo; TED Ideas worth spreading -verkkosivusto. Haettu 01.05.2016. www.ted.com\/talks\/kevin_slavin_how_algorithms_shape_our_world\/transcript<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/sovitettu-hayles-katkelmasta-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Marshall McLuhan, Friedrich Kittler, Lev Manovich, Mark Hansen ja monet muut ovat esitt&auml;neet samanlaisia v&auml;itteit&auml; (Hayles 2012, 1).&lt;\/div&gt;\"><span itemprop=\"name\">sovitettu Hayles-katkelmasta 2<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Marshall McLuhan, Friedrich Kittler, Lev Manovich, Mark Hansen ja monet muut ovat esitt&auml;neet samanlaisia v&auml;itteit&auml; (Hayles 2012, 1).<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/sovitettu-hayles-katkelmasta-3\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Rakentaen&nbsp;heid&auml;n ty&ouml;ns&auml; varaan t&auml;m&auml; kirja kartoittaa humanististen ja laadullisten yhteiskuntatieteiden &ndash; perinteisesti painokulttuuristen alojen kuten kirjallisuuden, historian, filosofian, uskonnon ja taidehistorian &ndash; piiriss&auml; tapahtuneiden&nbsp;mediamullistusten vaikutuksia n&auml;iden siirtyess&auml;&nbsp;digitaaliseen mediaan (Hayles 2012, 1).&lt;\/div&gt;\"><span itemprop=\"name\">sovitettu Hayles-katkelmasta 3<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Rakentaen&nbsp;heid&auml;n ty&ouml;ns&auml; varaan t&auml;m&auml; kirja kartoittaa humanististen ja laadullisten yhteiskuntatieteiden &ndash; perinteisesti painokulttuuristen alojen kuten kirjallisuuden, historian, filosofian, uskonnon ja taidehistorian &ndash; piiriss&auml; tapahtuneiden&nbsp;mediamullistusten vaikutuksia n&auml;iden(...)<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/sovitettu-hayles-katkelmasta-4\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Siin&auml; miss&auml;&nbsp;luonnontieteet ja kvantitatiiviset yhteiskuntatieteet ovat jo tehneet t&auml;m&auml;n siirtym&auml;n, on humanistisilla ja laadullisilla yhteiskuntatieteill&auml; vasta nyt edess&auml;&auml;n paradigman muutos, jossa digitaalista tutkimusta ja julkaisemista ei en&auml;&auml; voi sivuuttaa (Hayles 2012, 1).&lt;\/div&gt;\"><span itemprop=\"name\">sovitettu Hayles-katkelmasta 4<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Siin&auml; miss&auml;&nbsp;luonnontieteet ja kvantitatiiviset yhteiskuntatieteet ovat jo tehneet t&auml;m&auml;n siirtym&auml;n, on humanistisilla ja laadullisilla yhteiskuntatieteill&auml; vasta nyt edess&auml;&auml;n paradigman muutos, jossa digitaalista tutkimusta ja julkaisemista ei en&auml;&auml; voi sivuuttaa (Hayles 2012, 1).<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/sovitettu-hayles-katkelmasta-5\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Alkaen&nbsp;painokulttuurin muokkaamista, ruokkimista, mahdollistamista ja rajoittamista ajattelutavoista humanistiset tutkijat joutuvat vastakkain digitaalisen median humanistisessa tutkimuksessa kokonaisuudessaan&nbsp;aiheuttamien eroavuuksien kanssa, mukaan lukien projektien k&auml;sitteellist&auml;misess&auml;, tutkimusohjelmien toteuttamisessa, opetussuunnitelmien suunnittelussa ja opiskelijoiden kouluttamisessa (Hayles 2012, 1-2).&lt;\/div&gt;\"><span itemprop=\"name\">sovitettu Hayles-katkelmasta 5<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Alkaen&nbsp;painokulttuurin muokkaamista, ruokkimista, mahdollistamista ja rajoittamista ajattelutavoista humanistiset tutkijat joutuvat vastakkain digitaalisen median humanistisessa tutkimuksessa kokonaisuudessaan&nbsp;aiheuttamien eroavuuksien kanssa, mukaan lukien projektien k&auml;sitteellist&auml;misess&auml;,(...)<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/sovitettu-hayles-katkelmasta-6\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Painokulttuurin aikakausi v&auml;istyy ja siihen liittyv&auml;t oletukset, otaksumat ja k&auml;yt&auml;nn&ouml;t n&auml;ytt&auml;ytyv&auml;t nyt mediaspesifisin&auml; k&auml;yt&auml;nt&ouml;in&auml; pikemminkin kuin pitk&auml;lti n&auml;kym&auml;tt&ouml;m&auml;n&auml; status quona (Hayles 2012, 2).&lt;\/div&gt;\"><span itemprop=\"name\">sovitettu Hayles-katkelmasta 6<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Painokulttuurin aikakausi v&auml;istyy ja siihen liittyv&auml;t oletukset, otaksumat ja k&auml;yt&auml;nn&ouml;t n&auml;ytt&auml;ytyv&auml;t nyt mediaspesifisin&auml; k&auml;yt&auml;nt&ouml;in&auml; pikemminkin kuin pitk&auml;lti n&auml;kym&auml;tt&ouml;m&auml;n&auml; status quona (<a class=\"glossaryLink cmtt_refer-fi cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Hayles, N. Katherine. 2012.&nbsp;&amp;lt;em&amp;gt;How We Think: Digital Media and Contemporary Technogenesis.&amp;lt;\/em&amp;gt; Chicago &amp;amp;amp;&nbsp;London: The University of Chicago Press.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/hayles-2012\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Hayles 2012<\/a>, 2).<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/sovitettu-hayles-katkelmasta-8\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Ehk&auml; kaikkein merkitt&auml;vint&auml; [akateemisella]&nbsp;tasolla on tunne, ett&auml; maailma on hyppysiss&auml;mme. Kyvyll&auml; saada ja hakea tietoa maailmanlaajuisesti on merkitt&auml;v&auml; vaikutus siihen, miten miell&auml;mme oman paikkamme maailmassa. (Hayles 2012, 2.)&lt;\/div&gt;\"><span itemprop=\"name\">sovitettu Hayles-katkelmasta 8<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Ehk&auml; kaikkein merkitt&auml;vint&auml; [akateemisella]&nbsp;tasolla on tunne, ett&auml; maailma on hyppysiss&auml;mme. Kyvyll&auml; saada ja hakea tietoa maailmanlaajuisesti on merkitt&auml;v&auml; vaikutus siihen, miten miell&auml;mme oman paikkamme maailmassa. (Hayles 2012, 2.)<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/sovitettu-hayles-katkelmasta-9\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Asun pieness&auml; kaupungissa Pohjois-Carolinassa, mutta verkon ansiosta en tunne itse&auml;ni lainkaan erist&auml;ytyneeksi. Voin selata kansallisia uutisia, verrata niit&auml; kansainv&auml;liseen raportointiin, l&ouml;yt&auml;&auml; piilotettuja l&auml;hteit&auml;, etsi&auml; informaatiota v&auml;itteen asiapitoisuuden tarkistamiseksi ja tehd&auml; monia muita toimintoja, jotka olisivat vieneet interneti&auml; edelt&auml;v&auml;ll&auml; aikakaudella&nbsp;minuuttien sijaan p&auml;ivi&auml; &ndash; jos olisivat ylip&auml;&auml;ns&auml; olleet mahdollisia.&nbsp;(Hayles 2012, 2.)&lt;\/div&gt;\"><span itemprop=\"name\">sovitettu Hayles-katkelmasta 9<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Asun pieness&auml; kaupungissa Pohjois-Carolinassa, mutta verkon ansiosta en tunne itse&auml;ni lainkaan erist&auml;ytyneeksi. Voin selata kansallisia uutisia, verrata niit&auml; kansainv&auml;liseen raportointiin, l&ouml;yt&auml;&auml; piilotettuja l&auml;hteit&auml;, etsi&auml; informaatiota v&auml;itteen asiapitoisuuden tarkistamiseksi ja tehd&auml;(...)<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/sovitettu-hayles-katkelmasta-10\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Kun tietokoneeni kaatuu tai internet-yhteyteni katkeaa, tunnen itseni eksyneeksi, suuntavaistoni menett&auml;neeksi, ty&ouml;kyvytt&ouml;m&auml;ksi &ndash; itse asiassa se on kuin k&auml;teni olisi amputoitu (tuoden ehk&auml; mieleen Marshall McLuhanin v&auml;itteen, ett&auml; mediat toimivat proteeseina). T&auml;llaiset tunteet ovat yleisi&auml; ja ne ilment&auml;v&auml;t ei v&auml;hemp&auml;&auml; kuin maailmankuvan muutosta. (Hayles 2012, 2.)&lt;\/div&gt;\"><span itemprop=\"name\">sovitettu Hayles-katkelmasta 10<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Kun tietokoneeni kaatuu tai internet-yhteyteni katkeaa, tunnen itseni eksyneeksi, suuntavaistoni menett&auml;neeksi, ty&ouml;kyvytt&ouml;m&auml;ksi &ndash; itse asiassa se on kuin k&auml;teni olisi amputoitu (tuoden ehk&auml; mieleen Marshall McLuhanin v&auml;itteen, ett&auml; mediat toimivat proteeseina). T&auml;llaiset tunteet ovat yleisi&auml;(...)<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/sovitettu-hayles-katkelmasta-11\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Tutkimukset osoittavat, ett&auml; verkon k&auml;ytt&ouml;&ouml;n liittyv&auml;t pienet, tavanomaiset toiminnot &ndash; kuten hiiren klikkaaminen, kursorin liikutteleminen, jne. &ndash; saattavat olla tavattoman tehokkaita uudelleenharjaannuttamaan (tai tarkemmin ottaen&nbsp;mukauttamaan) hermopiirej&auml;mme. Muutokset eiv&auml;t ole vain psykologisia vaan my&ouml;s fyysisi&auml;. (Hayles 2012, 2.)&lt;\/div&gt;\"><span itemprop=\"name\">sovitettu Hayles-katkelmasta 11<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Tutkimukset osoittavat, ett&auml; verkon k&auml;ytt&ouml;&ouml;n liittyv&auml;t pienet, tavanomaiset toiminnot &ndash; kuten hiiren klikkaaminen, kursorin liikutteleminen, jne. &ndash; saattavat olla tavattoman tehokkaita uudelleenharjaannuttamaan (tai tarkemmin ottaen&nbsp;mukauttamaan) hermopiirej&auml;mme. Muutokset eiv&auml;t ole vain(...)<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/sovitettu-hayles-katkelmasta-12\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Lukemaan oppimisen on osoitettu aiheuttavan merkitt&auml;vi&auml; muutoksia aivojen toiminnassa; niin on my&ouml;s eri tavoin lukemaan oppimisen,&nbsp;esimerkiksi Google-hakuja suorittamalla (Hayles 2012, 2).&lt;\/div&gt;\"><span itemprop=\"name\">sovitettu Hayles-katkelmasta 12<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Lukemaan oppimisen on osoitettu aiheuttavan merkitt&auml;vi&auml; muutoksia aivojen toiminnassa; niin on my&ouml;s eri tavoin lukemaan oppimisen,&nbsp;esimerkiksi Google-hakuja suorittamalla (Hayles 2012, 2).<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/sovitettu-hayles-katkelmasta-13\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Kirjassaan &amp;lt;em&amp;gt;The Shallows: What the Internet Is Doing to Our Brains&amp;lt;\/em&amp;gt;&nbsp;(2010) Nicholas Carr esitt&auml;&auml;, ett&auml; [verkon kanssa vuorovaikutuksessa olemisen aiheuttamat muutokset aivojen toiminnassa] vaarantavat kykymme keskitty&auml; ja johtavat pinnalliseen ajatteluun, heikentyneeseen kykyyn ymm&auml;rt&auml;&auml; monimutkaisia tekstej&auml; ja yleiseen &auml;lyllisen kapasiteetin laskuun. H&auml;n yhdist&auml;&auml; ne jatkuvan hajamielisyyden tunteeseen: sen sijaan ett&auml; keskittyisimme yhteen teht&auml;v&auml;&auml;n suhteellisen kauan katsomme tarpeelliseksi tarkistaa s&auml;hk&ouml;postimme, selata verkkoa, pelata tietokonepelej&auml; ja niin edelleen. (Hayles 2012, 2.)&lt;\/div&gt;\"><span itemprop=\"name\">sovitettu Hayles-katkelmasta 13<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Kirjassaan The Shallows: What the Internet Is Doing to Our Brains&nbsp;(2010) Nicholas Carr esitt&auml;&auml;, ett&auml; [verkon kanssa vuorovaikutuksessa olemisen aiheuttamat muutokset aivojen toiminnassa] vaarantavat kykymme keskitty&auml; ja johtavat pinnalliseen ajatteluun, heikentyneeseen kykyyn ymm&auml;rt&auml;&auml;(...)<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/sovitettu-hayles-katkelmasta-14\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;T&auml;ss&auml; yhteydess&auml; haluan tehd&auml; hieman toisenlaisen p&auml;&auml;telm&auml;n: vuorovaikutuksemme digitaalisen median kanssa on ruumiillistunutta ja sill&auml; on ruumiillisia vaikutuksia fyysisell&auml; tasolla. Tietokoneiden toiminnot ovat niin ik&auml;&auml;n ruumiillistuneita, vaikkakin hyvin eri tavalla kuin ihmisill&auml;.&nbsp;(Hayles 2012, 2-3.)&lt;\/div&gt;\"><span itemprop=\"name\">sovitettu Hayles-katkelmasta 14<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">T&auml;ss&auml; yhteydess&auml; haluan tehd&auml; hieman toisenlaisen p&auml;&auml;telm&auml;n: vuorovaikutuksemme digitaalisen median kanssa on ruumiillistunutta ja sill&auml; on ruumiillisia vaikutuksia fyysisell&auml; tasolla. Tietokoneiden toiminnot ovat niin ik&auml;&auml;n ruumiillistuneita, vaikkakin hyvin eri tavalla kuin(...)<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/sovitettu-hayles-katkelmasta-15\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Mit&auml; enemm&auml;n digitaalisia teknologioita k&auml;yt&auml;mme, sit&auml; enemm&auml;n arvostamme verkottuneiden ja ohjelmoitavien koneiden kapasiteettia suorittaa monimutkaisia kognitiivisia teht&auml;vi&auml; ja sit&auml; enemm&auml;n n&auml;pp&auml;imist&ouml; alkaa vaikuttaa ulkoisen laitteen sijaan ajatustemme jatkeelta (Hayles 2012, 3).&lt;\/div&gt;\"><span itemprop=\"name\">sovitettu Hayles-katkelmasta 15<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Mit&auml; enemm&auml;n digitaalisia teknologioita k&auml;yt&auml;mme, sit&auml; enemm&auml;n arvostamme verkottuneiden ja ohjelmoitavien koneiden kapasiteettia suorittaa monimutkaisia kognitiivisia teht&auml;vi&auml; ja sit&auml; enemm&auml;n n&auml;pp&auml;imist&ouml; alkaa vaikuttaa ulkoisen laitteen sijaan ajatustemme jatkeelta (<a class=\"glossaryLink cmtt_refer-fi cmtt_refer-en\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Hayles, N. Katherine. 2012.&nbsp;&amp;lt;em&amp;gt;How We Think: Digital Media and Contemporary Technogenesis.&amp;lt;\/em&amp;gt; Chicago &amp;amp;amp;&nbsp;London: The University of Chicago Press.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/hayles-2012\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Hayles 2012<\/a>, 3).<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/sovitettu-hayles-katkelmasta-16\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Ruumiillistaminen&nbsp;ottaa siten laajennetun kognition muodon, jossa inhimillinen toimijuus ja ajattelu kietoutuvat p&ouml;yt&auml;tietokonetta kauemmas ymp&auml;rist&ouml;&ouml;n ulottuviin, suurempiin verkostoihin. T&auml;st&auml; syyst&auml; kehollisen ja laajennetun kognition mallit, kuten Andy Clarkin ja muiden ehdottamat, ovat keskeisess&auml; asemassa argumentissani. (Hayles 2012, 3.)&lt;\/div&gt;\"><span itemprop=\"name\">sovitettu Hayles-katkelmasta 16<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Ruumiillistaminen&nbsp;ottaa siten laajennetun kognition muodon, jossa inhimillinen toimijuus ja ajattelu kietoutuvat p&ouml;yt&auml;tietokonetta kauemmas ymp&auml;rist&ouml;&ouml;n ulottuviin, suurempiin verkostoihin. T&auml;st&auml; syyst&auml; kehollisen ja laajennetun kognition mallit, kuten Andy Clarkin ja muiden ehdottamat, ovat(...)<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/sovitettu-hayles-katkelmasta-17\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Olen t&auml;h&auml;n menness&auml; puhunut alemmista&nbsp;sitoutumisen tasoista, joita miljoonat ihmiset suorittavat p&auml;ivitt&auml;in. Tutkijat ovat niiden joukossa, jotka usein toteuttavat kehittyneempi&auml; toimintoja digitaalisissa medioissa. Seuraavalla tasolla tutkija alkaa k&auml;ytt&auml;&auml; digitaalista teknologiaa osana tutkimusprosessia. (Hayles 2012, 3.)&lt;\/div&gt;\"><span itemprop=\"name\">sovitettu Hayles-katkelmasta 17<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Olen t&auml;h&auml;n menness&auml; puhunut alemmista&nbsp;sitoutumisen tasoista, joita miljoonat ihmiset suorittavat p&auml;ivitt&auml;in. Tutkijat ovat niiden joukossa, jotka usein toteuttavat kehittyneempi&auml; toimintoja digitaalisissa medioissa. Seuraavalla tasolla tutkija alkaa k&auml;ytt&auml;&auml; digitaalista teknologiaa osana(...)<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/sovitettu-hayles-katkelmasta-18\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Seuraava askel sitoutumisessa on tutkimushankkeiden k&auml;sitteellist&auml;minen ja toteuttaminen digitaalisissa medioissa. Mahdollisuuksien skaala on laaja: yhdess&auml; &auml;&auml;rip&auml;&auml;ss&auml; on kertaluonteinen hanke, jonka tutkija toteuttaa olematta syv&auml;sti sitoutunut,&nbsp;ja toisessa taas&nbsp;tutkijat, jotka ty&ouml;skentelev&auml;t p&auml;&auml;asiassa digitaalisissa medioissa. (Hayles 2012, 4.)&lt;\/div&gt;\"><span itemprop=\"name\">sovitettu Hayles-katkelmasta 18<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Seuraava askel sitoutumisessa on tutkimushankkeiden k&auml;sitteellist&auml;minen ja toteuttaminen digitaalisissa medioissa. Mahdollisuuksien skaala on laaja: yhdess&auml; &auml;&auml;rip&auml;&auml;ss&auml; on kertaluonteinen hanke, jonka tutkija toteuttaa olematta syv&auml;sti sitoutunut,&nbsp;ja toisessa taas&nbsp;tutkijat, jotka ty&ouml;skentelev&auml;t(...)<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/sovitettu-hayles-katkelmasta-19\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;[Lenn&auml;tinj&auml;rjestelm&auml;n] &auml;&auml;nisignaalien vastaanottaminen muuttui yht&auml; helpoksi kuin luonnollisen kielen kuunteleminen, kun se oli opittu ja s&auml;&auml;nn&ouml;llisesti harjoiteltu. Dekoodaaminen tapahtui automaattisesti edeten &auml;&auml;nist&auml; sanavaikutelmiin. Bletchley Parkissa toisen maailmansodan aikana osana mittavaa yrityst&auml; purkaa Saksan Enigma-l&auml;hetyksi&auml; ty&ouml;skennellyt nainen raportoi, ett&auml; siell&auml; kohtaamiensa intensiivisten kokemusten j&auml;lkeen h&auml;n kuuli morseaakkosia kaikkialla &ndash; liikenteen melussa, lintujen laulannassa ja muissa ymp&auml;rist&ouml;n &auml;&auml;niss&auml; &ndash; muodostaen mieless&auml;&auml;n automaattisesti sanoja, joita &auml;&auml;net oletetusti vastasivat. T&auml;st&auml; anekdootista voimme vet&auml;&auml; sen johtop&auml;&auml;t&ouml;ksen, ett&auml; &auml;&auml;nisignaalien vastaanottaminen sai aikaan pitk&auml;kestoisia muutoksia aivojen aktivointirakenteissa, vaikka tieteellist&auml; tietoa &auml;&auml;nisignaalien vastaanottamisen vaikutuksista hermotoimintaan ei ole. (Hayles 2012, 128.)&lt;\/div&gt;\"><span itemprop=\"name\">sovitettu Hayles-katkelmasta 19<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">[Lenn&auml;tinj&auml;rjestelm&auml;n] &auml;&auml;nisignaalien vastaanottaminen muuttui yht&auml; helpoksi kuin luonnollisen kielen kuunteleminen, kun se oli opittu ja s&auml;&auml;nn&ouml;llisesti harjoiteltu. Dekoodaaminen tapahtui automaattisesti edeten &auml;&auml;nist&auml; sanavaikutelmiin. Bletchley Parkissa toisen maailmansodan aikana osana(...)<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/sovitettu-katkelmasta-hayles-2012-1\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Miten me ajattelemme? T&auml;m&auml; kirja tutkii ehdotusta, ett&auml; ajattelemme eri medioiden l&auml;pi, kanssa&nbsp;ja rinnalla. T&auml;m&auml; ei tietenk&auml;&auml;n ole mik&auml;&auml;n uusi idea. (Hayles 2012, 1.)&lt;\/div&gt;\"><span itemprop=\"name\">sovitettu Hayles-katkelmasta 1<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Miten me ajattelemme? T&auml;m&auml; kirja tutkii ehdotusta, ett&auml; ajattelemme eri medioiden l&auml;pi, kanssa&nbsp;ja rinnalla. T&auml;m&auml; ei tietenk&auml;&auml;n ole mik&auml;&auml;n uusi idea. (Hayles 2012, 1.)<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/sovitetty-hayles-katkelmasta-7\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Digitaalisten teknologioiden vaikutusten arvioimiseksi voimme tarkastella laajenevaa vaikutusten sarjaa. Alemmilla tasoilla ovat s&auml;hk&ouml;posti, yliopistolliset verkkosivustot, verkkohaut, tekstiviestit, digitaalisten tiedostojen luominen, tallentaminen ja v&auml;litt&auml;minen ja niin edelleen. Yliopistomaailmassa l&auml;hes jokainen &ndash; ja akateemisen maailman ulkopuolellakin suuri joukko &ndash; k&auml;ytt&auml;&auml;&nbsp;digitaalisia teknologioita n&auml;ill&auml; tasoilla. Esimerkiksi kyn&auml;ll&auml; ja\/tai kirjoituskoneella kirjoitettaessa tehtyjen virheiden kaavamaisuudet ovat varsin erilaiset kuin tekstink&auml;sittelyohjelmalla kirjoitettaessa tehtyjen. Vaikutus akateemiseen tutkimukseen on viel&auml; dramaattisempi: siin&auml; miss&auml; tutkijat kummittelivat ennen kirjastossa, nyky&auml;&auml;n he voivat k&auml;ytt&auml;&auml; tarvitsemiaan l&auml;hteit&auml; verkkohakujen avulla. (Hayles 2012, 2.)&lt;\/div&gt;\"><span itemprop=\"name\">sovitettu Hayles-katkelmasta 7<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Digitaalisten teknologioiden vaikutusten arvioimiseksi voimme tarkastella laajenevaa vaikutusten sarjaa. Alemmilla tasoilla ovat s&auml;hk&ouml;posti, yliopistolliset verkkosivustot, verkkohaut, tekstiviestit, digitaalisten tiedostojen luominen, tallentaminen ja v&auml;litt&auml;minen ja niin edelleen.(...)<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/stiegler-1998\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Stiegler, Bernard. 1998. &amp;lt;em&amp;gt;Technics and Time, 1: The Fault of Epimetheus&amp;lt;\/em&amp;gt;. Translated by Richard Beardsworth and George Collins. Stanford: Stanford University Press.&lt;\/div&gt;\"><span itemprop=\"name\">Stiegler 1998<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Stiegler, Bernard. 1998. Technics and Time, 1: The Fault of Epimetheus. Translated by Richard Beardsworth and George Collins. Stanford: Stanford University Press.<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/stiegler-1998fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Stiegler, Bernard. 1998.&nbsp;&amp;lt;em&amp;gt;Technics and Time, 1: The Fault of Epimetheus&amp;lt;\/em&amp;gt;. K&auml;&auml;nt&auml;neet&nbsp;Richard Beardsworth ja&nbsp;George Collins. Stanford: Stanford University Press.&lt;\/div&gt;\"><span itemprop=\"name\">Stiegler 1998FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Stiegler, Bernard. 1998.&nbsp;Technics and Time, 1: The Fault of Epimetheus. K&auml;&auml;nt&auml;neet&nbsp;Richard Beardsworth ja&nbsp;George Collins. Stanford: Stanford University Press.<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/stiegler-2012en\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Stiegler, Bernard. 2012.&nbsp;&amp;quot;Relational Ecology and the Digital Pharmakon.&rdquo; &amp;lt;em&amp;gt;Culture Machine&amp;lt;\/em&amp;gt; volume 13 (2012): 1&ndash;19.&lt;\/div&gt;\"><span itemprop=\"name\">Stiegler 2012EN<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Stiegler, Bernard. 2012.&nbsp;&ldquo;Relational Ecology and the Digital Pharmakon.&rdquo; Culture Machine volume 13 (2012): 1&ndash;19.<\/dfn><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/stiegler-2012fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Stiegler, Bernard. 2012.&nbsp;&rdquo;Relational Ecology and the Digital Pharmakon.&rdquo; &amp;lt;em&amp;gt;Culture Machine &amp;lt;\/em&amp;gt;2012(13): 1&ndash;19.&lt;\/div&gt;\"><span itemprop=\"name\">Stiegler 2012FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Stiegler, Bernard. 2012.&nbsp;&rdquo;Relational Ecology and the Digital Pharmakon.&rdquo; Culture Machine 2012(13): 1&ndash;19.<\/dfn><\/li><li class=\" ln-19\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/tieteen-termipankki-27-07-2017\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Tieteen termipankki 27.07.2017: K&auml;&auml;nn&ouml;stiede:parafraasi. Url: &amp;lt;a href=&amp;quot;http:\/\/www.tieteentermipankki.fi\/wiki\/K&auml;&auml;nn&ouml;stiede:parafraasi&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.tieteentermipankki.fi\/wiki\/K&auml;&auml;nn&ouml;stiede:parafraasi&amp;lt;\/a&amp;gt;.&lt;\/div&gt;\"><span itemprop=\"name\">Tieteen termipankki 27.07.2017<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\"><a class=\"glossaryLink cmtt_refer-fi\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Tieteen termipankki 27.07.2017: K&auml;&auml;nn&ouml;stiede:parafraasi. Url: &amp;lt;a href=&amp;quot;http:\/\/www.tieteentermipankki.fi\/wiki\/K&auml;&auml;nn&ouml;stiede:parafraasi&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.tieteentermipankki.fi\/wiki\/K&auml;&auml;nn&ouml;stiede:parafraasi&amp;lt;\/a&amp;gt;.&lt;\/div&gt;\" href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/tieteen-termipankki-27-07-2017\/\" data-mobile-support=\"0\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Tieteen termipankki 27.07.2017<\/a>: K&auml;&auml;nn&ouml;stiede:parafraasi. Url: www.tieteentermipankki.fi\/wiki\/K&auml;&auml;nn&ouml;stiede:parafraasi.<\/dfn><\/li><li class=\" ln-19\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/tobin-2015\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Tobin, Anthony. 2015. &amp;quot;Is Google Translate Good Enough for Commercial Websites: A Machine Translation evaluation of text from English websites into four different languages.&rdquo; &amp;lt;em&amp;gt;Reitaku review&amp;lt;\/em&amp;gt; 21: 94&ndash;116.&lt;\/div&gt;\"><span itemprop=\"name\">Tobin 2015<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Tobin, Anthony. 2015. &ldquo;Is Google Translate Good Enough for Commercial Websites: A Machine Translation evaluation of text from English websites into four different languages.&rdquo; Reitaku review 21: 94&ndash;116.<\/dfn><\/li><li class=\" ln-19\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/toivonen-gross-2015\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Toivonen, Hannu &amp;amp;amp; Gross, Oskar. 2015. &amp;quot;Data Mining and Machine Learning in Computational Creativity.&rdquo; &amp;lt;em&amp;gt;Wiley Interdisciplinary Reviews: Data Mining and Knowledge Discovery&amp;lt;\/em&amp;gt; 5:6, 265&ndash;271.&lt;\/div&gt;\"><span itemprop=\"name\">Toivonen &amp; Gross 2015<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Toivonen, Hannu &amp; Gross, Oskar. 2015. &ldquo;Data Mining and Machine Learning in Computational Creativity.&rdquo; Wiley Interdisciplinary Reviews: Data Mining and Knowledge Discovery 5:6, 265&ndash;271.<\/dfn><\/li><li class=\" ln-20\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/uniarts-6-8-17\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Taideyliopiston Teatterikorkeakoulu. 2016. &amp;quot;Dramaturgian koulutusohjelma p&auml;ivittyv&auml; sanakirja.&rdquo; &amp;lt;em&amp;gt;Uniarts.fi&amp;lt;\/em&amp;gt;-verkkosivusto. Haettu 6.8.2017. &amp;lt;a href=&amp;quot;http:\/\/www.uniarts.fi\/uutishuone\/dramaturgian-koulutusohjelman-p%C3%A4ivittyv%C3%A4-sanakirja-julkaistu&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.uniarts.fi\/uutishuone\/dramaturgian-koulutusohjelman-p%C3%A4ivittyv%C3%A4-sanakirja-julkaistu&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Uniarts.fi 6.8.17<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Taideyliopiston Teatterikorkeakoulu. 2016. &ldquo;Dramaturgian koulutusohjelma p&auml;ivittyv&auml; sanakirja.&rdquo; Uniarts.fi-verkkosivusto. Haettu 6.8.2017. www.uniarts.fi\/uutishuone\/dramaturgian-koulutusohjelman-p%C3%A4ivittyv%C3%A4-sanakirja-julkaistu<\/dfn><\/li><li class=\" ln-20\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/uniarts-6-august-2017\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;University of the Arts Helsinki, Theatre Academy. 2016. &amp;quot;Dramaturgian koulutusohjelma p&auml;ivittyv&auml; sanakirja.&rdquo; (&amp;quot;The updated glossary of the Dramaturgy Degree Program.&rdquo;)&nbsp;&amp;lt;i&amp;gt;Uniarts.fi&amp;lt;\/i&amp;gt; university website. Accessed 6 August 2017. Url: &amp;lt;a href=&amp;quot;http:\/\/www.uniarts.fi\/uutishuone\/dramaturgian-koulutusohjelman-p%C3%A4ivittyv%C3%A4-sanakirja-julkaistu&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.uniarts.fi\/uutishuone\/dramaturgian-koulutusohjelman-p%C3%A4ivittyv%C3%A4-sanakirja-julkaistu&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Uniarts.fi 6 August 2017<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">University of the Arts Helsinki, Theatre Academy. 2016. &ldquo;Dramaturgian koulutusohjelma p&auml;ivittyv&auml; sanakirja.&rdquo; (&ldquo;The updated glossary of the Dramaturgy Degree Program.&rdquo;)&nbsp;Uniarts.fi university website. Accessed 6 August 2017. Url:(...)<\/dfn><\/li><li class=\" ln-20\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/uniarts-fi-1-2-2017\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Taideyliopiston Teatterikorkeakoulun Esitt&auml;vien taiteiden tutkimuskeskus. s.a. &rdquo;Tutkintovaatimukset 2015&ndash;2020.&rdquo; &amp;lt;em&amp;gt;Uniarts.fi&amp;lt;\/em&amp;gt;-verkkosivusto. Haettu 1.2.2017. &amp;lt;a href=&amp;quot;https:\/\/www.uniarts.fi\/sites\/default\/files\/Tutken_tutkintovaatimukset_2015-2020.pdf&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.uniarts.fi\/sites\/default\/files\/Tutken_tutkintovaatimukset_2015-2020.pdf&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Uniarts.fi 1.2.2017<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Taideyliopiston Teatterikorkeakoulun Esitt&auml;vien taiteiden tutkimuskeskus. s.a. &rdquo;Tutkintovaatimukset 2015&ndash;2020.&rdquo; Uniarts.fi-verkkosivusto. Haettu 1.2.2017. www.uniarts.fi\/sites\/default\/files\/Tutken_tutkintovaatimukset_2015-2020.pdf<\/dfn><\/li><li class=\" ln-20\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/uniarts-fi-1-february-2017\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;The Performing Arts Research Center, Theater Academy, University of the Arts Helsinki. 2015.&nbsp;&amp;quot;Degree Requirements.&rdquo; &amp;lt;em&amp;gt;Uniarts.fi&amp;lt;\/em&amp;gt; university website. Accessed 1 February 2017. Url: &amp;lt;a href=&amp;quot;http:\/\/www.uniarts.fi\/sites\/default\/files\/Tutkintovaatimukset_FINAL_en_16042015.pdf&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.uniarts.fi\/sites\/default\/files\/Tutkintovaatimukset_FINAL_en_16042015.pdf&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Uniarts.fi 1 February 2017<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">The Performing Arts Research Center, Theater Academy, University of the Arts Helsinki. 2015.&nbsp;&ldquo;Degree Requirements.&rdquo; Uniarts.fi university website. Accessed 1 February 2017. Url: www.uniarts.fi\/sites\/default\/files\/Tutkintovaatimukset_FINAL_en_16042015.pdf<\/dfn><\/li><li class=\" ln-20\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/uniarts-fi-20-9-2016\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Taideyliopiston Teatterikorkeakoulun Esitt&auml;vien taiteiden tutkimuskeskus. s.a. &rdquo;Missio ja visio 2017&ndash;2020: Tutken missio.&rdquo; &amp;lt;em&amp;gt;Uniarts.fi&amp;lt;\/em&amp;gt;-verkkosivusto. Haettu 20.9.2016. &amp;lt;a href=&amp;quot;http:\/\/www.uniarts.fi\/sites\/default\/files\/Tutke_missio_visio_2017-2020.pdf&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.uniarts.fi\/sites\/default\/files\/Tutke_missio_visio_2017-2020.pdf&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Uniarts.fi 20.9.2016<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Taideyliopiston Teatterikorkeakoulun Esitt&auml;vien taiteiden tutkimuskeskus. s.a. &rdquo;Missio ja visio 2017&ndash;2020: Tutken missio.&rdquo; Uniarts.fi-verkkosivusto. Haettu 20.9.2016. www.uniarts.fi\/sites\/default\/files\/Tutke_missio_visio_2017-2020.pdf<\/dfn><\/li><li class=\" ln-20\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/uniarts-fi-20-september-2016\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;The Performing Arts Research Center, Theater Academy, University of the Arts Helsinki. n.d. &amp;quot;Mission and Vision 2017&ndash;2020: Tutke&rsquo;s Mission.&rdquo; &amp;lt;em&amp;gt;Uniarts.fi&amp;lt;\/em&amp;gt; university website. Accessed 20 September 2016. Url: &amp;lt;a href=&amp;quot;http:\/\/www.uniarts.fi\/sites\/default\/files\/Tutke_mission_vision_2017_2020_en.pdf&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.uniarts.fi\/sites\/default\/files\/Tutke_mission_vision_2017_2020_en.pdf&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Uniarts.fi 20 September 2016<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">The Performing Arts Research Center, Theater Academy, University of the Arts Helsinki. n.d. &ldquo;Mission and Vision 2017&ndash;2020: Tutke&rsquo;s Mission.&rdquo; Uniarts.fi university website. Accessed 20 September 2016. Url: www.uniarts.fi\/sites\/default\/files\/Tutke_mission_vision_2017_2020_en.pdf<\/dfn><\/li><li class=\" ln-21\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/vanden-heuvel-1993\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Vanden Heuvel, Michael. 1993. &amp;quot;Textual Harassment: Teaching Drama to Interrogate Reading.&rdquo; &amp;lt;em&amp;gt;Theatre Topics&nbsp;&amp;lt;\/em&amp;gt;3(2): 159&ndash;166.&lt;\/div&gt;\"><span itemprop=\"name\">Vanden Heuvel 1993<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Vanden Heuvel, Michael. 1993. &ldquo;Textual Harassment: Teaching Drama to Interrogate Reading.&rdquo; Theatre Topics&nbsp;3(2): 159&ndash;166.<\/dfn><\/li><li class=\" ln-21\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/verostko-n-d\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;lt;div&amp;gt;&amp;lt;div class=&amp;quot;cmtt_meaning_label&amp;quot;&amp;gt;1&amp;lt;\/div&amp;gt;&amp;lt;span class=&amp;quot;s1&amp;quot;&amp;gt;Verostko, Roman. n.d. &amp;quot;The Algorists.&rdquo; &amp;lt;em&amp;gt;&amp;lt;span class=&amp;quot;s2&amp;quot;&amp;gt;Verostko.co&amp;lt;\/span&amp;gt;&amp;lt;span class=&amp;quot;s2&amp;quot;&amp;gt;m&amp;lt;\/span&amp;gt;&amp;lt;\/em&amp;gt; website. Accessed 24 March 2017.&nbsp;&amp;lt;a href=&amp;quot;http:\/\/www.verostko.com\/algorist.html&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;&amp;lt;span class=&amp;quot;s2&amp;quot;&amp;gt;www.verostko.com\/algorist.html&amp;lt;\/span&amp;gt;&amp;lt;\/a&amp;gt;&amp;lt;\/span&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;\/div&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Verostko n.d.<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">&nbsp;<\/dfn><\/li><li class=\" ln-21\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/verostko-s-a\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;lt;div&amp;gt;&amp;lt;div class=&amp;quot;cmtt_meaning_label&amp;quot;&amp;gt;1&amp;lt;\/div&amp;gt;Verostko, Roman. s.a. &amp;quot;The Algorists.&rdquo; &amp;lt;em&amp;gt;Verostko.com&amp;lt;\/em&amp;gt; verkkosivusto. Haettu 24.3.2017. &amp;lt;a href=&amp;quot;http:\/\/www.verostko.com\/algorist.html&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.verostko.com\/algorist.html&amp;lt;\/a&amp;gt;&amp;lt;\/div&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Verostko s.a.<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">&nbsp;<\/dfn><\/li><li class=\" ln-21\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/verostko-s-a-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;lt;div class=&amp;quot;cmtt_meaning_label&amp;quot;&amp;gt;1&amp;lt;\/div&amp;gt;&amp;lt;span class=&amp;quot;s1&amp;quot;&amp;gt;Verostko, Roman. n.d. &amp;quot;The Algorists.&rdquo; &amp;lt;em&amp;gt;&amp;lt;span class=&amp;quot;s2&amp;quot;&amp;gt;Verostko.co&amp;lt;\/span&amp;gt;&amp;lt;span class=&amp;quot;s2&amp;quot;&amp;gt;m&amp;lt;\/span&amp;gt;&amp;lt;\/em&amp;gt; website. Accessed 24 March 2017.&nbsp;&amp;lt;a href=&amp;quot;http:\/\/www.verostko.com\/algorist.html&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;&amp;lt;span class=&amp;quot;s2&amp;quot;&amp;gt;www.verostko.com\/algorist.html&amp;lt;\/span&amp;gt;&amp;lt;\/a&amp;gt;&amp;lt;\/span&amp;gt;&amp;lt;br\/&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Verostko n.d.<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Verostko, Roman. n.d. &ldquo;The Algorists.&rdquo; Verostko.com website. Accessed 24 March 2017.&nbsp;www.verostko.com\/algorist.html<\/dfn><\/li><li class=\" ln-21\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/verostko-s-a-3\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;lt;div class=&amp;quot;cmtt_meaning_label&amp;quot;&amp;gt;1&amp;lt;\/div&amp;gt;Verostko, Roman. s.a. &amp;quot;The Algorists.&rdquo; &amp;lt;em&amp;gt;Verostko.com&amp;lt;\/em&amp;gt; verkkosivusto. Haettu 24.3.2017. &amp;lt;a href=&amp;quot;http:\/\/www.verostko.com\/algorist.html&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.verostko.com\/algorist.html&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Verostko s.a.<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Verostko, Roman. s.a. &ldquo;The Algorists.&rdquo; Verostko.com verkkosivusto. Haettu 24.3.2017. www.verostko.com\/algorist.html<\/dfn><\/li><li class=\" ln-22\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/weber-2008\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Weber, Samuel. 2008.&nbsp;&amp;lt;i&amp;gt;Benjamin&rsquo;s -abilities&amp;lt;\/i&amp;gt;. Cambridge &amp;amp;amp; London: Harvard University Press.&lt;\/div&gt;\"><span itemprop=\"name\">Weber 2008<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Weber, Samuel. 2008.&nbsp;Benjamin&rsquo;s -abilities. Cambridge &amp; London: Harvard University Press.<\/dfn><\/li><li class=\" ln-22\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/wikipedia-16-2-17\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&rdquo;Puheentunnistus.&rdquo; &amp;lt;em&amp;gt;Wikipedia&amp;lt;\/em&amp;gt;&nbsp;vapaa tietosanakirja, 16.2.2017. &amp;lt;a href=&amp;quot;https:\/\/fi.wikipedia.org\/wiki\/Puheentunnistus&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;fi.wikipedia.org\/wiki\/Puheentunnistus&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Wikipedia 16.2.17<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">&rdquo;Puheentunnistus.&rdquo; Wikipedia&nbsp;vapaa tietosanakirja, 16.2.2017. fi.wikipedia.org\/wiki\/Puheentunnistus<\/dfn><\/li><li class=\" ln-22\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/wikipedia-16-february-2017\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;quot;Speech recognition.&rdquo;&nbsp;&amp;lt;i&amp;gt;Wikipedia.&nbsp;&amp;lt;\/i&amp;gt;Online encyclopedia. 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Accessed&nbsp;27 July 2017. &amp;lt;a href=&amp;quot;https:\/\/en.wikipedia.org\/wiki\/Commentary_(philology)&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;&amp;lt;span class=&amp;quot;s1&amp;quot;&amp;gt;en.wikipedia.org\/wiki\/Commentary_(philology)&amp;lt;\/span&amp;gt;&amp;lt;\/a&amp;gt;&amp;lt;br\/&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Wikipedia 27 July 2017<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">&ldquo;Commentary (philology).&rdquo;&nbsp;Wikipedia.&nbsp;Online encyclopedia. Accessed&nbsp;27 July 2017. en.wikipedia.org\/wiki\/Commentary_(philology)<\/dfn><\/li><li class=\" ln-22\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/wikipedia-31-5-2016\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&rdquo;Digital nomad.&rdquo;&nbsp;&amp;lt;em&amp;gt;Wikipedia&nbsp;&amp;lt;\/em&amp;gt;vapaa tietosanakirja, 31.5.2016. &amp;lt;a href=&amp;quot;https:\/\/en.wikipedia.org\/wiki\/Digital_nomad&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;en.wikipedia.org\/wiki\/Digital_nomad&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Wikipedia 31.5.2016<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">&rdquo;Digital nomad.&rdquo;&nbsp;Wikipedia&nbsp;vapaa tietosanakirja, 31.5.2016. en.wikipedia.org\/wiki\/Digital_nomad<\/dfn><\/li><li class=\" ln-22\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/wikipedia-31-7-2017\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;quot;BLEU.&rdquo;&nbsp;&amp;lt;i&amp;gt;Wikipedia&nbsp;&amp;lt;\/i&amp;gt;vapaa tietosanakirja, 31.7.2017. &amp;lt;a href=&amp;quot;https:\/\/en.wikipedia.org\/wiki\/BLEU&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;en.wikipedia.org\/wiki\/BLEU&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Wikipedia 31.7.2017<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">&ldquo;BLEU.&rdquo;&nbsp;Wikipedia&nbsp;vapaa tietosanakirja, 31.7.2017. en.wikipedia.org\/wiki\/BLEU<\/dfn><\/li><li class=\" ln-22\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/wikipedia-31-7-2017b-2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&rdquo;Internet.&rdquo;&nbsp;&amp;lt;i&amp;gt;Wikipedia&amp;lt;\/i&amp;gt; vapaa tietosanakirja, 31.7.2017. &amp;lt;a href=&amp;quot;https:\/\/en.wikipedia.org\/wiki\/Internet&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;en.wikipedia.org\/wiki\/Internet&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Wikipedia 31.7.2017b<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">&rdquo;Internet.&rdquo;&nbsp;Wikipedia vapaa tietosanakirja, 31.7.2017. en.wikipedia.org\/wiki\/Internet<\/dfn><\/li><li class=\" ln-22\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/wikipedia-31-july-2017\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;quot;BLEU.&rdquo; &amp;lt;i&amp;gt;Wikipedia.&nbsp;&amp;lt;\/i&amp;gt;Online encyclopedia. Accessed 31 July 2017. &amp;lt;a href=&amp;quot;https:\/\/en.wikipedia.org\/wiki\/BLEU&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;en.wikipedia.org\/wiki\/BLEU&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Wikipedia 31 July 2017<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">&ldquo;BLEU.&rdquo; Wikipedia.&nbsp;Online encyclopedia. Accessed 31 July 2017. en.wikipedia.org\/wiki\/BLEU<\/dfn><\/li><li class=\" ln-22\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/wikipedia-31-july-2017b\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;quot;Internet.&rdquo; &amp;lt;i&amp;gt;Wikipedia.&amp;lt;\/i&amp;gt; Online encyclopedia. Accessed 31 July 2017. &amp;lt;a href=&amp;quot;https:\/\/en.wikipedia.org\/wiki\/Internet&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;en.wikipedia.org\/wiki\/Internet&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Wikipedia 31 July 2017b<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">&ldquo;Internet.&rdquo; Wikipedia. Online encyclopedia. Accessed 31 July 2017. en.wikipedia.org\/wiki\/Internet<\/dfn><\/li><li class=\" ln-22\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/wikipedia-31-may-2016\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;quot;Digital nomad.&rdquo;&nbsp;&amp;lt;i&amp;gt;Wikipedia.&amp;lt;\/i&amp;gt; Online encyclopedia. Accessed 31 May 2016.&nbsp;&amp;lt;a href=&amp;quot;https:\/\/en.wikipedia.org\/wiki\/Digital_nomad&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;en.wikipedia.org\/wiki\/Digital_nomad&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Wikipedia 31 May 2016<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">&ldquo;Digital nomad.&rdquo;&nbsp;Wikipedia. Online encyclopedia. Accessed 31 May 2016.&nbsp;en.wikipedia.org\/wiki\/Digital_nomad<\/dfn><\/li><li class=\" ln-22\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/wilson-foglia-2015\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Wilson, Robert A. &amp;amp;amp; Foglia, Lucia. 2015. &amp;quot;Embodied Cognition.&rdquo;&nbsp;&amp;lt;i&amp;gt;Stanford Encyclopedia of Philosophy&amp;lt;\/i&amp;gt; website. Last modified 8 December 2015. Accessed 4 July 2016. Url:&nbsp;&amp;lt;a href=&amp;quot;https:\/\/plato.stanford.edu\/entries\/embodied-cognition\/&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;plato.stanford.edu\/entries\/embodied-cognition&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Wilson &amp; Foglia 2015EN<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Wilson, Robert A. &amp; Foglia, Lucia. 2015. &ldquo;Embodied Cognition.&rdquo;&nbsp;Stanford Encyclopedia of Philosophy website. Last modified 8 December 2015. Accessed 4 July 2016. Url:&nbsp;plato.stanford.edu\/entries\/embodied-cognition<\/dfn><\/li><li class=\" ln-22\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/wilson-foglia-2015fi\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Wilson, Robert A. &amp;amp;amp; Foglia, Lucia. 2015. &rdquo;Embodied Cognition.&rdquo;&nbsp;&amp;lt;em&amp;gt;Stanford Encyclopedia of Philosophy&amp;lt;\/em&amp;gt; -verkkosivu. Viimeksi modifioitu&nbsp;8.12.2015. Viimeisin k&auml;ytt&ouml;p&auml;iv&auml; 20.1.2017. Url: &amp;lt;a href=&amp;quot;https:\/\/plato.stanford.edu\/entries\/embodied-cognition\/&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;plato.stanford.edu\/entries\/embodied-cognition&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Wilson &amp; Foglia 2015FI<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Wilson, Robert A. &amp; Foglia, Lucia. 2015. &rdquo;Embodied Cognition.&rdquo;&nbsp;Stanford Encyclopedia of Philosophy -verkkosivu. Viimeksi modifioitu&nbsp;8.12.2015. Viimeisin k&auml;ytt&ouml;p&auml;iv&auml; 20.1.2017. Url: plato.stanford.edu\/entries\/embodied-cognition<\/dfn><\/li><li class=\" ln-22\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/worthen-2010\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;Worthen, W. B. 2010.&nbsp;&amp;lt;em&amp;gt;Drama: Between Poetry and Performance.&amp;lt;\/em&amp;gt; Chicester: Wiley-Blackwell.&lt;\/div&gt;\"><span itemprop=\"name\">Worthen 2010<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">Worthen, W. B. 2010.&nbsp;Drama: Between Poetry and Performance. Chicester: Wiley-Blackwell.<\/dfn><\/li><li class=\" ln-24\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/youtube-3-4-2017\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-fi\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&rdquo;Neural Machine Translation and Models with Attention.&rdquo; &amp;lt;em&amp;gt;Youtube&amp;lt;\/em&amp;gt; videopalvelu. Haettu 3.4.2017. &amp;lt;a href=&amp;quot;https:\/\/youtu.be\/IxQtK2SjWWM&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;youtu.be\/IxQtK2SjWWM&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Youtube 3.4.2017<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">&rdquo;Neural Machine Translation and Models with Attention.&rdquo; Youtube videopalvelu. Haettu 3.4.2017. youtu.be\/IxQtK2SjWWM<\/dfn><\/li><li class=\" ln-24\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/glossary\/youtube-3-april-2017\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_refer-en\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt;&amp;quot;Neural Machine Translation and Models with Attention.&rdquo; &amp;lt;em&amp;gt;Youtube&amp;lt;\/em&amp;gt;. Video-sharing website. Accessed 3 April 2017. &amp;lt;a href=&amp;quot;https:\/\/youtu.be\/IxQtK2SjWWM&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;youtu.be\/IxQtK2SjWWM&amp;lt;\/a&amp;gt;&lt;\/div&gt;\"><span itemprop=\"name\">Youtube 3 April 2017<\/span><\/a><dfn class=\"glossary_itemdesc\" role=\"definition\" itemprop=\"description\">&ldquo;Neural Machine Translation and Models with Attention.&rdquo; Youtube. Video-sharing website. Accessed 3 April 2017. youtu.be\/IxQtK2SjWWM<\/dfn><\/li><\/ul><\/div><div class=\"clear clearfix cmtt-clearfix\"><\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/pages\/76"}],"collection":[{"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/comments?post=76"}],"version-history":[{"count":1,"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/pages\/76\/revisions"}],"predecessor-version":[{"id":9511,"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/pages\/76\/revisions\/9511"}],"wp:attachment":[{"href":"https:\/\/actascenica.teak.fi\/huopaniemi-otso\/wp-json\/wp\/v2\/media?parent=76"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}