Lähteet

  • Agamben, Giorgio. 2006. Infancy and History: On the Destruction of Experience. Kääntänyt Liz Heron. London and New York: Verso.
  • Bassnett, Susan. 2013. “Rejoinder.” Orbis Litterarum 68(3): 282–289.
  • Benjamin, Walter. 1972. ”Die Aufgabe des Übersetzers.” Gesammelte Schriften Bd. IV/1, toim. Tillman Rexroth, 9–21. Frankfurt/Main: Suhrkamp.
  • Best, Stephen & Marcus, Sharon. 2009. “Surface Reading: An Introduction.” Representations 108 (fall 2009): 1–21.
  • Blum, Andrew. 2012. Tubes: A Journey to the Center of the Internet. New York: Ecco Press.
  • Calonius, Lauri. 2013. ”It Ain’t All in the Head – Situating Cognition to the Body and the Surrounding World”. Teoreettisen filosofian pro gradu -tutkielma, Helsingin yliopisto, Helsinki.
  • Carr, Nicholas. 2010. The Shallows: What the Internet Is Doing to Our Brains. New York & London: W. W. Norton & Company.
  • Cassin, Barbara & Apter, Emily & Lezra, Jacques & Wood, Michael, toim. 2014. Dictionary of Untranslatables: A Philosophical Lexicon. Princeton: Princeton University Press.
  • Castilho, Sheila & Moorkens, Joss & Gaspari, Federico & Calixto, Iacer & Tinsley, John & Way, Andy. 2017. “Is Neural Machine Translation the New State of the Art?” The Prague Bulletin of Mathematical Linguistics 108: 109–120.
  • Clark, Andy & Chalmers, David J. 1998. “The Extended Mind.” Analysis 58(1): 7–19.
  • Coffey, Sarah: “Prostheses”. The Chicago School of Media Theory -blogi. lucian.uchicago.edu/blogs/mediatheory/keywords/prosthesis (3.4.2016)
  • de Vries, Katja & Hildebrandt, Mireille. 2013. “Privacy, due process and the computational turn at a glance: pointers for the hurried reader.” Privacy, Due process and the Computational Turn: The Philosophy of Law Meets the Philosophy of Technology, toim. Mireille Hildebrandt ja Katja de(...)
  • Derrida, Jacques. 2007. Psyche: Inventions of the Other, Volume I. Kääntänyt Joseph F. Graham. Stanford: Stanford University Press.
  • Dorsen, Annie. 2012. ”On Algorithmic Theatre.” Haettu 4.5.2016. www.anniedorsen.com/useruploads/files/on_algorithmic_theatre.pdf
  • Drucker, Johanna. 2013. “Intro to Digital Humanities: Introduction.” UCLA Center for Digital Humanities verkkosivusto. Haettu 1.2.2017. Url: dh101.humanities.ucla.edu/?page_id=13
  • Emerson, Lori. 2014. Reading Writing Interfaces—From the Digital to the Bookbound. Electronic Mediations 44. Minneapolis & London: University of Minnesota Press.
  • Erpenbeck, Jenny. 2015. Gehen, Ging, Gegangen. München: Knaus Verlag.
  • Gillespie, Tarleton. 2014. “The Relevance of Algorithms.” Media Technologies: Essays on Communication, Materiality, and Society, toim. Tarleton Gillespie, 167–193. Cambridge ja Lontoo: The MIT Press.
  • Giovanzana, Davide. 2015. Theatre Enters! The Play within the Play as a Means of Disruption. Acta Scenica 43. Helsinki: Taideyliopiston Teatterikorkeakoulu, Esittävien taiteiden tutkimuskeskus.
  • Google Cloud Platform. Tukisivusto. Haettu 1.7.2017. cloud.google.com/translate/docs/languages
  • Grigely, Joseph. 1995. Textualterity: Art, Theory, and Textual Criticism. Ann Arbor: University of Michigan Press.
  • Grutman, Rainier. 2011. “Self-translation.” Routledge Encyclopedia of Translation Studies, toim. Mona Baker and Gabriela Saldanha, 257–260. Lontoo ja New York: Routledge.
  • Guldin, Rainer. 2013. ”Translating philosophy: Vilém Flusser’s practice of multiple self-translation.” Self-Translation: Brokering Originality in Hybrid Culture, toim. Anthony Cordingley, 95–109. Bloomsbury Studies in Translation. London ja New York: Bloomsbury.
  • Haverinen, Anna & Suominen, Jaakko. 2015. ”Koodaamisen ja kirjoittamisen vuoropuhelu? Mitä on digitaalinen humanistinen tutkimus.” Ennen ja nyt, Historian tietosanomat verkkosivusto. Haettu 28.2.2017.(...)
  • Hayles, N. Katherine. 2008. “Distributed Cognition at/in Work: Strickland, Lawson Jaramillo, and Ryan’s slippingglimpse.” Frame 2008(21.1): 15–29.
  • Hayles, N. Katherine. 2012. How We Think: Digital Media and Contemporary Technogenesis. Chicago & London: The University of Chicago Press.
  • Hayles, N. Katherine. 2017. “Unthought – The Power of the Cognitive Nonconscious.” Chicago & London: The University of Chicago Press.
  • Heinonen, T., Kivimäki A., Korhonen K., Korhonen T., Reitala H., Aristoteles. 2012. Aristoteleen Runousoppi. Helsinki: Teos.
  • Hotinen, Juha-Pekka. 2002. Tekstuaalista häirintää – kirjoituksia teatterista, esitystaiteesta. Helsinki: Like.
  • Huopaniemi, Otso. 2006. ”Oman elämän eksploitaatio.” Taiteellisen tutkimuksen suunnitelma, Teatterikorkeakoulu, Helsinki.
  • Huopaniemi, Otso. 2014. ”TPs and IOAs in Supposed Disorder.” Teatteri ja media(t), toim. Marjatta Häti-Korkeila, Hanna Järvinen, Jukka Kortti, Riku Roihankorpi, 139–148. Näyttämö ja tutkimus 5. Helsinki: Teatterintutkimuksen seura.
  • Huopaniemi, Otso. 2015. ”Dear Rita.” RUUKKU Taiteellisen tutkimuksen kausijulkaisu. Haettu 6.4.2016. www.researchcatalogue.net/view/159469/229633.
  • Huopaniemi, Otso. 2015. Rakkauden ABZ. Research Catalogue verkkosivusto. Haettu 16.2.2017. www.researchcatalogue.net/view/159469/205363
  • Jain, Lakhmi C. & Quteishat, Anas & Lim, Chee Peng. 2007. “Intelligent Machines: An Introduction.” Studies in Computational Intelligence (SCI) 70:1–9.
  • Jakobson, Roman. 1971. ”On Linguistic Aspects of Translation.” Selected Writings, Vol. 2, toim. Roman Jakobson, 260–66. Haag: Mouton.
  • Kangaskoski, Matti. 2017. “Reading Digital Poetry – Interface, Interaction, and Interpretation.” Humanistisen tiedekunnan väitöstutkimus, Helsingin yliopisto, Helsinki.
  • Kaplan, Frederic. 2014. “Linguistic Capitalism and Algorithmic Mediation.” Representations 127: 57–63.
  • Lehmann, Hans-Thies. Postdramatic Theatre. Kääntänyt ja esipuheen kirjoittanut Karen Jürs-Munby. Lontoo ja New York: Routledge.
  • Lesage, Dieter. 2013. ”PaR in Continental Europe: A Site of Many Contests.” Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances, toim. Robin Nelson, 143–151. Lontoo: Palgrave Macmillan.
  • Lewis-Kraus, Gideon. 2016. ”The Great A.I. Awakening.” The New York Times 14.12.2016. www.nytimes.com/2016/12/14/magazine/the-great-ai-awakening.html?_r=0
  • Kim, M. & Oh, K. & Choi, J. & Jung, J. & Kim, Y. “User-Centered HRI: HRI Research Methodology for Designers.” Mixed Reality and Human-Robot Interaction, toim. Xiangyu Wang, 13–34. Dordrecht: Springer.
  • “Microsoft Translator launching Neural Network based translations for all its speech languages.” Microsoft Translator -verkkosivusto. Haettu 15.11.2016. blogs.msdn.microsoft.com/translation/2016/11/15/microsoft-translator-launching-neural-network-based-translations-for-all-its-speech-languages/
  • Microsoft Translator launching Neural Network based translations for all its speech languages. YouTube video, 15.11.2016. Haettu 1.7.2017. blogs.msdn.microsoft.com/translation/2016/11/15/microsoft-translator-launching-neural-network-based-translations-for-all-its-speech-languages/
  • Neural Machine Translation and Models with Attention. YouTube video, 3.4.2017. Haettu 1.7.2017. youtu.be/IxQtK2SjWWM
  • Page, Lawrence & Brin, Sergey & Motwani, Rajeev & Winograd, Terry. 1999. ”The PageRank Citation Ranking: Bringing Order to the Web.” Stanford InfoLab Publication Server. Haettu 27.2.2017. ilpubs.stanford.edu:8090/422/
  • Pailthorpe, Baden. 2012. ”Lingua Franca.” Ctrl-Z: New Media Philosophy verkkojulkaisu. Haettu 1.5.2015. www.ctrl-z.net.au/articles/issue-1/pailthorpe-lingua-franca
  • Palancar, Enrique L. 2012. “A typology of split conjunction.” Linguistic Typology 16: 265–320.
  • Parikka, Jussi. 2012. ”Statistical Machine Art.” Lingua Franca Catalogue Essays, 3–8. Sydney: Firstdraft Gallery.
  • Parisi, Luciana. 2015. ”Automated Cognition, Algorithmic Capitalism and the Incomputable.” Algorithmic Cultures and Security, fourth gathering in the Posthuman Glossary series, BAK, Utrecht. Haettu 5.5.2016. Url: vimeo.com/140173695
  • Pasquale, Frank. 2015. The Black Box Society: The Secret Algorithms That Control Money and Information. Cambridge & Lontoo: Harvard University Press.
  • Peñalver, Maria Recuenco. 2015. “Encounter with André Brink: Looking on ... Self-Translation.” Research in African Literatures 46(2): 146–156.
  • PhDArts. s.a. “Admission Requirements.” Phdarts.eu yliopistollinen verkkosivusto. Haettu 1.2.2017. www.phdarts.eu/Admission/Requirements
  • Pollock, Della. 1998. ”Performing Writing.” Teoksessa The Ends of Performance, toimittaneet Peggy Phelan ja Jill Lane, 73–103. New York: New York University Press.
  • Rainio, Tuomo. 2015. ”Reconfigured Image – translations between concept, code and screen”. RUUKKU Taiteellisen tutkimuksen kausijulkaisu. Haettu 6.4.2016. www.researchcatalogue.net/view/156126/156127.
  • Raley, Rita. 2003. “Machine Translation and Global English.” The Yale Journal of Criticism 16(2): 291–313.
  • Raley, Rita. 2009. Tactical Media. Electronic Mediations 28. Minneapolis and London: University of Minnesota Press.
  • Raley, Rita. 2016. “Algorithmic Translations.” CR: The New Centennial Review 16(1): 115–138.
  • Raley, Rita. 2018. ”love.abz and the Task of the Machine Translator.” Amodern-verkkojulkaisu. Haettu 15.2.2018. amodern.net/article/love-abz
  • Rouvroy, Antoinette. 2013. “The end(s) of critique: data-behaviourism vs. due-process.” Privacy, Due process and the Computational Turn: The Philosophy of Law Meets the Philosophy of Technology, toim. Mireille Hildebrandt ja Katja de Vries, 143–168. New York: Routledge.
  • Rouvroy, Antoinette. 2013. ”Algorithmic Governmentality and the End(s) of Critique”. Society on the Query #2, Session 4: Reflections on Search, network cultures, 8.11.2013. Url: vimeo.com/79880601
  • Sarconference2016.net konferenssin verkkosivusto. Haettu 3.2.2017. www.sarconference2016.net/rc
  • Schlesinger, Judith D. & O’Leary, Dianne P. & Conroy, John M. 2008. ”Arabic/English Multi-document Summarization with CLASSY—The Past and the Future.” Computation Linguistics and Intelligent Text Processing, toim. Alexander Gelbukh, 568–581. Berlin: Springer.
  • Schuppli, Susan. 2014. ”Deadly algorithms—Can legal codes hold software accountable for code that kills?” Susan Schuppli verkkosivusto. Haettu 1.5.2016. www.susanschuppli.com/wp-content/uploads/2014/11/Deadly-Algorithms.pdf
  • Schwab, Michael. 2008. “The Power of Deconstruction in Artistic Research.” Working Papers in Art and Design 5. Haettu 1.2.2017. www.herts.ac.uk/__data/assets/pdf_file/0017/12428/WPIAAD_vol5_schwab.pdf
  • Slavin, Kevin. 2011. ”How algorithms shape our world.” TED Ideas worth spreading -verkkosivusto. Haettu 01.05.2016. www.ted.com/talks/kevin_slavin_how_algorithms_shape_our_world/transcript
  • Stiegler, Bernard. 1998. Technics and Time, 1: The Fault of Epimetheus. Kääntäneet Richard Beardsworth ja George Collins. Stanford: Stanford University Press.
  • Stiegler, Bernard. 2012. ”Relational Ecology and the Digital Pharmakon.” Culture Machine 2012(13): 1–19.
  • Tieteen termipankki 27.07.2017: Käännöstiede:parafraasi. Url: www.tieteentermipankki.fi/wiki/Käännöstiede:parafraasi.
  • Tobin, Anthony. 2015. “Is Google Translate Good Enough for Commercial Websites: A Machine Translation evaluation of text from English websites into four different languages.” Reitaku review 21: 94–116.
  • Toivonen, Hannu & Gross, Oskar. 2015. “Data Mining and Machine Learning in Computational Creativity.” Wiley Interdisciplinary Reviews: Data Mining and Knowledge Discovery 5:6, 265–271.
  • Taideyliopiston Teatterikorkeakoulu. 2016. “Dramaturgian koulutusohjelma päivittyvä sanakirja.” Uniarts.fi-verkkosivusto. Haettu 6.8.2017. www.uniarts.fi/uutishuone/dramaturgian-koulutusohjelman-p%C3%A4ivittyv%C3%A4-sanakirja-julkaistu
  • Taideyliopiston Teatterikorkeakoulun Esittävien taiteiden tutkimuskeskus. s.a. ”Tutkintovaatimukset 2015–2020.” Uniarts.fi-verkkosivusto. Haettu 1.2.2017. www.uniarts.fi/sites/default/files/Tutken_tutkintovaatimukset_2015-2020.pdf
  • Taideyliopiston Teatterikorkeakoulun Esittävien taiteiden tutkimuskeskus. s.a. ”Missio ja visio 2017–2020: Tutken missio.” Uniarts.fi-verkkosivusto. Haettu 20.9.2016. www.uniarts.fi/sites/default/files/Tutke_missio_visio_2017-2020.pdf
  • Vanden Heuvel, Michael. 1993. “Textual Harassment: Teaching Drama to Interrogate Reading.” Theatre Topics 3(2): 159–166.
  • Verostko, Roman. s.a. “The Algorists.” Verostko.com verkkosivusto. Haettu 24.3.2017. www.verostko.com/algorist.html
  • Weber, Samuel. 2008. Benjamin’s -abilities. Cambridge & London: Harvard University Press.
  • ”Puheentunnistus.” Wikipedia vapaa tietosanakirja, 16.2.2017. fi.wikipedia.org/wiki/Puheentunnistus
  • ”Kommentaari.” Wikipedia vapaa tietosanakirja, 27.7.2017. fi.wikipedia.org/wiki/Kommentaari
  • ”Digital nomad.” Wikipedia vapaa tietosanakirja, 31.5.2016. en.wikipedia.org/wiki/Digital_nomad
  • “BLEU.” Wikipedia vapaa tietosanakirja, 31.7.2017. en.wikipedia.org/wiki/BLEU
  • ”Internet.” Wikipedia vapaa tietosanakirja, 31.7.2017. en.wikipedia.org/wiki/Internet
  • Wilson, Robert A. & Foglia, Lucia. 2015. ”Embodied Cognition.” Stanford Encyclopedia of Philosophy -verkkosivu. Viimeksi modifioitu 8.12.2015. Viimeisin käyttöpäivä 20.1.2017. Url: plato.stanford.edu/entries/embodied-cognition
  • Worthen, W. B. 2010. Drama: Between Poetry and Performance. Chicester: Wiley-Blackwell.
  • ”Neural Machine Translation and Models with Attention.” Youtube videopalvelu. Haettu 3.4.2017. youtu.be/IxQtK2SjWWM

References

  • Agamben, Giorgio. 2006. Infancy and History: On the Destruction of Experience. Translated by Liz Heron. London and New York: Verso.  
  • Bank of Finnish Terminology in Arts and Sciences. Online learning materials. Accessed 27.07.2017. Url: www.tieteentermipankki.fi/wiki/Käännöstiede:parafraasi
  • Bassnett, Susan. 2013. “Rejoinder.” Orbis Litterarum 68(3): 282–289.
  • Benjamin, Walter. 1972. “Die Aufgabe des Übersetzers.” In Gesammelte Schriften Bd. IV/1, ed. Tillman Rexroth, 9–21. Frankfurt/Main: Suhrkamp.
  • Best, Stephen & Marcus, Sharon. 2009. “Surface Reading: An Introduction.” Representations 108 (fall 2009): 1–21.
  • Blum, Andrew. 2012. Tubes: A Journey to the Center of the Internet. New York: Ecco Press.
  • Calonius, Lauri. 2013. ”It Ain’t All in the Head—Situating Cognition to the Body and the Surrounding World”. MA thesis in Theoretical Philosophy, University of Helsinki, Helsinki.
  • Carr, Nicholas. 2010. The Shallows: What the Internet Is Doing to Our Brains. New York & London: W. W. Norton & Company.
  • Cassin, Barbara & Apter, Emily & Lezra, Jacques & Wood, Michael, eds. 2014. Dictionary of Untranslatables: A Philosophical Lexicon. Princeton: Princeton University Press.
  • Castilho, Sheila & Moorkens, Joss & Gaspari, Federico & Calixto, Iacer & Tinsley, John & Way, Andy. 2017. “Is Neural Machine Translation the New State of the Art?” The Prague Bulletin of Mathematical Linguistics 108: 109–120.
  • Clark, Andy & Chalmers, David J. 1998. “The Extended Mind.” Analysis 58(1): 7–19.
  • Coffey, Sarah. n.d. “Prosthesis.” The Chicago School of Media Theory blog. Accessed 3 April 2016. lucian.uchicago.edu/blogs/mediatheory/keywords/prosthesis/
  • de Vries, Katja & Hildebrandt, Mireille. 2013. “Privacy, due process and the computational turn at a glance: pointers for the hurried reader.” In Privacy, Due Process and the Computational Turn: The Philosophy of Law Meets the Philosophy of Technology, eds. Katja de Vries and Mireille(...)
  • Derrida, Jacques. 2007. Psyche: Inventions of the Other, Volume I. Translated by Joseph F. Graham. Stanford: Stanford University Press.
  • Dorsen, Annie. 2012. “On Algorithmic Theatre.” Accessed 4 May 2016. www.anniedorsen.com/useruploads/files/on_algorithmic_theatre.pdf
  • Drucker, Johanna. 2013. “Intro to Digital Humanities: Introduction.” UCLA Center for Digital Humanities website. Accessed 1 February 2017. dh101.humanities.ucla.edu/?page_id=13
  • Emerson, Lori. 2014. Reading Writing Interfaces—From the Digital to the Bookbound. Electronic Mediations 44. Minneapolis & London: University of Minnesota Press.
  • Erpenbeck, Jenny. 2015. Gehen, Ging, Gegangen. München: Knaus Verlag.
  • Gillespie, Tarleton. 2014. “The Relevance of Algorithms.” Media Technologies: Essays on Communication, Materiality, and Society, ed. Tarleton Gillespie, 167–193. Cambridge ja Lontoo: The MIT Press.
  • Giovanzana, Davide. 2015. Theatre Enters! The Play within the Play as a Means of Disruption. Acta Scenica 43. Helsinki: University of the Arts Helsinki, Theatre Academy, Performing Arts Research Center.
  • Google Cloud Platform. Language Support. Accessed 1 July 2017. cloud.google.com/translate/docs/languages
  • Grigely, Joseph. 1995. Textualterity: Art, Theory, and Textual Criticism. Ann Arbor: University of Michigan Press.
  • Grutman, Rainier. 2011. “Self-translation.” In Routledge Encyclopedia of Translation Studies, ed. Mona Baker and Gabriela Saldanha, 257–260. London and New York: Routledge.
  • Guldin, Rainer. 2013. “Translating philosophy: Vilém Flusser’s practice of multiple self-translation.” In Self-Translation: Brokering Originality in Hybrid Culture, ed. Anthony Cordingley, 95-109. Bloomsbury Studies in Translation. London and New York: Bloomsbury.
  • Haverinen, Anna & Suominen, Jaakko. 2015. “Koodaamisen ja kirjoittamisen vuoropuhelu? Mitä on digitaalinen humanistinen tutkimus.” Ennen ja nyt, Historian tietosanomat website. Accessed 28 February 2017.(...)
  • Hayles, N. Katherine. 2008. “Distributed Cognition at/in Work: Strickland, Lawson Jaramillo, and Ryan’s slippingglimpse.” Frame 2008(21.1): 15–29.
  • Hayles, N. Katherine. 2012. How We Think: Digital Media and Contemporary Technogenesis. Chicago & London: The University of Chicago Press.
  • Hayles, N. Katherine. 2017. “Unthought – The Power of the Cognitive Nonconscious.” Chicago & London: The University of Chicago Press.
  • Heinonen, T., Kivimäki A., Korhonen K., Korhonen T., Reitala H., Aristoteles. 2012. Aristoteleen Runousoppi (The Poetics by Aristotle, new Finnish translation). Helsinki: Teos.
  • Hotinen, Juha-Pekka. 2002. Tekstuaalista häirintää – kirjoituksia teatterista, esitystaiteesta. Helsinki: Like.
  • Huopaniemi, Otso. 2007. “Selfploitation within the Context of Playwriting.” Artistic research plan, Theater Academy Helsinki.
  • Huopaniemi, Otso. 2015. Rakkauden ABZ. Research Catalogue website. Accessed 16 February 2017. www.researchcatalogue.net/view/159469/205363
  • Huopaniemi, Otso. 2014. “TPs and IOAs in Supposed Disorder.” Teatteri ja media(t), eds. Marjatta Häti-Korkeila, Hanna Järvinen, Jukka Kortti, Riku Roihankorpi, 139–148. Näyttämö ja tutkimus 5. Helsinki: Theatre Research Society.
  • Huopaniemi, Otso. 2015. “Dear Rita.” RUUKKU Studies in Artistic Research (online journal). Accessed 6 April 2016. www.researchcatalogue.net/view/159469/229633.
  • Jain, Lakhmi C. & Quteishat, Anas & Lim, Chee Peng. 2007. “Intelligent Machines: An Introduction.” Studies in Computational Intelligence (SCI) 70:1–9.
  • Jakobson, Roman. 1971. “On Linguistic Aspects of Translation.” In Selected Writings, Vol. 2, ed. Roman Jakobson, 260–66. The Hague: Mouton.
  • Kangaskoski, Matti. 2017. “Reading Digital Poetry—Interface, Interaction, and Interpretation.” Academic Dissertation, Faculty of Arts, University of Helsinki, Helsinki.
  • Kaplan, Frederic. 2014. “Linguistic Capitalism and Algorithmic Mediation.” Representations 127: 57–63.
  • Lehmann, Hans-Thies. Postdramatic Theatre. Translated and with an introduction by Karen Jürs-Munby. London and New York: Routledge.
  • Lesage, Dieter. 2013. “PaR in Continental Europe: A Site of Many Contests.” In Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances, ed. Robin Nelson, 143–151. London: Palgrave Macmillan.
  • Lewis-Kraus, Gideon. 2016. ”The Great A.I. Awakening.” The New York Times 14 December 2016. www.nytimes.com/2016/12/14/magazine/the-great-ai-awakening.html?_r=0
  • Kim, M. & Oh, K. & Choi, J. & Jung, J. & Kim, Y. “User-Centered HRI: HRI Research Methodology for Designers.” In Mixed Reality and Human-Robot Interaction, ed. Xiangyu Wang, 13–34. Dordrecht: Springer.
  • “Microsoft Translator launching Neural Network based translations for all its speech languages.” Microsoft Translator website. Accessed 15 November 2016. blogs.msdn.microsoft.com/translation/2016/11/15/microsoft-translator-launching-neural-network-based-translations-for-all-its-speech-languages/
  • Microsoft Translator launching Neural Network based translations for all its speech languages, 15 November 2016. Accessed 1 July 2017. blogs.msdn.microsoft.com/translation/2016/11/15/microsoft-translator-launching-neural-network-based-translations-for-all-its-speech-languages/
  • Neural Machine Translation and Models with Attention. YouTube video. 3 April 2017. Accessed 1 July 2017. youtu.be/IxQtK2SjWWM
  • Page, Lawrence & Brin, Sergey & Motwani, Rajeev & Winograd, Terry. 1999. “The PageRank Citation Ranking: Bringing Order to the Web.” Stanford InfoLab Publication Server. Accessed 27 February 2017. ilpubs.stanford.edu:8090/422/
  • Pailthorpe, Baden. 2012. “Lingua Franca.” Ctrl-Z: New Media Philosophy online journal. Accessed 1 May 2015. www.ctrl-z.net.au/articles/issue-1/pailthorpe-lingua-franca
  • Palancar, Enrique L. 2012. “A typology of split conjunction.” Linguistic Typology 16: 265–320.
  • Parikka, Jussi. 2012. “Statistical Machine Art.” In Lingua Franca Catalogue Essays, 3–8. Sydney: Firstdraft Gallery.
  • Parisi, Luciana. 2015. “Automated Cognition, Algorithmic Capitalism and the Incomputable.” Algorithmic Cultures and Security, fourth gathering in the Posthuman Glossary series, BAK, Utrecht. Accessed 5 May 2016. Url: vimeo.com/140173695
  • Pasquale, Frank. 2015. The Black Box Society: The Secret Algorithms That Control Money and Information. Cambridge & Lontoo: Harvard University Press.
  • Peñalver, Maria Recuenco. 2015. “Encounter with André Brink: Looking on ... Self-Translation.” Research in African Literatures 46(2): 146–156.
  • PhDArts. n.d. “Admission Requirements.” Phdarts.eu university website. Accessed 1 February 2017. www.phdarts.eu/Admission/Requirements
  • Pollock, Della. 1998. “Performing Writing.” In The Ends of Performance, edited by Peggy Phelan and Jill Lane, 73–103. New York: New York University Press.
  • Rainio, Tuomo. 2015. “Reconfigured Image—translations between concept, code and screen.” RUUKKU Studies in Artistic Research (online journal). Accessed 6 April 2016. www.researchcatalogue.net/view/156126/156127
  • Raley, Rita. 2003. “Machine Translation and Global English.” The Yale Journal of Criticism 16(2): 291–313.
  • Raley, Rita. 2009. Tactical Media. Electronic Mediations 28. Minneapolis and London: University of Minnesota Press.
  • Raley, Rita. 2016. “Algorithmic Translations.” CR: The New Centennial Review 16(1): 115–138.
  • Raley, Rita. 2018. “love.abz and the Task of the Machine Translator.” Amodern journal. Accessed 15 February 2018. amodern.net/article/love-abz.
  • Rouvroy, Antoinette. 2013. “The end(s) of critique: data-behaviourism vs. due-process.” In Privacy, Due process and the Computational Turn: The Philosophy of Law Meets the Philosophy of Technology, eds. Mireille Hildebrandt and Katja de Vries, 143–168. New York: Routledge.
  • Rouvroy, Antoinette. 2013. ”Algorithmic Governmentality and the End(s) of Critique”. Society on the Query #2, Session 4: Reflections on Search, network cultures, 8 November 2013. Url: vimeo.com/79880601
  • Sarconference2016.net conference website. Accessed 3 February 2017. www.sarconference2016.net/rc
  • Schlesinger, Judith D. & O’Leary, Dianne P. & Conroy, John M. 2008. “Arabic/English Multi-document Summarization with CLASSY—The Past and the Future.” In Computation Linguistics and Intelligent Text Processing, ed. Alexander Gelbukh, 568–581. Berlin: Springer.
  • Schuppli, Susan. 2014. “Deadly algorithms—Can legal codes hold software accountable for code that kills?” Susan Schuppli website. Accessed 1 May 2016. www.susanschuppli.com/wp-content/uploads/2014/11/Deadly-Algorithms.pdf
  • Schwab, Michael. 2008. “The Power of Deconstruction in Artistic Research.” Working Papers in Art and Design 5. Accessed 1 February 2017. www.herts.ac.uk/__data/assets/pdf_file/0017/12428/WPIAAD_vol5_schwab.pdf
  • Slavin, Kevin. 2011. “How algorithms shape our world.” TED Ideas worth spreading website. Accessed 1 May 2016. www.ted.com/talks/kevin_slavin_how_algorithms_shape_our_world/transcript
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